Firewall

I was quite surprised that Massive Attack's Angel was chosen to accompany the opening credits, which consisted for mostly CCTV / voyeuristic shots of a team conducting surveillance on the movements of Harrison Ford's Jack Stanfield and his family. I know it's a cool track, but Angel is perhaps becoming one of the more overused tracks in Hollywood pictures already.

But it hints well at what Firewall is going to become. Cliché and overused sequences which will probably make you scream "haven't I seen this somewhere before"? Firewall offered nothing very new in terms of plot outline, as it contains modified scenes from even Ford's own works like Air Force One (the family's survival being threatened, and it's up to one man to save the day) and The Fugitive (the frame up and one man's run from the law). Ford has already become comfortable in the role of an all-American one man hero, that this role offered no surprises at all.

It's basically standard fare with the usual chases and action fight sequences. Stansfield is a VP of (network) security of a bank, and has designed the bank's software, with other operational duties like making sure the bank can respond to external online threats. However, as the saying goes, almost 80% of intrusion are committed knowingly or unknowingly from the inside, and with a head honcho part of the act, you can be sure that he has the know-how to siphon out cash if he wants to.

In comes Bill Cox (Paul Bettany), scheming con man, who with his team of merry men, take Stanfield's family hostage and lapses into the usual psycho-mumbo-jumbo routine. With the family's antics at escaping, you really wonder if Cox, as a villain, has what it takes to call the shots in a hostage situation. While he might have the upper hand, it's his weakness in being ruthless to the hostages that proved his downfall, and make him a very weak cinematic villain. Here's someone who would rather shoot at his own men than to teach them hostages a lesson. Probably he has this noble subscription to "women and children first". And it doesn't help when there's the usual good guy amongst his merry men who offers the family sympathy points.

Word of caution though, for those who might think that this film offers some cool technology on screen. Leave the techno-babble at the door, there's no "firewall" to hack into in the first place, and the "hacking" is actually a no-brainer. And unless the USA offers wireless internet access like everywhere, it's pretty incredible with what a laptop can do in the movie.

It has your expected twists and seemingly smart moments, but nothing that will truly make you go "wow". The fist fight choreography can get pretty intense, however, there's no need to reach the end of the road before you know who's gonna emerge tops. It isn't exactly a bad movie, but one which doesn't even have a single sequence that can redeem this picture from really bad mediocrity.

The movie was better than I thought it would be. I really enjoyed it. Seeing Harrison Ford back in action was an added bonus. He can definitely still bring it. It was great to see him back on the big screen as feisty as ever still kicking butt. The villain was played by Paul Bettany who is always brilliant when playing a dirty rotten scoundrel. I didn't realize how tall he (Paul) is until this movie, (he is a good inch taller than Harrison Ford, who is over 6 ft) The film was a bit slow in parts, but the ending makes up for it. I wouldn't suggest taking small children as it is a bit violent for its PG-13 rating. There are also a couple funny / cute moments that were really well played. If you are a Harrison Ford fan, you won't want to miss Firewall.

This is like "24", it's all phony, but exciting enough so you don't care. You know what Ford is going to do. Having Chloe as his admin assistant even added to the ambiance. The cinematography was very good, and the acting was all standard. It's just, as usual, the bad guy has to have a few idiots working for him to make the story go easier. The dog bit was too much of a ploy to keep the plot moving, totally out of sync with what characters would have done. Bottom line is poor quality of enemies for Ford to deal with, so even though events proceeded apace, they required too much suspension of disbelief for my money. I wouldn't have gone myself, it was just my wife wanted to see it. There was never truly enough of a sense of danger. They should have hurt one of the family more. Even the son's allergy reaction wasn't scary enough. And people would have figured out things at the bank a lot sooner.

Overall, an enjoyable movie, until the end when it felt like the director got sick of the movie and said "that's a wrap. everyone leave".

Fortunately, they didn't go overboard with the usual lousy computer scenes you normally see in a movie. In fact, the whole name of "Firewall" is poorly chosen.

If you're looking for a simple pseudo-thriller that follows the typical script, you'll enjoy this.

If you're looking for more than that, look elsewhere.

I give it a 5 out of 10. Had some enjoyable moments, but like I said, it simply ends poorly.

Jack Stanfield may be an old man but he has a young wife, couple of young kids AND is pretty hot on the old computers, working as he does as head of systems security for a small bank chain that has recently merged with a larger firm. His comfortable life is thrown into disarray when a group of armed men led by the distinguished and cruel Bill Cox seize his house and his family. The deal is simple – unless he helps them transfer millions of pounds from many of the banks accounts by accessing the system, they will kill his family one at a time. Given that none of the men are masked, Jack suspects that this will happen anyway and, while going along with them, frantically tries to work out a way to safety.

This film did reasonable but unspectacular business at the box office and perhaps that is only fair given that is also a very adequate on the film itself as it is solid but nothing special at all. The plot is a bit of the problem as the computer world and the house both act as constraining factors that do not allow for a great number of set pieces to get the heart racing. Nor does it provide much in the way of mystery although it is clever enough to provide distraction and a general sense of peril. Much of this comes from the performances though, which despite not being brilliant are at least functional for this film. I didn't need a fourth Indiana Jones film to tell me Ford was getting old, because he demonstrates it here with an absurd fight scene at the end. Up till then though he is not actually too bad and age doesn't prevent him from doing anything in particular. Bettany is pretty good alongside him and plays a bit of a cookie-cutter character with a bit of class. Madsen is lumbered with the "wife in peril" role but fills it well (better than the two kids anyway). The support cast features very minor turns from faces such as Forster, Patrick, Arkin, Rajskub and a few others of note – not sure what attracted them but they add a bit of class to the film anyway.

Ultimately director Loncraine cannot make the most of all these bits and, while doing a good job, he doesn't really ever get the tension ratcheted up to the level of any of the many better "normal guy in peril" type roles that Ford has done over the last few decades. It is "OK" but I was a bit disappointed that he didn't manage to make the house feel "smaller" with the gang in it, or that he never really got anything crackling between Bettany and Ford. It is a reasonable film nonetheless and it distracted me but only that – it will certainly fade in my memory quickly and certainly doesn't do anything for Ford other than keeping him busy.