Across the Universe

A phenomenal feature length video clip with the Beatles songs and Julie Taymor's eye at the helm. The story, of course, is wafer thin but who cares, right? We're not here for intellectual enlightenment but for the forceful, visionary, smart ass style of one of the female filmmakers that has already revolutionize the Broadway stage without, really, changing anything. I believe that's the kind of revolution that leaves a sign. The kind that reassures rather than confuse and "Accross the Universe" does just that. The Beatles are reassuring their message is reassuring. Little did that generation know that things were going to take a terrifying turn. Love! Love! Love! All You need is love. Still true but we've never been, as a society, so far apart. It was great to see teen agers humming the Beatles tunes coming out of the theater. The lyrics are like Gospel or lullabies. Was it only yesterday? It feels like centuries ago. The innocence seems foreign and at the same time so real. It will be nice to go back with the experience of hindsight. It doesn't work like that, does it? No, I'm afraid not. In the meantime the great Julie Taymor gives as a beautiful reminder. And a lovely evening out at the movies.

I saw a sold-out opening night screening of "Across the Universe" last night with a group of my friends who had really been looking forward to it. Many of them were extremely disappointed, while in the critical world, Roger Ebert and the New York Times loved it. Because the film was so highly anticipated, and a number of people have asked me how I liked it, I'm writing this review in an attempt to express why the movie is so divisive. I'm not going to talk about plot, or describe any of the numbers. If you're interested in seeing the movie, they'll be more enjoyable if they're unexpected.

It's a bizarre and beautiful movie musical, almost a music video at times, that uses thirty- three of The Beatles' songs and director Julie Taymor's unique visual style to illustrate both a personal love story and the overall conflict in the sixties. The movie is incredibly original and ambitious, and therefore its failings are as dramatic as its successes. Both stem from the same source: Julie Taymor's self-indulgence. That's nothing new to her movies, "Frida" and "Titus" have the same problem, but in a movie stripped of traditional narrative, it's glaringly obvious. Some songs are impeccably chosen and staged with great creativity, but others are too obvious, or thematically forced so Taymor can cram in another song and stunning visual sequence.

For the first half of the movie, I was frequently divided. One innovative sequence would really pull me into the style, then a forced number or awkward staging would distance me again. When an obvious, recognizable number began, I was torn between a cynical impulse to roll my eyes and an almost exhilarated impulse to laugh and applaud.

"Across the Universe" is a mess. There's no denying that. It is poorly paced and badly structured, and at times its feather-light plot and contrived or obligatory numbers become tedious. But at one point, about halfway through, I decided just to go along for the ride. I delighted in every brash, bold choice, whether it worked or not. I let the poignant moments move me, whether or not I intellectually felt that they were contrived.

The Beatles' music had a huge effect on me; from the fateful day that my friend accidentally copied the first three tracks of "Revolver" onto my computer, a love affair was born. Their songs are inexorably tied to memories beautiful and horrible scattered all over my life, and as I grow older, I'm constantly discovering new, deeper resonances in their familiar refrains. Even when the context was vague or stretched, the film's reinterpreting and revealing new facets of these songs seemed to serve as a tribute to their breadth and greatness. Taymor's damning depiction of the horrors of war, and lyrical portrait of young, idealistic love are both painfully expressive and unique, and simply took my breath away. By the film's shamelessly corny close, I realized that I had just had a genuine cinematic experience. For all the movies that I watch, that's incredibly rare.

In his review in the New York Times, Stephen Holden writes, "I realized that falling in love with a movie is like falling in love with another person. Imperfections, however glaring, become endearing quirks once you've tumbled." I could laughingly list this movie's flaws from now till next week, but I sort of fell in love with its sheer audacity. You might not. It's extremely naïve, and thematically simple, and you could find that endearing or irritating. You may love it, or you may hate it, but you're going to feel something. This movie will not change your life; don't expect it to. But if you let your criticism fade to the background, and abandon yourself to Taymor's passionate fervor, you may have a pretty amazing experience.

... to have been able to see this film in the beautiful Elgin Theatre with Julie Taymor there to answer questions / talk about the film afterwards (at the Toronto International Film Festival).

Wow!!!

I was carried away, I was moved to tears, I stood up and cheered.

For those who commented about the singing - the actors sang all the songs themselves. What's more, though they did record the songs in studio first as part of the rehearsal process, most of the song performances used in the film were recorded live as they played out the scenes. Perhaps that's why - for me - the songs worked so well; it actually felt like the characters were just moved to sing. Amazing performances from - mainly - unknown actors.

And I felt the story had a strong narrative line, aided / supported by the songs. It used the background of history, not just as a painted backdrop, but to add meaning and depth to the characters and the story they were living. Made me wish I'd been there (born in '65, too young to remember the 60's); I'll have to content myself with living vicariously through Jude and Lucy and the others.

Add to everything else Julie Taymor's glorious visuals, and I was truly swept away. I saw 36 films at the festival, but this was head and shoulders my favourite.

I fell in love with this film, and look forward to sharing it with friends and family who didn't have the luck to see it as I did. It's a film that will, I'm sure, reward repeated viewings.

I have been anticipating this movie ever since I saw the trailer on IMDb like everyone else. When I first saw the trailer, I said to myself, I'm either going to consider this my favorite movies of all-time, or it's going to be trash. Being a huge Beatles fan and owning all their albums on CD, I had huge expectations about the covers of the songs. I saw it with my friend, who is also a huge Beatles fan but not a huge musical fan. Both of us saw it on opening night to the public and to our surprise it was really good! The covers of the songs were actually really good! Now don't get me wrong, the original Beatles songs will always be the best versions but for what they did, they did a pretty decent job. One of my favorite scenes was the "I've Just Seen a Face" bowling alley scene. So creative and fun! Also the "I Want You (She So Heavy) scene was…interesting…but fun to watch. Eddie Izzard's scene as Mr. Kite was hilarious! Both me and my friend where on the floor laughing. Also Bono's scene singing "I Am the Walrus" was great. Don't listen to the critics that say that "it doesn't do the Beatles justice". Actually, it's the opposite. Any hardcore Beatles fan will appreciate all the jokes that were thrown in there. Even if you're not a hardcore Beatles fan, you will appreciate the fantastic love story.

Just one word of advice, go to this with an open mind. Don't expect Oscar-worthy script and dialogue, expect clichés, not a whole lot of character development from the supporting cast but don't let that ruin the movie for you. Appreciate the artistic mind of the director. I mean who cares if they threw in a character like Prudence just to sing Dear Prudence? It's a great song! For all you "I hate every movie that comes out" critics don't see this. It's too artsy for you. Go see this with an open mind not expecting it to win Best Picture for the Oscar. This is one of the best experiences you will have watching a movie. I'm buying the DVD as soon as it comes out. See this movie Beatles fans!!! It does them justice!!! Please email me with any comments you have.

... and it's nanny was Julie Taymor ...

This probably sounds like I hated the film, but I actually loved it.

It has the time line and self-consciously-culture-smart soundtrack of Hair, yet the campy fun and karaoke stylings of Moulin Rouge. Julie Taymor takes this combination and makes it fun, instead of extra cheesy, and it is visually fascinating instead of the obnoxious MTV-video nightmare it could have been.

I cared about the characters - and the cast of 'unknowns' have great star power and voices. Even though I knew exactly what would happen, the journey there was great. The cameos were fun. The lead was sufficiently hot. The soundtrack is stuck in my head as I write this (the new versions, not even the original songs) All corny jokes and references, and lapses in plot are forgiven, because Ms. Taymor manages to take a movie chock full of things that have been done a million times before and makes it as fresh and exciting as if it were all done for the first time. You may know exactly what's going to happen but you never know how. This is the director's movie!

Definitely a movie journey worth taking.