Yeogo goedam 4: Moksori

I've seen every Whispering Corridor series. Since I'm a middle school girl in Korea, films with school as its background have always appealed to me. And this is why people keep watching Whispering Corridor series and expecting something different to the other horror films from them, even though the series are going worse and worse(I don't think so but most people think that way).

Anyway, I've never seen a film like this which got such terrible scores from every single review web site. Yet I like this film(maybe I've got such a weird taste). This film is not scary, really. I didn't screamed at all watching this film though I'm kind of person who get easily surprised... Is there anyone watched the second Whispering Corridor? This fourth one resembles the second one. Not really scary, but emotionally touching, and a bit chilly.

If you watch this film as a horror film, you'll probably long to give it one point or less than that. However if you just watch this film without minding the genre, you'll give at least seven point to it. Acting is just 'okay' and this is why it doesn't seem as good as the second Whispering Corridor even though it has as great plot as the second one. In a film which contains many emotional parts like this acting is a really significant thing but this film is lacking of it. Also graphic is a bit clumsy. I don't know whether or not the director intended it to be clumsy, but it is disturbingly awkward.

It's like a drama/detective stuff rather than horror. If you want to enjoy feeling of being chilled and letting your stress fly away by screaming, I really don't want to recommend it. If you like detective things, I highly recommend it to you.

i love this movie be cores it went deep inside me like no other movie have ever done before . I think that to really understand this movie is important to have been in a school like that ,i could recognize some things from my own school days .But back to the movie all the characters have secretes kept away from the viewer like the music teacher did she have lesbian relations whit the two young girls ,it is rumors you hear in the movie and you can believe them or not i have never seen that in movie . I will not call it a horror movie it is more a thriller but it had some scary moments and a very surprising ending . This movie is truly a piece of art and i really don't hope that they try to do a remake in the U.S

I haven't seen the third part of this series, although I have to say that it's better than the first and the second ones. I agree with the fact that this movie should be seen as a drama with supernatural details and not as a horror film. The atmosphere that this movie generates as it advances,turns to get you short of breath. This atmosphere is possible thanks to the sentimental aspect of the main characters and the suffering given off and not with frights in the style of Hollywood. Good performances and the excellent music help to get that atmosphere. The way in which the story is told makes audience be interested till the last second of it.

The image of a lone student, traveling the inescapable corridors of a school after dark is quite haunting, her silhouette visible through the windows of the campus, as an unidentifiable force toys with the school's lighting. Is the young lady to blame, or is there something more sinister at work? This is just one scene from Voice, the fourth film in the Whispering Corridors franchise, where a spooky and disturbing ambiance is accompanied by not only visual terror, but sound, that proves to be as equally fear provoking. Despite darkness often becoming clichéd and annoying in some horror films to halter the audience from seeing the lead antagonist, here, the tactic is effectively used, the childhood fear of the dark returning to haunt adult audiences and characters alike, the impressive use of effects adding to the terror, making Voice the most visually stunning of this particular horror franchise.

The cover art on the American release of Voice, depicts a hand violently tearing its way out from a woman's mouth. Although there are more than a couple scenes with blood, much like its predecessors, this stand alone horror film does not depend on graphic violence to shock its audience. Additionally, much like the previous features, themes concerning friendship, love and jealousy are prominent, and like Memento Mori and Wishing Stairs, the story is also equipped with lesbianism.

Characters are intellectually portrayed, with emotional connections between characters and the audience been effectively constructed to build a poignant storyline. This is heightened, again, in contrast with Memento Mori, where the viewer is provided with a beautiful scene, which is later revealed to be sad or gruesome once it's put in perspective. Initially it can be difficult to ascertain where these flashbacks fit within the story, originally feeling like a continuation of the central plot.

Seon-min's (Ji-hye Seo) best friend Young-eon (Ok-Bin Kim), is the most talented singer in an all girl's high school, her voice delightfully serenading viewer's ears. One night, she stays behind after dark inside the confine's of the music room to work on her vocal capabilities, only to be murdered by an unrecognizable assailant. Her body is no where to be found the following morning, many suspecting her to simply be absent, though Seon-min thinks otherwise, her thoughts eventually been confirmed.

Unlike other ghost stories where specters can be viewed physically, only Young-eon's auditory capabilities remain, and though the audience can clearly see her character standing beside her best friend, Seon-min is only capable of hearing her voice. This uniquely entertaining prospect is accompanied by the focus on the ghost, Young-eon's perspective after becoming an apparition been as equally focused upon as the other central characters. Unable to leave the grounds of the high school, we discover that she is as equally vulnerable to fear in her current state, as she was when alive, this vulnerability been transferred onto the audience.

As the story continues, the mystery behind Young-eon's death is unraveled, as Seon-min, alongside fellow student Cho-ah (Ye-ryeon Cha) investigate who killed her from the list of suspects, and why. By the end of the feature, some questions remain unanswered, but unlike other Whispering Corridors films, this doesn't always feel like a deliberate tactic, as much as it does an overlooked plot point. Sometimes shocking, sometimes surprising, and often unpredictable, Voice dares to ask its viewers, even in death, do we truly know who we are?

This installment is the strongest of the "Whispering Corridors" series. The rule system regarding the communication between the ghosts and humans is interesting, and is utilized well when everything comes together near the end of the film. There is limited (yet successful) use of special effects and the night time atmosphere is very good, using dark red lighting on numerous occasions that rivals the beauty of Dario Argento's "Suspiria." Everything about this movie screams quality, from the interesting storyline to the excellent acting to the effective, stylish horror elements. The scene that plays during the closing credits is something really special. This is a beautiful film with fantastic scriptwriting.

The sense of friendship is much stronger in "Voice" than in any of its predecessors. This is due mostly to the fact that the movie is seen through the eyes of the ghost instead of the living schoolgirl, which automatically humanizes the spirit instead of portraying it as some inhuman entity that floats around. In addition, the supporting characters are very likable and important in the storyline this time around; the third actress (playing the allegedly psychotic student) gives one of the best performances in the entire film. Finally, the play on ghostly voices is really great stuff because the strength of the ghost's voice is a direct gauge on the strength of her existence.

The horror elements may not be the scariest of the "Whispering Corridors" series (that nod goes to "Wishing Stairs"), but they are very unique (especially the elevator scene). If you're looking for anything more than a few tame deaths you'll most definitely be disappointed. No matter though, this film is still magnificent anyways.

Fans of Hollywood horror may be disappointed that the teen girls in this movie are actually somewhat mature and likable. I know American audiences tend to like their teens as trashy and stupid as humanly possible, but the girls in Voice are very intelligent and classy. This may prove "boring" for your typical teenie bopper surfer kids who like American slasher movies, which is yet another reason to watch this movie. Oh, and this film does make sense. Check out my explanation thread on the IMDb message board.

In all honesty, the only South Korean horror film that beats "Voice" out is "A Tale of Two Sisters." But then again, that movie beats everything out anyways. :)