Gong woo

First of all, I have to say, the acting in this film is aces! Andy Lau and Jacky Cheung are terrific as two best friends who are powerful gangsters. Edison Cheng and Shawn Yue are also very engaging to watch as two young men involved in the gangster underworld. The scenes, the camera work, the peculiarly cheery music playing in the background all add to the pure visual pleasure. This is a great stylish looking film. One of the most watchable scenes in this movie was simply Andy Lau's character and Jacky Cheung's character having a meal in an empty, elegant Italian restaurant. These two actors play off each other very well. It was riviting to watch them talk to each other.

But the story? I had trouble figuring out the story. I rented this movie without English subtitles and my understanding of cantonese is very general.

I watched it twice to figure out everything. The twist in the end is surprising but not very satisfying.

What I got from this movie was this: this is not really a typical Hong Kong gangster film. This film is really about the deep friendship and love (I mean the platonic kind) between two good friends.

Is this film worth watching? Absolutely. Is the story good? So so. Even though I was not particularly satisfied with the ending, I still think it's a film worth watching and enjoying.

I find this movie to be very cleverly written and directed. IMDb has the wrong names however. Jacky Cheung's character is called Mr. Left not Left Hand and Shawn Yue's characters name is Yik. All that aside, I really liked this movie. It's not your typical triad movie with lots of fighting and no character development. Don't get me wrong there is some action in this movie but unlike most triad movies you actually care what happens to the characters. I loved the dinner scene where Hung and Lefty are talking and the room behind them seems to be moving in an odd fashion, maybe it was a play off their emotions but I thought it looked really cool.

I was a bit surprised by what this movie really was about. Because as you are watching it you think you know exactly what the movie is about and where its going, but the last 15-20 minutes gets you. You realize that you don't really know anything, everything you thought you knew is wrong.

The general consensus among HK cinema followers is that Jiang Hu suffers from this and that, so I expected it to be mediocre. Truth is, it turned out to be the most delightful surprise in many years. Right from the start, the bar scenes are filled with energy and dazzling lighting effects, maximizing the cinematic excitement. The film's retrospective score and set design evoke the old Chinese city which was previous achieved to perfection only by Wong Kar Wai's IN THE MOOD FOR LOVE. Jiang Hu's director seems to have learned more than a few tricks from Kar Wai, from utilizing well-placed retrospective songs to capturing the moment for maximum mood. This is to say, Jiang Hu is an outstanding work of art that captures the essence of triad life-cycle and blood brotherhood.

Watching Jiang Hu is like experiencing the 21th century Chinese update of The Godfather or any number of European and Italian American gangster classics in the 60s/70s. In our jiang hu, Loyalty is at stake. Andy Lau and Jacky Cheung, two of HK's finest, reprise their boss-follower roles from AS TEARS GO BY, complete with Jacky's impulsiveness and Andy's more calm personality. Their pure friendship from years ago is turning pale as Jacky's ambition pull him towards the dark side.

While Jacky favors violence as primary resort, Andy Lau's character is more of a pacifist. I find his peaceful resolution approach representative of Buddhist ideology in some manner. When warned that Jacky may turn against him, Andy responds: "I am not worried. If my death is what it takes to make Jacky realize the meaning of blood brothers, then so be it." Andy has reached the top of the game, where money and fame have lost their meaning. He only wishes to change his old friend for the better before time runs out. But Andy does not shove this idea down Jacky's throat; he shows Jacky the way through demonstrations of sophistication and wit, instead of blood and force. In the end, after leaving his words, Andy walks away from the table. Whether Jacky accepts his invitation to recover their brotherly bonding is up to Jacky.

Some viewers have pointed out the lack of brutality/blood. This ties back to Andy's philosophy that success can be achieved without blood, as he expresses many times in the movie. It is a central theme to the story.

Another criticism is about the two intertwined story lines - some think it's confusing. However, let's not forget this kind of narrative structure is featured prominently in Godfather Part II, considered a classic. In that movie, 2 parallel story lines, involving the present day Michael and previous accounts of Vito Corleone, switch back and forth throughout the movie -- very similar to the style of Jiang Hu. I personally think Jiang Hu's approach is even superior to Coppola's classic, since here the parallelism is much stronger (and perhaps more meaningful).

Jiang Hu is the third masterpiece I saw in 2004 (the other two being GONG FU and 2046), a fairly kind year for HK cinema. The film is a bit showy at times, but above all, Jiang Hu is more than a standard gangster flick; its artistic passion yields a touch of timelessness which I suspect will outendure many genre classics. As I write this review in October 2005, no HK film I have seen this year comes close to exhibiting Jiang Hu's rare quality to honor the integrity of the medium.

Jiang Hu seems to have met with surprisingly negative reviews for a new, all-star very slick gangster movie out of Hong Kong. Not too long, most fans were complaining that HK seemed to have stopped making this type of film altogether (and swearing that if they saw another romcom with Sammi Cheng they'd kill someone) - then we get one of the most interesting gangster films for years and everybody bitches. Go figure :p

Anyway, I thought the film was very enjoyable, with buckets of style and an above-average focus on character development. It suffers in places from trying to be too clever/cool for its own good (the moving table cam near the end was just ridiculous), and there's some awful acting (Chapman To especially), but there was also a lot to like (Jacky and Andy's performances for instance) and I found it compelling and entertaining to watch.

It should be noted that the film apparently ran into some trouble with the censors, and was substantially cut prior to release. There's a bunch of deleted scenes on the 2nd disc in the Mei Ah DVD, but unfortunately without subtitles. There was one particular scene, with Edison Chen and a dog, that isn't listed in the deleted scenes menu. However, if you choose "Play All" and skip to the end, you can see the scene. It's actually very short and I don't think it needed to be cut, and it does significantly hurt the plot development.

Anyway, if you miss the stylish HK gangster films of yore, be sure to check out Jiang Hu. It may not be the best of them, but it's definitely worth your time.

In my opinion, this movie is to Chinese cinema what the likes of Scarface and Taxi Driver and The Godfather are to American cinema. They're genre pieces, and many people who don't like that genre won't like the movie. And many who do like the genre will find some problem with it, too. But they are important classics that will leave footprints on whatever comes after. Therefore everyone needs to watch them and decide for themselves. I am in no way making a direct comparison between Jiang Hu and the American movies I listed. I know of nothing from Hollywood that directly compares. However I feel its following and its importance have yet to be discovered, and therefore have not been realized. It is shot beautifully, scripted masterfully and cast perfectly. And, if you have the chance, buy the special edition. The packaging and presentation are so absolutely top-shelf that I truly have not seen anything nearly this grand from any American distributor for ANY American movie. My friends will have to come to my house if they want to watch it. I refuse to loan it out.