Odette Toulemonde

I am a big big fan of "Le fabuleux destin d'Amélie Poulain". In fact, it's one of my favorite movies of all time. A friend told me about Odette Toulemonde and since she loves Amélie too, I got the DVD and just watched it.

And I am feeling very sorry and most of all disappointed now. While the movie was clearly inspired by Amélie (to say the VERY least!), it never ever gets there. Not even close.

The story is totally made up nonsense. It's actually SO made up, the characters are SO two-dimensional and uninteresting, the whole thing is SO senseless and boring it actually started to hurt physically.

And while Audrey Tautou is just totally cute and lovable and Amélie Poulain is a multi-faceted, well constructed character, Caterine Frot - sadly - has no comedic talent whatsoever and her character Odette Toulemonde is dull, uninteresting and flat.

The acting in general is way beyond terrible, so at least it's not Caterine alone that makes this movie an epic fail in my book.

Forgive my rave, but I expected something soooo different - especially since it tries so hard to "be" Amélie. I realize, that (reading the other comments) not very much people will agree with me, but nevertheless it's how I feel.

And oh, I got a DVD for sale, if you are interested ;-)

In some ways a remake of Amelie, in others very different indeed, with a layer of fantasy added to the surrealism of the earlier movie, and a Dennis Potter tendency to break into song at the drop of a hat, or even a feather. In Odette's case it is the songs of Josephine Baker which inspire her. Unlike Amelie, Odette is no longer young, but a widowed middle aged mother of two late teens, who struggles to keep her head above water. She is in no way chic, in fact quite the reverse, with a serious taste for all things kitsch. She is not from Montmartre, not even Parisienne, but a resident of Charleroi, a Belgian city south of Brussels famous only for its heavy industries of coal and steel. Style points seriously lacking in her life, and escapism into trashy fiction is what keeps her going.

Then when she least expects it, her life changes, and to tell any more would be a spoiler. Cynics amongst us may hate it, but the journey she travels as a result is reaffirming of optimism in life, and tells a story that wealth and fame are illusory bubbles, and that those who chase them are in for a surprise when they burst.

Watching it I was reminded of Adrian Henri's beautiful little poem, with the line "Love is a fan club with only two fans". Watch it.

"Odette Toulemonde" is a beautiful masterpiece of film-making. I'd say it has a definite creative kinship to "Getting to Know You" directed by Joan Carr-Wiggin. These films are amazing deftly-done blends of diverse filmmaking technique perfectly balanced in single works of movie-making art. Marvelous film. Highest-recommendation.

Catherine Frot is a sweet-faced, sprightly French actress who looks a decade younger than her 52 years. She's also sexy in her inimitable way, and she's always watchable and versatile (she often plays confused, if not ditzy, characters, but she can turn on the drama too; see The Page Turner).

Frot has a tendency to carry any film she's in. She's one of those few actors who just lights up the screen. Alas, when the camera's not on her, borderline 'good' films like this one suddenly lose a great deal of appeal. In short, if Frot weren't in this film, I'm not sure how redeemable it would be.

Frot plays Odette Toulemonde (loose translation: 'Odette Everyone/Everywhere'), a cheerful, unworldly, dreamy sales clerk who loves the sappy books of author Balthazar Balsan (Albert Dupontel, who in real life is 10 years younger than Frot). Odette writes Balthazar a letter that, in her simple way, is profound, and inspires the writer, a sophisticated, womanizing Parisian who quotes Proust, to uproot himself and suddenly appear at Odette's house in a small Belgian town. This internationally famous writer begs to stay with her. This is all highly implausible of course, but 'Odette' is a fantasy film more than anything else, so plausibility is a non-issue.

This has been called 'a feel-good' film. That might be true, but it also strains credulity to make us feel 'good'. Noticeably, after a promising first half, it begins to bog down in the second, showing its deficiencies by becoming frequently boring and clichéd (e.g. the all-too-familiar sullen, alienated daughter and the upbeat gay son). The film doesn't quite know where its focus is supposed to be. But if you're an incurable romantic, you might well overlook its flaws and love it. For me, it was worth watching just to see Catherine Frot scale the heights and conquer once more.

First the positive sides: Some beautiful pictures/ shots, some funny moments, a lovely actress playing with charme and surely this will put a smile on your face. On the other hand, what comes along as "funny" is often rather serious in reality and so in my opinion, the movie wants or tries to be "lighter" than it actually is. The jokes can be foreseen (clever is something else!) and are sometimes a little forced, plus there is a lot of cliché, so the genre of "kitsch" is perfectly fulfilled. It reminded me a little of the movie "Amelie" which I disliked for similar reasons. There is better french humour, charme and "feel-good-movies" than this. All in all, this one was a bore to me.