सेंटीनल, द

Michael Douglas is a secret service agent framed in a plot to kill the President of the US. Kiefer Sutherland is the agent on his tail.

Its not a bad movie its just been there done that with form over content film making. There is no real tension because the actors are in roles they've played a dozen or so times before (Sutherland in 24 each week)so you can pretty much walk them through whats happening.Thats the problem here, its all been done before, better.

The real question is: Do I really need to pay 10 bucks a head to see whats a essentially a big screen TV movie? I think not. As I said its not bad, its just not worth running out to the theater to see. Wait for cable where this movie really belongs.

You'd think Michael Douglas would have learned his lesson by this time, but apparently he hasn't. For even after all the trouble he had with an adulterous romance in "Fatal Attraction," here he is in "The Sentinel" playing the role of Pete Garrison, a veteran secret service agent who's having an affair with none other than the First Lady of the United States. Even worse, when it is discovered that there may be a mole secretly operating in the service, the finger of suspicion begins to point directly at Mr. Garrison. Is he truly the undercover operative working to bring down the President, or is he merely a tool being set up as a convenient fall guy in a plot to rub out the nation's chief executive?

Based on the novel by Gerald Petievich, "The Sentinel" is a decent enough thriller set in the high stakes world of political assassination. Although it frequently strains credibility, gets lost in a maze of cyber/techno mumbo jumbo, and succumbs to a few too many man-on-the-run clichés, the movie still manages to generate enough mystery and suspense to see us through most of its many rough patches. Prime credit goes to Douglas, who after all these years, could clearly do these roles in his sleep, and to Keifer Sutherland, who plays a fellow agent with personal reasons for doubting Garrison's probity and loyalty to the institution. Kim Basinger also does a fine job as the beautiful First Lady torn between duty towards her husband and the man she loves.

You'll probably forget this movie the moment you walk out of the theater, but you should have a reasonably fun time while you're still in your seat.

It's been 19 years since Gordon Gekko used "Wall Street" to let us know that greed is good. Now, Michael Douglas takes the GG persona and morphs it into a Secret Service agent, Pete Garrison. Guess what? It works! This is a solid political thriller that kept me guessing. The detail work in showing the security precautions taken by the SS on behalf of the President and First Lady was likewise intriguing. All the leads were pretty good but, try as I might, I could not accept Eva Longoria as a Secret Service agent. Whereas Jodie Foster just made you suspend belief and really think she was FBI agent Starling in "Silence of the Lambs", you do not get the same feeling with Longoria. Nevertheless, this is a fun film, escapist entertainment with the Beltway as the backdrop.

Spoiler!!! Stop now if you don't know the ending. I hate Tom Cruise Mission Impossible bastardizations. In the old TV series that used to be one of my all time favorites, Mr. Phelps was the voice of God. He was the ultimate Good Guy. Cruise's updated version of MI (No. 1) turned Mr. Phelps into the Bad Guy. That's like making Tonto the Bad Guy who does in the Lone Ranger. I hate movies -- or novels -- that do that, where it turns out that the DA prosecuting the innocent accused killer turns out to have done the murder himself, or the Vice President turns out to be the mole from the whatever enemy who poisons the President -- or in the case of the Sentinel, the head of the Secret Service turns out to be the Bad Guy about to kill the Prez. I warned you, that's a huge spoiler. But to me, that kind of plot is already spoiled. As the main revelation of the movie, it stinks.

Besides that, even if you don't have any more trust in your leaders than to give credence to "Mr. Phelps" turnabouts, Sentinel has some other gaping holes just too big to let slide. Maybe, just maybe, you could buy that the First Lady is having an affair with her SS detail chief behind the Prez's back. That's not impossible. Presidents have affairs, why not First Ladies? But can you really believe a guy could rise to the top of the Service itself without ever having been fully screened? Really! You think? And what was that mystery terror organization behind the plot, and how did they get onto the SS head's entanglement with the now-defunct KGB? Hmmnh? Another poser: Can anyone explain how that Xavier loser guy got all that insider info about the First Lady's affair with Douglas to begin with -- if you tell me it was the Head of the Service feeding it to him, then why the whole rest of the movie? He would have just removed the Douglas character for cause from the outset, don't cha know? The cast was good and the acting was varsity level. I liked that Michael Douglas gets to act his age, and the plot doesn't let him get away with being a 60 year old superstud who can outrun the young agents under his charge. He is slow, and he gets winded quickly. I liked Keifer. I never watched 24, but now I think I'd like it. And it was good to see Kim Basinger again, after all those years when she dropped out.

If you ignore the plot holes and the revolting spoiler, you could really like the movie for what it shows you about the inner workings of the Secret Service, one of the all-time real success stories of government service. A Beltway insider who should know told me that that part of the film was A+, and I'll take his word for it.

The veteran agent of the American secret service Pete Garrison (Michael Douglas) saved the life of president Ronald Reagan in the past and became a legend. Presently he is responsible for the personal security of the American president Ballentine (David Rasche) and the first lady Sarah Ballentine (Kim Bassinger), with whom he is having a love affair. When his informer Walter discloses that there is a traitor in the secret service and a plot to kill the president, his former friend David Breckinridge (Kiefer Sutherland) and the chief of the secret service William Montrose (Martin Donovan) are in charge of the investigation and all the agents are submitted to a polygraph test. Due to his situation with Sarah, he is compromised with the results and accused of treachery. He escapes, and in spite of chased by the secret service, he conducts his own investigation trying to find the responsible.

"The Sentinel" has a reasonable idea, of an agent failing in the polygraph test due to his love affair with the first lady, but the screenplay does not have any care for the characters. The running time should be longer and not waste in so many exaggerated details relative to the protection of the American president, and give more attention to the characters. In the end, the story is conventional, badly resolved and with bureaucratic performances of the good cast. My vote is six.

Title (Brazil): "Sentinela" ("Sentinel")