Suwingu gâruzu

Suzuki Tomoko, along with ten plus classmates, has been sentenced to spend their summer vacation confined within their school and listen to her dull teacher Ozawa-sensei drone on and on about math equations that she, her classmates, and Ozawa-sensei himself could give a flip about. Therefore she envies the members of the school's brass band who gets to travel with the baseball team. However, on this particular hot summer day the band's bus leaves before the caterer arrives with the band's lunches. Because the caterer has another delivery, Tomoko, along with the other girls in the class decide to deliver the lunches. While on the train they eat one of the lunches and subsequently fall asleep missing their stop. After suffering such setbacks as jumping into rice paddies to avoid an oncoming train and having to wash their socks, the girls finally deliver the lunches to the brass band and their conductor. However, Nakamura Yuta, a boy Tomoko constantly bickers with, does not receive a lunch because his was consumed on the train ride. However, it seems an angel of mercy was looking over Nakamura when the other members of the brass band suffer a major bought of food poisoning.

Nakamura, being the only member of the brass band who is healthy, is given the task to put together another band for a major baseball game. However, only three girls show up to volunteer: two punk rock girls who play guitar and bass respectively and Sekiguchi Kaori, a sweet, nerdy girl who can play the recorder. However, knowing that Tomoko ate one of the lunches, he spotted a grain of cooked rice on her chin at the baseball game, Nakamura orders Tomoko and her summer school classmates to join the brass band. However, there number only totals sixteen, which is too small a number for a brass band. Yet, after a few events, Nakamura decides instead to start Big Swing Band.

Instead of playing music at first, Nakamura makes the girls exercise to build up their strength and lung capacity for a long performance. The girls eventually begin to enjoy playing their instruments, but right before the big game the brass bands members regain their strength and perform instead of the girls. However, seeds of love for music have been planted in the hearts of the saxophonist Tomoko, the trumpeter Saito Yoshie, the trombonist Sekiguchi, and the drummer Tanaka Naomi and while the other girls quit in order to hang out with some boys, this little group, with Nakamura in tow, sets forth to start their own jazz band.

Before actually watching this film, my only knowledge concerning it was that it was directed by the director of Waterboys, but having yet to watch that film this left me with little information for what to expect. However, I received the experience of watching a very enjoyable film that was without violence, unless you count snowball fights and Naomi's butt cracking the head of a wild boar when the girls go matsutake hunting, without angst, without hormonal frustration, etc. The young actresses have a wonderful chemistry and seem like actual friends instead of actresses. Also, the personalities of Tomoko, Nakamura, Yoshie, Sekiguchi, and Naomi are very well fleshed out and each one of them has their own personal quirks: Yoshie's falls for every cute boy she sees, the mild Sekiguchi excels at whatever she does but is ignored by those around her, and the deadpan Naomi has a wonderful dry sense of humor. Combine all of this with a truly outstanding performance at the end of the film, the girls later on went to perform in New York and Los Angeles, make for a very nice film watching experience.

From the director of Waterboys comes a new drama-comedy Swing Girls, and I'm a happy camper. I mean, what can go wrong with combining Japanese Schoolgirls (drool?) and Jazz? Absolutely nothing! The premise and narrative is formulaic for this kind of "feel good carpe diem" shows - a bunch of misfits are thrown together by circumstance, to escape the dread of make up Math lessons during the holidays, they enroll (not voluntarily at first) to form a Big Band, face the great uphill task of getting funds for instruments, rehearsing and getting their act together, before ending it all with a cheery big bang.

But as always, it's the delivery that matters. And this show delivers at all fronts. From the many comedic and zany moments, to preaching "never give ups", the story is breezy and the pacing comfortable. The main leads are rock solid good lookers, while the supporting casts consists of quirky characters, like the rocker chicks (huh? in a jazz band?! watch to find out!), gangster-ish mechanic wimps, and a teacher-maestro wannabe, brings much laughter even though at times their characters might seem one dimensional.

What works is definitely the chemistry amongst the cast. It seems, from the out takes, that they had tremendous fun in making this film, and it shows in the end product.

One gripe you may have about this film is that the band, when they finally get their act together, always seem to play the same old piece, when you're craving for more. Well, that's what made the finale work, by building the expectation, then surpassing it - it's 15 minutes of pure musical splendor, and it really made me wanna stand up from my seat and swing along. Too bad I didn't do that, cos I know the entire audience might just join along with me! So if you're feeling down, and somewhat bored, give this movie a go, and I'd guarantee, you'll be swinging and jazzing along when you emerge from the theatre, craving for more.

When a high school brass band (for the school's baseball team), gets food poisoning, the only healthy member of the band (he wasn't able to eat the spoiled food that day) decides to call some indolent girls from the school (who inadvertently caused the food poisoning) to replace the band. Initially, of course, they are a disaster. But just when they start to get better, the original band returns. What's to do, then? What about forming a jazz-style band? Following the structure of his previous film, Water Boys (inept students finally prevail against all odds), Yaguchi made probably his best film so far. It's hilarious, full of great gags. All the actors are good, but the geeky girl named Sekiguchi steal the movie in my opinion.

I got to see this as it was released in Japan on DVD and it does have English subtitles. 'Swing Girls' has got to be the funniest and most honest 'feel-good' flick I have seen a very long time. Having lived in Japan for a number of years and having two Japanese daughters (one playing in a junior high school orchestra), I feel I'm qualified to at least say that the 'silly Japanese school girl' is portrayed in the best possible light. So if there are silly situations, it is only because they are a bunch of silly girls that have to come clean in a serious situation, i.e. high school competition. Other than not meeting any of Uncle Waldo's criteria for a five-star movie, I have no idea why this movie is not already distributed in USA. And that is a shame.

I believe it was the great Leslie Nielsen who first puked into a tuba in Naked Gun 33 1/3. Call me juvenile, but that gag ALWAYS gets me.

In "Swing Girls" the gags are not always original, but maybe that's what makes this such a hilarious film. Everything is so delightfully predictable that you needn't waste time trying to unravel it. Instead you just sit back and enjoy the presentation.

The humour is largely visual, but it's not corny or slapstick. It's hard to describe--perhaps I'd categorize it with Monty Python's deadpan style: subtle and classy while not being afraid to make fun of itself. And this movie definitely makes fun of itself, like in the scene where the kids are running from a ferocious wild boar which is quite plainly a stuffed prop. Juxtapose the bizarrely inappropriate Louis Armstrong tune "What a Wonderful World" on top, and you have yourself 3 solid minutes of asphyxiating laughter.

Now comedy aside, it's important that you know something about the music. These kids are actually playing their own instruments. The fingering and breathing technique is authentic, right down to the last flubbed note. I think this is worthy of mention because it adds a certain authenticity to the film, much like in SPINAL TAP. Not only are they acting, they're really playing too.

Let me finish by saying that YOU DON'T HAVE TO LIKE SWING MUSIC to enjoy this film. Me, I'm a fan of death metal. But by the end of this film (and for some time thereafter) I sure as heck found myself whistling "Take the 'A' Train". Can't get the bloody tune out of my head now.