The Cooler

Bernie Lootz is a 'cooler' – a man whose very presence on a casino floor turns peoples' luck to cr*p and stops any winning streak dead in its tracks.

As such he is a very valuable asset to casino boss Shelly Kaplow, himself having enough problems of his own trying to stop his old school casino being revamped to the point of losing it's sense of class. However, with Bernie looking to leave, Shelly is eager to make him stay – not helped by waitress Natalie falling in love with Bernie and turning his jinx into universal good fortune. With the casino dropping a million plus in one day, Shelly takes action to protect what is his.

As with many viewers I suspect, I was attracted to this film by the cast and the fact that it received a few nods from the Oscars (despite being showy enough to win). The plot is based on the old casino idea of coolers being those who bring bad luck to the tables but it very much needs you to buy into the idea of luck to really enjoy this fable of lady luck – unless you get into it, it'll feel rather forced and silly at times. However the film helped me to overcome this by being very lowkey and downbeat – very much like Bernie himself the film is dog eared and lovable, not a great thing but one that is easy to get into. The film uses Las Vegas really well and it is the Las Vegas I believe in – downbeat, cruel and plastic, it is much better than the fun, breezy and slick Vegas that we are sold in CSI or in Oceans 11. The mix of romance, comedy and violence works very well – at points it was very touching, at others quite funny and then others unrelentingly brutal and downbeat. It isn't perfect of course and the writing is where the problems lie; the story did rely on the audience buying into it and at times the dialogue comes very close to corn (but just misses). The only time I felt really let down by it was the ending, which, although fitting with the spirit of the film, missed a great chance to be dark, depressing and beautiful all at the same time.

Despite the odd weakness in the material, these are almost totally covered by a superb collection of performances. Macy may be aware of typecasting but so what if he keeps getting roles like this, probably one of his best performances since Fargo. He is typically the little man who we cannot help but root for and Macy does well never to let Bernie become pathetic to the point that he loses the audience. Bello also does pretty well and even convincingly falls for Bernie even though the film offers her very little opportunity to show a real development of love there. She is pretty but not to the point where she is an unconvincing waitress and her dashed hopes are well worn by her. However the one performance that dominated the film was Baldwin who does very well in delivering a role that could easily have become caricature. At turns he is amusing, brutal, friendly and tragic and Baldwin does almost all of these with minor touches – at one point I was impressed by how well he controlled his face (eyes in particular) to convince me that here was a man who was totally lost. A great performance and one that definitely deserved his Oscar nod. Support is just as good from several well known faces; Sorvino is given little more than a cameo but the one scene he shares with Baldwin is fantastic and, unlike some of his other roles, I never saw Paulie once – his Buddy was too tragic for that ghost to linger here. Hatosy is OK even if his part of the story is not as good as the others and Nascarella will be a well known face to many due to many roles in films for Spike Lee, Martin Scorsese and a few other big films.

Overall this is not a perfect film and it needs you to really buy into its fantasy world to really enjoy it but it works well and turned out to be an enjoyable, low key and atmospheric little love story that was never brilliant at any one thing but managed to be touching, brutal, funny and, ultimately, quite satisfying even if my darker side wanted an ending with more punch.

Too many movies set in Las Vegas have gone along with the glitzy image that we always see, so it's good to see one take a grittier approach. William H. Macy plays a gambling jinx who falls in love right before he's supposed to leave the city, so there's the issue of how this might affect things. Some people might observe how the movie looks at this relationship, but I noticed how it looked at chance, especially with what happens at the end. Overall, I view it as one the many movies from a new generation of directors (sort of like what got released in the late '60s and early '70s). Definitely worth seeing, with a very effective script and all. Also starring Alec Baldwin, Maria Bello, Shawn Hatosy and Ron Livingston.

The Cooler is worth seeing just for Alec Baldwin's performance alone. An old style casino boss, his inability and unwillingness to accept the new Vegas sends his volatile nature over the edge. Baldwin has always been an underrated actor- at the start of his career, the big studios made the mistake of trying to market him as a star, rather than as the quality actor that he is. He is also helped by working alongside another great actor, William H Macy, who can do more with a look than most can do with 6 OR 7 pages of dialogue ( See the scene when he realizes Maria Bello is still in his flat ). See this film for the acting. It's good to see that films like The Cooler and 21 Grams are doing well and being recognised - it is a triumph for acting and strong scripts as opposed to continual FX and CGI in modern cinema.

Maria Bello is mesmerizing in this movie! After I watched this for the first time, I couldn't get her beauty and her character out of my head. She has caught my eye once before on the movie "Payback" with Mel Gibson, and then this movie and the other movies I have seen with her in were somewhat disappointing. Yet, in "The Cooler", she gives the kind of performance that should bust her career wide open, but I don't think it ever happened, which is very sad. Looking at many of the leading ladies in the current state of movies, and all I see is perfect stars that don't have any depth of character. Yes, I know many actress are doing good stuff, but Maria has something special, something thats hard to explain, but there is no doubt in my mind that she has a lot of it. In conclusion to my boast of Maria Bello...I truly believe that a woman with her talent and beauty should be the lead actor in movies! I think the era of Julia Roberts is over...all hail Maria Bello! ;)

The Cooler is an odd but ultimately satisfying mixture of real feelings, unexpected violence and improbable situations set against of the backdrop of a Las Vegas nearly gone from this world.

William H. Macy plays Bernie, the Cooler of the title. He is a man whose luck is so bad that it not only infects his own life, but can be rubbed off on unsuspecting gamblers at the Golden Shangri-La casino where he works. By merely touching the table where a winner is betting he can change their luck to bad, thereby cooling off their winning streak. It is in this capacity that he meets a cocktail waitress named Natalie (Maria Bello) who begins a relationship with him after he cools the luck of a customer who gets fresh with her. As the unlikely couple begin to form a strong bond, Bernie's luck begins to change. It is when Shelly (Alec Baldwin), the casino manager and boss to both Bernie and Natalie imposes his will on the situation that Bernie's newfound luck and love are tested.

Macy has spent his career playing hapless losers and hard luck characters. In Bernie, he hits the jackpot, delivering a well modulated, brave performance. Brave because he allows Bernie to be shown for what he really is, a not overly attractive, middle aged loser in both body and spirit. Macy shows us a lot of himself both literally and figuratively and it is that which brings a sense of truth to the performance.

Baldwin, who is being billed as a mere co-star is actually a major player in the story. Shelly is a character who utilizes more brute force than the usual steely-eyed verbal barrages that Baldwin excels at. But Shelly is a great character for Baldwin, a man so sure of his place in life and even in Vegas history that he will not bend under any amount of pressure. The Golden Shangri-La is, according to Shelly, the last of the old-style Vegas casinos. The proposed remodel of the casino threatens Shelly at a deep level, making him all the more inflexible. This is definitely bad news for anyone Shelly comes into contact with who would try to thwart his will in any way, including Bernie and Natalie. It is a tribute to Baldwin that the Shelly is someone the audience can never find it in their hearts to dislike completely, despite his intolerable actions.

If in the end, the improbabilities of the story overshadow the ending, it is a fairly minor consideration. This is a movie of performances more than storytelling. Macy's performance is so fine and delicate that one is hard pressed to see how difficult it must have been to do. Bello, as Natalie, shows an underlying fragility that draws the viewer to her and shows us why Bernie would love her. And Baldwin is the hurricane force wind that rages and storms through the proceedings. And it is the audience who is lucky enough to see it all.