Primer

You're going to watch this movie for the first time... and you won't understand it. It's that simple. Honestly, I don't think it's possible to grasp Primer in a single viewing, especially if you're going in with just the basics. And that's not a flaw - it's part of the design.

Once it's over, you're left with two possible paths.

The first option is to watch it again. And again. As many times as it takes until you start piecing the puzzle together on your own. This is the purest - and most challenging - way to approach the film: no spoilers, no external explanations, just your intuition, memory, and attention to detail. Trust me, two viewings won't be enough.

The second option is to look for explanations. That's the one I chose. The video that helped me the most was "PRIMER (2004) - ILLUSTRATED EXPLANATION" by LondonCityGirl. Thanks to that, I was able to understand a big part of what was going on. Still, I kept digging, reading, and watching other analyses to catch more nuances. Primer is packed with visual clues, subtle gestures, and lines of dialogue that seem insignificant but carry a lot of weight.

My first viewing was total confusion. And if I ever felt like something made sense, I was probably wrong.

The second time was completely different. I started noticing connections, details I had completely missed before. But even then, I realized something crucial: even if you understand the fundamentals of the story, a lot still remains open to interpretation. And I'm pretty sure that if I hadn't looked up any explanations, I'd have been just as lost as I was the first time.

My favorite scene is a specific one - an unexpected chase down the street - where the shift in tone, the music, the tension, and the atmosphere all come together so perfectly that I felt completely immersed in the film.

"Primer" starts out innocently like a "Start-up.com" docu-drama and the first part covers some of those same financial, friendship and entrepreneurial issues as computer geek engineers work out of of one of the partner's garage to perfect an invention.

But gradually, in this antiseptic atmosphere of white shirts, electrical experiments and tweaking mechanics, every human emotion, virtually as every seven deadly sin, except sloth, and beyond, starting with greed, takes them over.

Without any explanation to the audience, we gradually figure out that we're seeing a cleverer, low budget "Paycheck" or what "Ground Hog Day" played for laughs and an original "Outer Limits" episode did for irony (I didn't see "The Butterfly Effect" to see how it also dealt with time changes).

Rather this is an attempt to seriously examine the philosophical issues of chaos theory and how inventions can't be divorced from human frailties, both mental and physical.

Shane Carruth, as the lead actor/writer/director/producer is a true auteur--and could therefore give his nerd a wife and kid-- but perhaps an outside editor could have helped make the permutations a bit clearer as I didn't quite follow the intersections with outside characters. I followed enough to get caught up in the anxiety and suspense of each iteration.

It was amusing that I was the only woman in the audience.

You remember the first time you saw The Matrix (please, not the awful sequels) and you could barely keep up with what was going on, trying to piece together the pieces of what you were being told into a coherent story?

This movie was exactly like that. The first half or so is fairly linear (despite the frenzied Altman-esque style of everyone talking on top of each other), but then it gets WEIRD and it just absolutely blew me away. This film won a major Sundance award, and normally that means I won't like it (especially the normally pandering audience award winners) but this movie, and first-time filmmaker Shane Carruth, deserves absolutely everything it gets. I am just blown away.

Did you like Pi? If so, go see this one.

By the way, the attention to detail in the beginning is great. Often in thrillers with technical content, if you have a technical education you have consciously ignore all the stupid movie crud that they pull to make it into a good story. But this movie pulls off an incredibly believable technical story, with only a few distracting gaffs. That is, the tech jargon is good enough that you don't get distracted and can focus on the story line.

Final comment: Yes, it is very hard to follow the story line in this movie.

Obviously I'm not going to spoil it, but I think the following fact will help when the movie gets kind of hairy towards the end: Aaron is the dark-haired guy, Abe is the blond-haired guy.

This movie now has distribution and you should keep an eye out for it in the fall.

I don't know how to feel about this movie. I do know it takes more than one viewing to catch it all. I enjoyed it, overall. There were twists even I didn't expect, and I'm one of those people who never gets caught by twists. The movie was well-acted. It seemed as if the things they did could actually happen. Watch it closely the first time, then watch it again to see how much you missed. If you get it all the first time, congratulations. If it takes more than one viewing, join the club. It's definitely a must-see, even though I only gave it a 6. It makes you think. It makes you REALLY think. I bought it sight-unseen for my husband for his birthday. I've watched it more than he has. So, "thumbs up", but be prepared for a bumpy ride.

Four friends/fledgling entrepreneurs, knowing that there is something bigger and more innovative than the different error-checking devices they have built, wrestle over their new invention.

What can you do with $7000? Apparently, with a good script and a cast / crew that does not exceed their expectations or potential, quite a bit. This film is on par with very early Cronenberg (such as "Stereo"), and it seems to already be a modern science fiction classic.

We get some great quotes, too. "I'm hungry. I haven't eaten since later this afternoon." Where else could that line ever make sense? I also love the question of how do cell phones work? Most time travel films, even if they go to the future, neglect cell phones. This one asks a valid question: which one would ring if two existed in the same time? Hmmm..