Blue Hill Avenue

This was one of those films that came across like an attempt to create a "respectable" Black gangster film, but falls somewhere short of the mark. Centering around the drug-dealing activities of a group of childhood friends, led by "Tristan" (Allen Payne), the film fails to adequately show how Payne's character evolved into such a materialistic and brutal drug lord. Reared in what is portrayed as a happy, loving, two-parent, middle-class family, Tristan suddenly emerges as an adolescent--barely out of puberty--capable of blowing the head off of anyone who would thwart his drug-dealing enterprises. The neighborhood drug kingpin "Benny" (Clarence Williams III), who initially invited these young boys into his fold, becomes engaged in a battle for turf with his former protégés when they reach adulthood. Only Tristan, the story's protagonist, survives and leaves the drug business after having discovered that his drug-addicted younger sister is in the hospital struggling for life after having consumed an overdose of crack cocaine, the very substance with which he has built an empire.

This film is action-packed & filled with plot twists (too many), and should be a hit with a significant portion of the twenty-something-and-under audience, mainly those accustomed to heavy doses of film violence. Yet many viewers may find something almost comical, and probably disturbing, about the inexplicable personality traits of the character Tristan (Allen Payne) and the seedy and aging Benny (Clarence Williams III). Additionally, viewers familiar with Blaxploitation-era films will notice that this feature seemed to lean heavily on the film-industry-demanded formula for Black films of the 1970s, which portrayed most Black female characters as weak &/or morally deficient &/or expendable (Pam Grier excluded). There are no well-defined female characters in this film. Tristan's wife tries to appear long-suffering and wants him out of the drug business, but is attached to the luxury that his criminality affords her. Benny's girlfriend is attached to him primarily for his financial support. These factors are sure to ruffle some feathers. Other viewers, however, may see this film as an action-packed adventure and a genuine Black contribution to the genre of gangster films where audiences identify with, respect, and sometimes sympathize with characters that they wouldn't go near in real life (Can You Say "The Godfather"?) These various impressions, however, leave you wondering exactly what "Blue Hill Avenue" is trying to say or do.

All of the actors in this film, most notably Allen Payne and Clarence Williams III, breathed life into characters that we are never quite sure we believe, which says more about the immense talent of the cast than about the film itself. A sophisticated audience, however, will wonder whether some pertinent scenes are laying on the editor's floor.

I can not believe so few people have seen this movie. It is a terrific film. It has all the action, intrigue, double and triple crosses, and tragedy anyone could ask for. The plot and its development is a work of art. It is first class. The characters are so real and the depth of their portrayals goes well beyond most crime films, including the Godfathers. This is a film you must see if you every watched a single episode of The Sopranos, and liked it.

After watching the movie three times, I have concluded to give this movie a B+. The movie is obviously an independent film, it was filmed by UrbanWorks Entertainment. For the past year I have been thoroughly interested in new line independent films. They depict a realistic view of life from an inside source. You are the visitor in the movie seeing things from their eye.

Blue Hill Ave. gave a very hardcore/gangsta look at life in the ninety's for young people of color. Yet it showed that this was a way of life and they are just as real as anyone else. For instance, one scene showed Tristan and his family at the dinner table eating together. Father, mother, sister and son. In today's light everyone seems to think that there is no family institution in the urban area. Though that may be true, Tristan came from a solid background and still made his choice. This was about money it's evils. How did they die in the end? Over the money. That's what runs the drug ring in this country and in the film. The part with the young woman and himself wasn't cheesy but more simple. That was how it began for them. And for anyone who knows, thats the way they did it back then. It was all so real, and the young men who played them were four very talented young men. Not because they were playing gangstas and using profane language but because they were able to bring the liveliness of what the director was trying to portray. I enjoyed them most in the movie.

In conclusion, I loved the movie. Maybe I am biased because I came from a similar background yet I was able to make a choice to succeed. And when people watch this movie they will make a choice too.

"Blue Hill Avenue" is the story of the rise of Tristan (Payne) from ghetto kid to drug kingpin. An attempt to show the how a kid can be strung out on money while his turf gets strung out on narcotics makes this flick old news. Production value, cast, and camera are low end but acceptable. Where this film really fails is in the script/story. For example...a girl doesn't want anything to do with Tristan because he's a "dealer" but changes her mind when he gives her some cheesy bling. "Blue Hill Avenue" is an old story, offers nothing new, reeks of indiness, runs too long (at 2 hrs), and has characters who look like they stepped right out of a....well, a bad movie. (C+)

I believe that there is an industry-wide conspiracy to deny theatrical access for independent films, particularly those with multi-cultural casts and themes. Blue Hill Ave. reinforces this suspicion in my mind. Of course, I've seen better movies, but I've certainly seen much worse movies in theatrical release and I cannot believe that Blue Hill Ave. could not merit at least a moderate theatrical release on about 500 screens. I would have certainly paid $8 to see this film rather than to see "Soul Plane", "You Got Served", "Baby's Daddy", etc. Perhaps the Justice Dept. needs to step up their investigation into the anti-competitive practices of the mega conglomerate-owned film production and distribution entities. This was supposed to have been resolved in U.S. v Patamount back in 1948! Anyway, I digress. I though Craig Ross, Jr. and his cast and crew did an exceptional job with this film, especially on such a low budget!

If films like Cappuccino (an earlier quality film from this same writer/director) and Blue Hill Ave. can't make it to theaters and the previously mentioned vapid works are able to, why should intelligent Black folks pay $8. at the theater? I hope Mr. Ross' investors were able to profit on this one!