Interferencia

It's become extremely difficult to find a good horror movie anymore, thought this movie was a good thriller.

Could have had better production values but what kept me going was the suspense and the twists. I had real reservations before seeing this movie (because of the cover). I was afraid that it would be excessively bloody and gory. I was wrong.

Although there is a lot of scary parts, there is a lot of suspense and drama too.

The acting in Dead Line was better than what you would expect from a micro budget horror flick. The characters were believable

The movie is really thrilling and quite scary at moments so it makes you grab your seat until the ending credits roll

Because of its production values (the sound is not very good for example) 8/10.

Viewing some of the adamant comments by the two hell bent posters condemning this film I can only come to the conclusion that they haven't seen much in the way of no budget independent film and have very little patience for it anyway. My advice to them is to stick to polished mainstream efforts which spell it all out for you. Okay,Interferencia is technically pretty amateurish the shots aren't even framed correctly in some scenes and it has a disjointed naturalistic quality to it. The acting by much of the cast is obviously done by non professionals,as some of the performances tend to lean toward the broad category. Considering this is about one man's increasing paranoia about a killer's conversation he accidentally overhears the crude nature of the film and increasingly screetching cacophony of the score lends itself well to protagonist Martin's ever growing state of hysteria. His skewed perspective is what we follow here and the outcome is based on a seldom used literary plot twist that although successful in that medium requires a bit more craftsmanship to pull off in a visual one. That's where Interferencia's reach exceeds it's grasp and some of the viewer's suspension of disbelief may not go quite that far. It didn't for me. An ambitious effort for a micro budget film but not quite the masterwork or worst film in the world that some of the posters here will lead you to believe.

I used to dislike horror movies, considered them stupid. But, anyway, it happens I make exceptions. I find something really cool in this film. Rarely have I ever seen a film that has scared the crap out of me but I tell you the truth this film gave me shivers down my neck. Unlike most horror films this one cares about the development of the characters. Yes, it is true, is a film with very low production value. Yes, no doubt I've seen short films with better sound. But I submerged myself in the plot and I could not leave until the film ended. I recommend this film and I'm glad that Asylum are finally bringing out good horror movies these days

This is a very dark movie, somewhat better than the average Asylum film. It was a lot better than I thought it would be, is a combination of a psychological thriller and a horror film.

The voice on the telephone is really creepy - this voice without a face, this unknown and threatening voice works really well in the film, since we never see the killer face is left to the imagination of the spectator.

The action and suspense never decay and after the first half of the film, it becomes vertiginous; there is not much gore in this film, just enough to serve the story and also the director does a good job at holding your attention.

I gave this movie a 8/10 because some clichés.

A young man picks up another person's phone call on his cordless, and he soon gets involved in a murder plot.

This film has weak picture and sound, with the film allegedly being rushed together in eight days. The acting is so-so, and not bad for being rushed through. The poor picture and sound cannot be excused, as whether done in one day or one month, you have to use the right equipment. Obviously, the people involved here did not.

In some ways, this can be seen as a low-budget, Spanish, modern version of "Blue Velvet". I mean, not really, but the premise is not terribly different. (I guess it could be compared to any number of Italian giallo stories, too, but I do not want to give these guys any more credit than necessary. Good influences do not mean good art.)