The Hamiltons

This was one of the films from the After Dark Horrorfest and like most of them it was incredibly poor. The film is painfully slow. It might have worked as a 30 minute short but as a feature film it bored the hell out of me. The film tries to set up this mystery as to what it is they are doing and why they are doing it but by the time it was revealed I had already lost interest in the story.

Also, the acting in this film is incredibly poor, especially the older brother, who at times is laughable. This film was obviously made on a low budget but I can forgive the low production values. You work with what you've got, lots of great films have been made on a tiny budget (night of the living dead). However, what I can't forgive is a lack of talent. The writing and acting were downright horrible and if that's the case then the budget is irrelevant because the film is going to suck. They were clearly trying to make this an art house film but instead they just made a stinker that will put you to sleep before the first hour.

"The Hamiltons" has a great premise, and the ending of the film is inches from being extremely satisfying. On its own, an excellent ending...it's getting there that's the problem with the film.

The fundamental flaw of "The Hamiltons" is that it's caught between being a serial killer film and a family drama, and unlike "Suburban Nightmare" - which was similar, also an indie, and much better in my opinion - "The Hamiltons" refuses to commit to its characters. It wants you to empathize with them at the same time it paints them as violent sociopaths. In doing this I found the ending disingenuous, and most of the movie was simply too scattered.

There ARE strong points to the film. The main character, Francis, is easily the most well-developed character. Although he gets too whiny and, frankly, useless at times, he's able to make the transition into action with aplomb. His relationship with one of the women being held in the cellar of the house is particularly well-written and potent.

The problem is that the movie feels forced to bend to genre conventions, and in doing so it makes the other three members of the family unsympathetic in the extreme. The characters of Wendell and Darlene are written well as sociopaths, but the problem comes when the film wants you to identify with them and accept them as part of this family, and you can't imagine why anyone would love them even if they WERE family.

The film is worth watching, but the script really could've used another run through editing to work out the kinks.

This is the second movie I saw for Horrorfest this past weekend, The Gravedancers being the first. Gravedancers was better. I can only guess from watching this that the production must have been quite limited. I will admit the story started out interesting but really fizzled for me in the end. We weren't really given time to sympathize or understand any of the characters which only made each of their erratic characteristics even more annoying. I have to mention that there was also a bit of mis-casting with a 12-year-old boy acting as Sheriff. The only reason I sat through the whole film was to find out what the big secret was, which turned out to not be all that interesting. Some more background about the family would have helped but they didn't really seem like a family at all to begin with.

To me, this film is so amateur that I couldn't even see putting it on DVD. The four rating is for the initial potential the story might have had. This was one to skip for horrorfest.

Without effective indulgence of the supernatural or the poetic motivating nuances of humanity, all this creative team has to hope for is effective usage of its middling, unoriginal elements. 'Party of Five' gone maniacal then genetically unescapable there's little rooting interest because the singular non-homicidal element is a second-rate bland awful-acting 'Wes Bentley' mopester. In fact, all of the acting is skin deep. Even though the dark-haired women appeal, the salaciousness is kept to a minimum. No nudity here. Also lacking are sufficient buckets of blood. All sensations are kept at a teasing, safe distance...an unfortunate fact considering the given name of the directors is 'butcher.' Only the soundtrack, the droning angsty alt-country and the tense fluctuating score provide any palpable tension. Sometimes some static storyboarded compositions add appealing low-angles that adds to the malaise...but for a film that calls itself horror, I did not even get close to flinching once. Perhaps a greater emphasis on societal rejuvenation through blood intake, scenes directed with varying geometric shapes outside the square, and a sustained focus on playfulness through the family's maliciousness or traps sympathetic characters need to escape in order to escape their dilemma would have improved my opinion, but this was not a good start to my excursion through horrorfest.

This was a very interesting film. I'm not much of a horror/slasher fanatic, but I can appreciate a good story line. This one has a pretty decent plot behind it, but something was lost along the way. I enjoyed the way it was shot--with the younger brother's video project changing it up a bit from the norm. The family includes a set of twins and I think the relationship between the two of them is pretty bizarre, but actually it added a lot to the film. The character Lenny keeps us interested throughout the whole movie, trying to figure out who/what he is, and that was a totally off-the-wall twist. Francis is a relatable character--young teen full of questions and despair, and his development throughout the story was worth observing. It's definitely a strange one, but I got a real kick out of it. I especially like the ending sequence(s) where they start to explain themselves..totally weird. I recommend it, if nothing else, just for the laughs.