Pittsburgh

When watching this movie, I kept clicking on the DVD menu to see if I was stuck in a "Making of this movie" extra on the disc. It soon becomes quite tiresome watching the "how to" rather than the "real" movie. It is certainly a shame that this film takes the avenue it does because the premise contains the promise of what could be an entertainingly funny experience. I suppose the acting is good, yet one cannot sit through it constantly anticipating the movie to begin. Laborious is the one word that describes this movie. We see nothing of the city of Pittsburgh. The movie's location could have been Needles CA for all the reference it gives its title. I admit that I fully expected to watch a movie that was entertaining in the way it portrayed the relationships involved when a well known Hollywood personality joined a cast of characters in a community theater production of a well known musical. The promise that the synopsis of this movie makes leaves one frustrated when the reality of the actual plot is realized. Save yourself some disappointment and skip this one.

This movie reminds me of a Chris Guest production. Excellent cast moves the story of Jeff trying to play the lead in "The Music Man." Robert Preston he is not, but he gives it his all. I enjoyed it and if you like satire with nuance, you will too.

The premise is that Jeff Goldblum is miscast as the lead a hometown production of The Music Man, but he takes it so seriously it doesn't feel like a joke. Not to mention that he's not even that bad. It sets itself up like it's going to be a great prank, but the whole thing might as well be real. Nobody ends up more than mildly flustered with Goldblum's performance, and the production itself ends up getting a standing ovation. Who is the joke supposed to be on? The whole affair ends up being too real. It's truly as boring as watching a bonus feature documentary on a Hollywood actor doing a small production musical.

The 2 is for a handful of lines that made me chuckle, but even Goldblum fans should skip this. I recommend it to no one.

This was a huge misfire--and the outtakes on the DVD show that it could have easily been a lot better! Pittsburg is a mockumentary in the Christopher Guest mold--and that's not a compliment these days. Though Guest's early mocks, like "Waiting for Guffman" and "Best in Show" were classics, his more recent forays into the form have been virtually laughless exercises. Guest's excuse for cutting out the more absurd funny stuff in his later films was that the material didn't fit the reality he'd created--in other words, he fell in love with mediocrity. Well, this Guest-wannabe falls into the latter-day Guestomentary category. The concept is mildly clever--what would happen if the singularly weird, very ethnic Jeff Goldblum was convinced to play the very whitebread lead in a community theater production of the happyface 50s musical, The Music Man? Well, the filmmakers take that promising concept and suck all the humor and life right out of it. There is simply NOTHING funny OR interesting here! The film wouldn't even be interesting if it were actually a true documentary! But--and here's the weird part--if you watch the deleted scenes on the DVD, you get to see all kinds of stuff that was actually kind of funny, and was purposely cut out! It's incredible! You listen to the directors' commentary during the deleted scenes and every time something funny happens they say they had to cut it out either because (1) it didn't fit the "tone" of the piece or (2) it didn't advance the story. I have news for them about the film as it was released: (1) the "tone" they achieved in the film was one of torpor, repetition, and boredom and (2) there is no story being advanced. The stuff they cut out wasn't brilliant--but it was at least SOMETHING. As it is, Pittsburg, the film, is as close to NOTHING as you can get.

I had to look up this movie, just to make sure it wasn't a documentary. As one description said, it really tightropes the line between mockumentary and movie. At some points, you think the stars are being very self absorbed, as opposed to being self-effacing. And you start to wonder if it is funny or sad, in a Hollywood "out of touch with reality" sort of way. All you have to do is pay attention to the Ed Begley Jr. segments to see that this is at once, a vehicle for the actors to promote their true feelings, and a way to promote them in a mockumentary format.

It is very much is the improv style of "Curb Your Enthusiasm". As a viewer, if you put yourself in this mode, I think you will find this movie very funny,.