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G

  • 2002
  • R
  • 1 घं 37 मि
IMDb रेटिंग
5.1/10
809
आपकी रेटिंग
Blair Underwood, Richard T. Jones, and Chenoa Maxwell in G (2002)
"G" is a Gatsbyesque love story set against Hip-Hop's invasion of the Hamptons.
trailer प्ले करें2:11
1 वीडियो
1 फ़ोटो
ड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ें"G" is a Gatsbyesque love story set against Hip-Hop's invasion of the Hamptons."G" is a Gatsbyesque love story set against Hip-Hop's invasion of the Hamptons."G" is a Gatsbyesque love story set against Hip-Hop's invasion of the Hamptons.

  • निर्देशक
    • Christopher Scott Cherot
  • लेखक
    • Andrew Lauren
    • Charles E. Drew Jr.
    • Christopher Scott Cherot
  • स्टार
    • Richard T. Jones
    • Blair Underwood
    • Chenoa Maxwell
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.1/10
    809
    आपकी रेटिंग
    • निर्देशक
      • Christopher Scott Cherot
    • लेखक
      • Andrew Lauren
      • Charles E. Drew Jr.
      • Christopher Scott Cherot
    • स्टार
      • Richard T. Jones
      • Blair Underwood
      • Chenoa Maxwell
    • 16यूज़र समीक्षाएं
    • 10आलोचक समीक्षाएं
    • 42मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 2 जीत और कुल 1 नामांकन

    वीडियो1

    Trailer
    Trailer 2:11
    Trailer

    फ़ोटो

    टॉप कलाकार42

    बदलाव करें
    Richard T. Jones
    Richard T. Jones
    • Summer G
    Blair Underwood
    Blair Underwood
    • Chip Hightower
    Chenoa Maxwell
    Chenoa Maxwell
    • Sky Hightower
    Andre Royo
    Andre Royo
    • Tre
    Andrew Lauren
    • Adam Gordon
    Laz Alonso
    Laz Alonso
    • Craig Lewis
    Lalanya Masters
    • Nicole Marshall
    Nicoye Banks
    Nicoye Banks
    • B. Mo Smoov
    Jillian Lindsey
    • Daizy Duke
    Sonja Sohn
    Sonja Sohn
    • Shelly
    Marcia Wright
    Marcia Wright
    • Ladara
    Damian Young
    Damian Young
    • Gene Underhill
    Alex Carr
    Alex Carr
    • Bill
    Renet Kyles
    • Monica
    • (as Ronette Kyles)
    Johnny Russo
    Johnny Russo
    • Ramon
    Lisa Ferreira
    Lisa Ferreira
    • Dierdra
    Miko Tam
    • Peter
    Brian d'Arcy James
    Brian d'Arcy James
    • Lloyd
    • (as Brian Darcy James)
    • निर्देशक
      • Christopher Scott Cherot
    • लेखक
      • Andrew Lauren
      • Charles E. Drew Jr.
      • Christopher Scott Cherot
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं16

    5.1809
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    फ़ीचर्ड समीक्षाएं

    5istlota

    Not Maxwell's best work

    Cherot's earlier film, "Hav Plenty", was one of my favorite movies. The chemistry between Cherot and Maxwell's characters in "Hav Plenty" was magical, albeit also disturbing in some ways. Hav (Maxwell's character) was a self-admitted freak and you find yourself asking why can't D. Money look past her breath-taking physical beauty and see the darkness within? But, this review is about Cherot's later movie, "G". It was a big disappointment. I rented it from Blockbuster immediately after noticing Chenoa Maxwell starred in it. I didn't even notice that it was another Cherot movie until after I watched it ... twice. The significance of that fact is that I was thinking "G" suffered from not having Cherot as the director, then I found out this was a Cherot film. Uh-oh.

    This movie has two problems. One is the weak script. The entire premise is 100% unbelievable. Rappers in the Hamptons? Come on. Maybe, this could have been pulled off as a comedy, but as drama the premise is ill-conceived.

    This movie has so much potential. Blair Underwood nails his character, as always. And, Richard T. Jones manages to tone down his obvious comedic skills and delivers a leading man whose charisma is all the more impressive when you realize he convinces us that Sky (Maxwell's character) should be with him instead of the brother every sister in the world would love to wake up next to, Blair Underwood. Pay attention to the second scene in which we see Summer G. (Jones' character). You sense everything you need to know about Summer G. before he evens says a word. Jones' acting is that deep in this movie. It is, by far, his best work I have seen to date.

    Problem number two is Chenoa Maxwell. Chenoa Maxwell is one of the finest sisters on the planet. That, in itself, is enough to convince most men, and more women than you might think, to see this movie. But, she, apparently, is an actress who needs quite a bit of help from her director. She was so fascinating in "Hav Plenty". But, in "G" she appears, well, amateurish. And, I say that as a fan who sincerely wants to see her do well. I couldn't help being drawn to her character in the episodes she played in "Girlfriends". She played opposite Golden Brooks, another sister with drop dead gorgeous looks. Yet, when the two had a scene together, I found myself drawn to Maxwell's character. But, "G" is the worst work I have seen yet from Maxwell.

    I always saw Chenoa Maxwell playing a role. I never saw Sky, the character Chenoa was supposed to be portraying. Chenoa doesn't look comfortable with this role. In her love scene with Jones, he is buck naked, oblivious to the rest of the world, only into Sky. But, Sky isn't there. Instead, there is Chenoa, more concerned about what body parts not to show than of losing herself in G.s embrace. I can respect a sister deciding not to show her body on camera. But, a sister with those sort of values should not have accepted this role.

    I think , when it comes to love scenes, the actors have to put all personal inhibitions aside and immerse themselves in their characters. It it then up to the director to tastefully edit out shots which are not flattering. If you don't trust your director to do that, you can not give your character your whole heart and soul. Halle Berry had to do this in "Monster's Ball". In her infamous love scene with Billy Bob Thornton's character, Halle is nowhere to be found. At that moment, the only woman in the room is Leticia Musgrove. Yes, it annoys me that White Folks picked that particular story to come up, finally, with another best actress award for a sister. But, Chenoa could learn a lot from Halle's work in "Monster's Ball". Think back to the last scene of "Monster's Ball", when Halle's character told us so much without ever saying one word. Now, that was the level of talent we needed to see from my girl Chenoa.

    Chenoa, please, sister woman, at some point, if you intend to take this acting thing to the next level, you have to be willing to move further from Chenoa and closer to the character you are playing. Embrace her, take chances, even chances that you personally might be a little uncomfortable with. I, for one, know you have it in you.

    But, if your personal value system is not compatible with the whole Hollywood acting scene, to the point where you decide being Chenoa is more important than being an actress, I ain't mad at cha. I have no doubt you could be a success at anything else you put your head to. But, whatever you choose to do, do it with all your mind, heart, soul, and body.

    Istlota
    8rlockh02

    The Hip-hop Great Gatsby

    G, The Hip-hop Great Gatsby opened the Kansas Film Festival and I got a ticket. I'm not at all a fan of Hip-hop (although Hustle and Flow was terrific!). Regardless "G" is great! Keep in mind the question the Journalist (narriator) asks everyone, "Does Hip-hop have heart?". He finally gets an answer with the last line of the movie. Richard T. Jones was mesmerizing as a "Puffy" Rap Mougel slumming in the Hamptons. If your definition of evil is selfishness carried to its logical conclusion then Blair Underwood played a true monster. Great acting job since he is such a sweet person. The movie is a bit uneven in some of the pacing and the reason why the female lead, Sky does what she does is puzzling but an extremely good-looking cast and a great soundtrack make this a movie to watch for. Writer-director Christopher Scott Cherot was at the film and gave a 30 minute Q&A on what he went through to raise the money and get the film made is so good that I hope he will repeat it on the DVD. You can tell when a studio has over-processed a film more than Spam and this is Cherot's film from star to finish. Even if you don't like Hip-Hop see it.
    9meldevonne

    Yall are way too hard on this movie

    No, it didn't have great fx, no it didn't run on BET after 106 and Park, yes it was an indy film. But I got it. It was different , Cool, smart, and hip. Chenoa Maxwell is breath taking. I don't get all the hard reviews. I loved it and want it on DVD for my collection. I think the director is a little different kinda kat. I liked Have Plenty, and this film G was "on it" all you critics need to watch it again...I got it...maybe you critics went to a bad public school where the Great Gastby wasn't required reading to graduate. Richard T Jones was good in this too, and I like Blair Underwood as a villain. This was ome good stuff. Im tired of gangster, rapper, hip hop laced art...we have too much of it and we need to see some different images of black culture.
    UrbanFilmCritic

    Nothing can touch Fitzgerald

    Like this review, G could never capture the eloquence of F. Scott Fitzgerald. What made this movie good was the skeleton provided by Fitzgerald, what made this movie bad was the adaptation. This film had its share of corn. What the first half of the century called "melodrama" we call corny. So that is due to no fault of the producer or the screenwriter. At the same time, the timelessness of the story is what will capture the attention of the audience. On some level we all love a little melodrama. Those who have read the novel will enjoy finding the urban parallels. I was even motivated to read the book again after the screening.

    The enigmatic Gatsby found a counterpart in Summer G without as much mystery. Richard T. Jones is very good at playing the strong silent type. Chenoa Maxwell's Sky Hightower captured the desperate innocence of the classic's Daisy. And Blair Underwood's Chip Hightower was a Tom like no other. There was a little unnecessary comic relief and a few extra characters all building to a crescendo and an almost operatic ending.

    It's difficult to adapt classic novels. This is not the first attempt for The Great Gatsby. Robert Redford and Mia Farrow attempted in 1974. I found that version very boring. So in comparison G was much better but the corn factor was a little extra. All in all much more good than bad.
    9ktse

    much better than everyone says it is.

    I have no gripe about this movie. The plot is an adaptation of what The Great Gatsby, which I love.

    Anyone who says that the beginning gives away the end, probably has attention deficiency disorder and didn't pay attention to the actual story. There were many instances in which you suspect the movie would end with the opening scene, but it just didn't.

    And I don't agree with anyone saying that the characters are "stereotyped." There are many types of blacks portrayed in this movie, from the "straight from the ghetto and 'real' about it" to the reserved, cool "gangsters" to the type that wants to conform to "higher" society. The rowdiness and uncouthness of the people in Summer G's party are necessary in keeping the feeling of the book The Great Gatsby, where the newly-rich in Gatsby's party are unaware of the etiquette of blue-blood society.

    And to those who said "there is no hip hop," I believe that I did hear some rap/hiphop played several times throughout the movie. You don't expect to have an entire music video film, do you? Overall, I thought this movie was great. There was some arguably unnecessary material sprinkled throughout the film, but it should definitely get higher than a 4.4.

    इस तरह के और

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    6.3
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    5.4
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    Butter
    4.4
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    Two Can Play That Game
    6.1
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    Asunder
    5.2
    Asunder

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Beth Dover's debut.
    • भाव

      Summer G: Don't let nobody take nothin' from you; handle your business...

    • कनेक्शन
      Version of The Great Gatsby (1926)
    • साउंडट्रैक
      Monumental Continental
      Written by Ahmad Lewis (as Almad Lewis), Tim Stewart (as Tim Steward), Jabulani Smith-Freeman

      Performed by 4th Avenue Jones

      Courtesy of Lookalive Music Publishing (ASCAP), Jafro Music (BMI), Napzteefn'Earz Music (ASCAP) and Falling Elevator! Music Group

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is G?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 28 अक्टूबर 2005 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Summer G
    • उत्पादन कंपनी
      • Andrew Lauren Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $30,20,784
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $2,48,337
      • 18 सित॰ 2005
    • दुनिया भर में सकल
      • $30,20,784
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 37 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Blair Underwood, Richard T. Jones, and Chenoa Maxwell in G (2002)
    टॉप गैप
    By what name was G (2002) officially released in Canada in English?
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