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Walk on Water

  • 2004
  • R
  • 1 घं 43 मि
IMDb रेटिंग
7.3/10
7.2 हज़ार
आपकी रेटिंग
Lior Ashkenazi, Knut Berger, and Caroline Peters in Walk on Water (2004)
Home Video Trailer from Sony Pictures Home Entertainment
trailer प्ले करें1:50
5 वीडियो
13 फ़ोटो
ड्रामाथ्रिलररहस्य

अपनी भाषा में प्लॉट जोड़ेंFollowing the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal.Following the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal.Following the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal.

  • निर्देशक
    • Eytan Fox
  • लेखक
    • Knut Berger
    • Caroline Peters
    • Andreas Struck
  • स्टार
    • Lior Ashkenazi
    • Knut Berger
    • Caroline Peters
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    7.2 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Eytan Fox
    • लेखक
      • Knut Berger
      • Caroline Peters
      • Andreas Struck
    • स्टार
      • Lior Ashkenazi
      • Knut Berger
      • Caroline Peters
    • 76यूज़र समीक्षाएं
    • 49आलोचक समीक्षाएं
    • 65मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 4 जीत और कुल 10 नामांकन

    वीडियो5

    Walk on Water
    Trailer 1:50
    Walk on Water
    Walk On Water Scene: Clip 2
    Clip 2:10
    Walk On Water Scene: Clip 2
    Walk On Water Scene: Clip 2
    Clip 2:10
    Walk On Water Scene: Clip 2
    Walk On Water Scene: Clip 3
    Clip 2:49
    Walk On Water Scene: Clip 3
    Walk On Water Scene: Clip 4
    Clip 1:28
    Walk On Water Scene: Clip 4
    Walk On Water Scene: Clip 1
    Clip 0:59
    Walk On Water Scene: Clip 1

    फ़ोटो12

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 6
    पोस्टर देखें

    टॉप कलाकार27

    बदलाव करें
    Lior Ashkenazi
    Lior Ashkenazi
    • Eyal
    Knut Berger
    • Axel Himmelman
    Caroline Peters
    Caroline Peters
    • Pia Himmelman
    Gideon Shemer
    Gideon Shemer
    • Menachem
    • (as Gidon Shemer)
    Carola Regnier
    • Axel's Mother
    Hanns Zischler
    Hanns Zischler
    • Axel's Father
    Ernest Lenart
    • Alfred Himmelman
    Eyal Rozales
    Eyal Rozales
    • Jello
    Yousef 'Joe' Sweid
    Yousef 'Joe' Sweid
    • Rafik
    Imad Jabarin
    Imad Jabarin
    • Rafik's uncle
    Sivan Sasson
    Sivan Sasson
    • Weapons Instructor
    Natali Shilman
    Natali Shilman
    • Iris
    • (as Natali Szylman)
    Hugo Yarden
    • Kibbuz Director
    Joshua Simon
    • Kibbuz Singer
    Tom Rahav
    • Kibbuz Singer
    Imke Barnstedt
    • Helga
    Yuval Semo
    Yuval Semo
    • Guy with a Cell Phone
    Adi Eisenman
    • Mossad Agent
    • निर्देशक
      • Eytan Fox
    • लेखक
      • Knut Berger
      • Caroline Peters
      • Andreas Struck
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं76

    7.37.1K
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    10

    फ़ीचर्ड समीक्षाएं

    9dmasursky

    Definitely worth seeing

    I won't bother to summarize the movie, because many of the existing user comments give very detailed descriptions of the plot (much more information than someone who hasn't seen the movie yet would want). I just want to encourage anyone who hasn't seen the movie to check it out. It's a provocative movie, exploring a bunch of interesting themes, including Israeli relations with both Palestinians and Germans. I also found it to be an engaging film, with interesting characters and many involving story lines. It's almost a fable or fairytale, which the title alludes to. Go in the right frame of mind and you'll enjoy the movie very much, as I did.
    7Havan_IronOak

    A crisis of conscience

    Eyal is a Mossad agent who specializes in terminating those that his agency deems enemies. Upon returning from a mission in Istanbul, he finds that his wife has committed suicide. Until he has been evaluated by a therapist Eyal cannot return to his regular field assignments and is given the task of getting close to the grandchildren of one of the last surviving Nazi war criminals in hopes of finding out where the old man is. The old man has recently disappeared, the man's son is nearing his 70th birthday and his grandson is coming to Israel to visit his kibbutznik sister.

    Eyan poses as a tour guide and is quickly accepted by Axel, the grandson and Pia his sister. Eyan spends most of his time with the charming, spontaneous and open Axel but starts forming a friendship with both grandchildren.

    Between his emotions over the death of his wife and his growing feelings for the two grandchildren Eyan has a crisis of conscience. Can he violate the trust the two have placed in him? Can he kill again?

    Overall this is a well written; many faceted story, remarkably well told. I personally didn't care for the ending but I can't explain too much without giving away what happens.
    9eyal philippsborn

    Authentic and moving (though, more than slightly Self-righteous)

    Sometimes the opening credits predict a great deal about the film itself. Sometimes it's a deliberate decision of the director and sometimes it's a plain business decision. James bond's movies always began with silhouettes of highly attractive women holding guns in a "I'm having a seizure" postures (a long and annoying tradition that stopped only on "Die another day") , Ed Wood films opening credits were presented as epitaffs on graves (indicating that people would see the films over their dead bodies) etc.

    This film's credits are pretty conventional, only they are in English. This is more than slightly perplexing since this film is not only shot, mainly, in Israel but also because it deals with a topic that is highly charged and controversial among Israelis, namely, the collaboration with modern day Germany, in light of the not so distant past of the Holocaust.

    Eyal (Lior Ashkenazi in a terrific performance) is a Mossad agent, returning from Turkey after an efficient and clean assassination of a Terrorist only to find that during his absence his wife, Iris, committed suicide. Eyal, an obtuse individual who only benefited from it in his work, seems unaffected emotionally by such a tragic loss and the worried powers that be demote him (to his dismay) to gather information about a Nazi criminal that lives a clandestine life in an undisclosed location. Eyal poses as a tour guide for Axel, the Nazi's grandson, visiting his sister in a Kibbutz (a once glorified and now decaying socialist community) after she disengaged herself from her parents.

    The "Spying" mission turns soon enough to be a "Roman a clef", a self discovery voyage where Eyal deals with his upbringing in a house of Holocaust survivors and the flaws of his character that made him a first rate assassin but a third rate human being. Axel, the German tourists who starts as Eyal's nemesis (not only because of his origin but also due to his gay tendencies and his merry and merciful personality), ends up as the one who turns Eyal's life around.

    The relationship with modern day Germany is still a touchy subject in Israel and will probably remain so for many decades to come. Till this day, many families don't travel to Germany or even buy German products and although I believe that no generation is born with a debt, I never judge those who boycott Germany considering the demons they have to face as a result of the never too distant to be forgotten Holocaust. This movie deals with the dealing of both Israelis and Germans with their past and with each other by the impossible friendship between Eyal and Axel.

    The Latin credits, as I said before, are the prophecy for the filmmakers' intention for foreign viewing. It begins with the almost apologetic mentioning that Eyal's assassination "victim" is a terrorist , continues with the too PC and not very plot-essential coexistence with the Israeli-Arab population and the atmosphere of the gay night life.

    Moreover, the film conveniently deals with another controversial subject, Palestinian Terror, in a manner that is easier for the European "creative stomach" to digest. At a certain point, its over flown with excessive self-righteousness that is rarely identified in a terror ridden country.

    That reservation is the film's only major flaw and, altogether, the collaboration between the writer, Gal Uchovski, and director, Eitan Fuchs, spawns one of the best written and directed Israeli films I came across. Aided with wonderful acting and well constructed plot, this film encounters its major controversial issue bravely and authentically which I assume, atones the writer and driector's failure to do so in its minor one.

    8.5 out of 10 in my FilmOmeter.
    10Slarti-2

    Great Movie!

    I have seen this movie a few days ago, and I am still thinking about it. I believe this is one of the best films I have seen in a very long while. The film has a rare combination of being fun to watch and amusing at times, combined with a real deep movie with real deep characters and sophisticated.

    It is safe to say that the film is not clean of some logical flaws, but they do not disturb the flow of the film. I loved everything about this film, from the script to the acting and to the excellent photography (which, I have to admit, is rare in Israelie movies, at least until the last few years).

    Although I do understand that Israelies and Germans are more likely to connect to this film, I recommend it to everybody. I think it can be appreciated by anyone who likes quality cinema.

    Ofer.
    10giladwas

    An amazing synthesis of modern issues.

    This is a unique film that has several layers all happening at once.

    The clash between gay and hetro men. The Israeli-Arab conflict. Bringing Natzi criminals to justice. All this and more while undergoing a sight-seeing tour north and south of Israel with its beautiful scenery.

    To summerise... A must see film. Not your usual expected Hollywood drama but a true multi-cultural story with dynamic and evolving characters.

    इस तरह के और

    Yossi & Jagger
    7.1
    Yossi & Jagger
    Ha-Buah
    7.2
    Ha-Buah
    Yossi
    7.0
    Yossi
    José
    6.6
    José
    Sublet
    7.0
    Sublet
    Pit Stop
    6.0
    Pit Stop
    Hearat Shulayim
    7.1
    Hearat Shulayim
    Cut Snake
    5.9
    Cut Snake
    That Is All
    5.9
    That Is All
    Coming Out
    7.0
    Coming Out
    Out in the Dark
    7.5
    Out in the Dark
    I Am Syd Stone
    7.1
    I Am Syd Stone

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Caroline Peters, who plays Pia, revealed in an interview on Israeli television that her actual grandfather was a Nazi, just like her character's grandfather in the film
    • गूफ़
      When Eyal visits Menachem's Berlin hotel, a shot down its hall reveals that all the rooms have Mezuzot on the doorframes. At the door to Menachem's room, the only room without a Mezuzah, there is a clearly visible unpainted patch from which the Mezuzah had been removed just for that shot. A Mezuzah is a small box filled with bible passages (Deuteronomy 6:4-9 and 11:13-21). Jews put them on the doorframes of houses and other buildings. Their presence reveals that the filmmakers used an Israeli location for that hotel instead of a German one.
    • भाव

      Axel Himmelman: [tries to walk on the sea and falls in]

      Eyal: [sarcastically] Bravo. You did it.

      Axel Himmelman: You don't understand. You can't just come to the Sea of Galilee and start walking on water. If you could, everybody would be doing it. You need to prepare yourself.

      Eyal: And how would you do that? Please enlighten me.

      Axel Himmelman: Well, you need to completely purify yourself. Your heart needs to be like it's clean from the inside: no negativity, no bad thoughts.

      Eyal: And then?

      Axel Himmelman: And then you can walk on water. I'm sure of it.

    • कनेक्शन
      Featured in 2005 Glitter Awards (2005)
    • साउंडट्रैक
      Cinderella-Rockefella
      Written by Mason Williams and Nancy Ames

      Performed by Esther Ofarim and Abi Ofarim

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल18

    • How long is Walk on Water?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 18 मार्च 2004 (इज़राइल)
    • कंट्री ऑफ़ ओरिजिन
      • इज़राइल
      • स्वीडन
    • आधिकारिक साइट
      • Official site (Spain)
    • भाषाएं
      • अंग्रेज़ी
      • जर्मन
      • यहूदी
      • इतालवी
      • तुर्की
      • अरेबिक
    • इस रूप में भी जाना जाता है
      • Caminar sobre las aguas
    • फ़िल्माने की जगहें
      • बर्लिन, जर्मनी
    • उत्पादन कंपनियां
      • Israeli Film Fund
      • Lama Films
      • Fond Européen Média
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $27,13,932
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $60,465
      • 6 मार्च 2005
    • दुनिया भर में सकल
      • $44,44,265
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 43 मि(103 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

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