State of Wonder

My brother and cousin were attending Irish college in Cloghane the Summer that the movie was host there, and both had parts as extras in it, along with helping out in set production and traffic control. As opposed to their daily lesson, this was a welcome (and well paid!) break away from the norm for two young teenagers! I (at the ripe old age of nine) attended the 'premiere' with them in Dingle on a damp and foggy Saturday the following year. Martin Donovan was very gracious with his time, signing autographs, and chatting with our whole family. Twenty four years have passed, the two boys are grown with families and still, it is a common source of conversation whenever we organize a family get together. My brother is now in Germany, and my cousin lives in Italy these days. It would mean so much to me to be able to hand them their own copy of the movie, let alone be in their company while they watch it- just to see the look on their faces! If anyone at all can help me get my hands on a copy -in any condition at all- I would be happy to reimburse any costs incurred. I'm sure someone out there has a copy, so if it's you, please get back to me! Thanks for taking the time to read this.

A.

Back in 1983, my local community was revolutionized by the arrival of a film crew headed by a young filmmaker with an Irish name - Martin Donovan - and a slight foreign accent. We are all in the film one way or another. It took some time for us to see the finished product. Martin Donovan himself came over to show us the film. We all remember that day very well. There we were, part of the pacifist dream of an artist with a transparent soul and a heart of gold. Since then, two or three times a year the film on video cassette is shown in somebody's house. It always becomes a motive for celebration. What hit me, last time I saw it, was the relevance of its message. The film is told through the eyes of the boy and with his strange language of wisdom. The fact that the film is not available in any shape of form remains a mystery.

I wonder if this film will ever be resurrected in any form. I loved the story and continue to find depth and insight in it. I wrote most of the soundtrack, very much as a relative novice in the world of film-scoring, although I'd previously written many television commercials and some TV drama. I have a copy of the finished version on video, but the dub is not of the best quality; there is a lot of distortion on the soundtrack. Although Alan Gill is credited with the original music he only wrote the opening piece "Katie's Theme". I also still have the "working copy" which although not a locked cut is pretty close to the final edit. I remember vividly the spotting session and in fact how powerful the film was without any music on it at all, and also the subsequent discussions with Martin Donovan and Tim Gee (editor) led me to discover the timbre for "Pitcherica" and the musical language for his character and the way he reacts to the world; he seems to have his feet planted at the nexus of many dichotomies, the spiritual and the profane, the sacred and the secular (in his world sacred and spiritual are two different concepts), the rule of law and the fight for freedom of expression. There is a resonance in the contemporary world where the idea of one man's freedom fighter is another man's terrorist. Using the Meyer brothers to amplify this concept reinforces the director's idea that humans are all brothers, and there is a revealing piece of dialogue between Father Daniel (Donovan) and Pitcherica in church, which for me is the centre of the film (and which was unfortunately truncated in the final edit), where Pitcherica explains that he confesses to God personally, and the he feels that God is somehow about to "trip". Of course the trip-up he senses is his own demise, and the taking of innocence from the world, which results in the uniting of the opposing factions previously consumed by hate for each other. I still use this excellent film as a teaching aid for my composition students. Because there are so many strands to the story (and such a global human palette to draw from) many interesting discussions have been had referenced to various scenes in the film. I also get them to re-score a couple of scenes with reference to the discussions we have.

Is this film " The STATE OF WONDER" available to buy anywhere or download. I am from the village where it was made in - in Cloghane in Co - Kerry, Ireland - There was great excitement in this rural village when this film was being made. It was screened in the Phoenix cinema in Dingle on one occasion after this - the whole community of Cloghane would love to be able to view this. Could anyone please reply to me on this - I saw this film 30 years ago and I would love to see it again I would be most grateful- many thanks contact me at : annfitz2003@eircom.net Is this film " The STATE OF WONDER" available to buy anywhere or download. I am from the village where it was made in - in Cloghane in Co - Kerry, Ireland - There was great excitement in this rural village when this film was being made. It was screened in the Phoenix cinema in Dingle on one occasion after this - the whole community of Cloghane would love to be able to view this. Could anyone please reply to me on this - I saw this film 30 years ago and I would love to see it again I would be most grateful- many thanks contact me at : annfitz2003@eircom.net

A small intimate epic. A film like no other. And where in heaven's name has been all this years. It was made in 1983! Very rarely a film will take a child's point of view and never betray it. This is one of those rare cases. Pichirica (the other side of Forest Gump, the real side)tells us a few heavy duty truths without preaching. The androgynous presence of Nigel Court gives the tale the strange other worldliness that rings so familiar. I saw the film in a badly damaged VHS but the impact was sharp, pungent and pristine. Martin Donovan (the director)plays Father Daniel a young parish priest with musical aspirations and the one ready to take a stand regardless of the consequences. Annie Chaplin (Charlie's younger daughter and a dead ringer for her father) plays the local girl who doesn't intend to leave her birth place " You leave places when you're bored or lonely or unhappy, I'm none of that" she tells Russell the mysterious journalist played stoically by James Telfer (Vanessa in "Apartment Zero")The entire film seems told in Pichirica's language so the grown ups and intelligent speak a little bit like him. I found myself with tears running down my face. I loved the film and I can't wait to see it on a big screen as was intended.