The Wild Blue Yonder

...but by the end of it, I was left with the feeling that there was a slice of my life I'll never get back. This is an easy film to summarize, though. Good, sometimes arresting, imagery strung on a thin but interesting plot, all accompanied by the world's most annoying sound track. The pacing is glacial. The scenes play out way too long - which is emphasized by the droning atonal background "music".

I can appreciate the parable of being good stewards of our home planet. I can appreciate the wry wit with which the subject of aliens is treated. What's inexcusable, though, are the gross technical gaffes laying around like mines in a film which otherwise goes out of its way to establish its technical credentials.

I can understand and appreciate what Herzog was trying to accomplish with this film. Still, a misfire is a misfire...

I respect Herzog and like how he goes in strange directions, but with that sometimes he wanders down the wrong path, or maybe wrong isn't the word. He sometimes wanders down a boring path. Somehow Herzog got his hands on some space footage and some antarctic underwater footage and thought he could compose that into a sci fi movie.

This is of course a visually distinctive journey and a must for all die hard Herzog fans, but I felt it was a bit too strange and far out. Brad Dourif plays an alien on earth who says he sucks at what he does or something along those lines, which is kind of funny.

Maybe you have to be in the right atmosphere to enjoy this journey, but if you are only going to see one Herzog film, don't make it this one.

I caught this film on BBC4 while flicking through the channels last night. An hour and twenty minutes later I sat in front of my TV, knowing that I had experienced a work of rare film poetry. The plot (and here's the 'spoiler', not that it would spoil any enjoyment of the film), is that an alien from the Andromeda system (or a seriously confused human),played by Brad Dourif, who landed on Earth after fleeing his frozen world, tells the story of a group of Earth astronauts who travel to the frozen Andromedan planet and then come back to Earth. Brad Dourif tells his story from an abandoned city, full of half-finished buildings and broken trailers, that was to have been the mighty capital of Andromedans on Earth. The story is illustrated by footage of NASA missions, diving expeditions, physics lectures, and ancient news reels. What really makes it, however, is the soundtrack. I don't know what the music is, but it sounded like some version Mongolian yodelling. Juxtaposed with the images and storyline, the whole thing becomes strangely moving. Please don't expect a conventional Hollywood storyline- there a many long, apparently monotonous sequences, perhaps reminiscent of Space Odyssey. Just relax into it. If you have any depth, you will not be disappointed.

I just saw this film at the L.A. Film Fest and I was intrigued by the idea. Brad Dourif was the perfect choice for the alien role and even though I do not believe this film will be embraced by mainstream American film goers, I think this is one of the most beautifully photographed films in some time, which of course is a tribute to a master filmmaker like Werner Herzog. Herzog is definitely one of the most talented directors in the world who hasn't really found a niche in America, which is a real shame. This is a great film which I don't think any other filmmaker could have made so beautiful, comical, and overall enjoyable.

Everything in The Wild Blue Yonder is intentional.

The use of stock footage from NASA in place of special effects and the inescapable tedium of this footage; the implausible concepts from physics which are neither explained nor clearly connected to the vaguely coherent "plot"; the fact that alien space traveler Brad Dourif and his alleged (but never seen) extraterrestrial colleagues do not appear to be in any way different from somewhat neurotic Americans with bad business sense; The stark beauty of the underwater scenes and the immediate disruption of this beauty by the arrival of humanity; the accuracy of the alien narrators comments regarding the impossibility of intergalactic travel and the continuity problems which stem from this jarring set of facts.

I am not sure Herzog planned all of this, but I do believe that once he has identified the film he is making, he's pretty meticulous and consistent about putting it together.

This film has two texts:

1 the plot - which is a bit of silliness about aliens coming to earth because their planet is undergoing environmental catastrophes and earthlings going to their planet for the same reason. This story is so absurd that it is difficult to understand why some reviewers seem to believe it is really most of what is going on in the film.

2. the joke - which is the meta-text, and a contribution to Herzog's seemingly endless commentary on human nature and human affairs, though definitely one of his less clear and forceful critiques. The film parodies the Star Trek concept of space travel and the future as a panacea for human problems, and does so on many levels: including patent ridiculousness of the plot; the tedious stock footage which is so painfully unrelated to the narrative; the alien who looks so much like us it is unnerving and who admits, halfway through the film, that he and his fellow aliens "suck".

What Herzog ends up with here is possibly the lowest budget space movie ever shot. Assuming he got his usual fee, Brad Dourif probably challenged the post-production budget for the most costly element of this film. What the more receptive members of his audience get is a film that is strangely difficult to forget, despite the fact that its plot is utterly forgettable.

As a space adventure, Blue Yonder fails utterly and miserably - and that is part of Herzog's point! As a smart sci-fi film - not as challenging or stilted as Tarkovsky's work, but in some ways, as profound - it succeeds, but does not really excel.

Recommended for fans of philosophical sci fi and fans of Herzog. Not recommended for anybody else.