Otkradnati ochi

"Stolen Eyes," directed by Radoslav Spassov, is a compelling drama that explores the complexities of love and identity against the backdrop of cultural and political upheaval. Set in Bulgaria during the tumultuous period of the so-called "regeneration process," the film delves into the forbidden romance between Ivan, a non-Muslim Bulgarian man, and a Muslim Turk woman.

At the heart of the story is Ivan, portrayed with sensitivity and depth by the lead actor. He is a pure-hearted and romantic young man whose life becomes entangled with that of a Muslim Turk woman, defying societal norms and expectations. Their love is both strange and impossible, fraught with obstacles and dangers in a society deeply divided along ethnic and religious lines.

The film explores themes of prejudice, discrimination, and the struggle for identity in the face of oppressive social and political forces. As Ivan and his beloved navigate the challenges posed by their forbidden love, they are confronted with the harsh realities of intolerance and bigotry, forcing them to make difficult choices that will shape their futures.

"Stolen Eyes" is also a poignant commentary on the human cost of political manipulation and ethnic cleansing. The "regeneration process," which forcibly changed the names of ethnic Turks to Bulgarian ones, serves as a backdrop to the central love story, highlighting the systemic injustices and abuses of power perpetrated against minority communities.

The cinematography of "Stolen Eyes" captures the beauty of the Bulgarian landscape while also conveying the tension and uncertainty of the characters' lives. The film's evocative visuals, coupled with a haunting musical score, create a sense of atmosphere and mood that immerses viewers in the emotional depth of the narrative.

Overall, "Stolen Eyes" is a powerful and thought-provoking film that resonates with themes of love, identity, and resilience in the face of adversity. Through its compelling storytelling and nuanced performances, it shines a light on a dark chapter in Bulgaria's history while also celebrating the enduring power of love to transcend barriers and defy oppression.

It is not true that one shouldn't say it is a Turkish woman and a Bulgarian man even if they both live in Bulgaria. It is nonsense that if you live in Bulgaria than you should not be called Turkish: a large Turkish minority lives in Bulgaria and the problem starts when they are not allowed to call themselves Turks. That is false "pacifism". It ignores the natural cultural background of the ethnic minority and it was/is the problem of both the communist and the post-communist Bulgaria. In this way this film is more than simply a story about a Muslim and a non-Muslim but also about two people from two different ethnic groups. This makes the film even more valuable.