Arc

I absolutely loved it (ARC)! The acting, wardrobe, cinematography and everything else in the film was utterly amazing. The film's movement kept me intently watching and guessing. And if that wasn't enough, the final message revealing the plot was beautiful.

The character developments - and changes as the film progressed - was unexpected but perfectly understandable. It was highly believable that anyone under these circumstances would behave and change the same way.

And, lastly, the way the film used black and white and color, and the meanings thereof, was brilliant. I will see this one over and over again.

--- Jay Rossi (The Jay Rossi Project)

After seeing the Film ARC at the Indie Gathering in Ohio, I'm convinced that I'm in the right profession. This is the first time I have ever commented on a film at IMDb.com... and let me tell you... God Damn Amazing.

Robert Gunnerson, I applaud you. This is your first feature film and you stole the show. Passionate and Raw. Dark and humorous. One man's journey to claw his way out of the self-loathing, drug induced, pathetically convenient Pit he fell into. I was more involved in watching ARC than Lord of The Rings or X-Men. The beautifully framed shots and artistic use of spot coloring make it impossible to keep from losing yourself in the film.

I'm glad I had a chance to see it, and it was great talking to you about it. For anyone that hasn't seen this Movie... GO SEE IT! Pay huge money to have Rob send you a copy! Do Whatever it takes to see this film! YOU MUST SEE IT!

Independent film at it's finest!

I had the privilege of viewing ARC, and the first thing that came to mind was that the trailer did not do this movie justice. When I originally saw the small clip, I knew it looked like a gripping film that I wanted to see. However, I was only a few minutes in to the feature when I suddenly realized that I was in for a real treat! Written and directed by the ingenious Robert Ethan Gunnerson, ARC takes place in the town of Los Angeles, and focuses in on it's more sordid side as a former police officer turned drug addict searches for a missing boy in hopes to redeem his character before his 30th birthday. Using a variety of color schemes throughout the film, Robert not only lures you in visually, but he uses the effects to add a depth to the film that I don't think could have been achieved otherwise.

Now while the cinematography is what originally lured me in to the film, it was the character driven story lines and superb acting that kept me on the edge of my seat. I found it rather interesting that more than once, I felt like I was invading these character's lives. A sort of, fly on the wall, if you will. Robert Ethan Gunnerson did an amazing job of bringing his characters to life, and I look forward to his future projects. He definitely has a bright future ahead of him in the entertainment industry.

Taking the starring role, Peter Facinelli (The Big Kahuna, Scorpion King, Fastlane) delivered a first rate performance the former police officer turned drug addict, Paris Pritchert. Called upon more than once to deliver a raw and emotion filled performance, Facinelli not only embraced his role with a passion, but executed it with flawless precision. It was truly one of his most memorable roles to date, and I think that only further opened my eyes to the still untapped talent he possess. He is truly a master of his craft.

To all of those who have had the privilege of seeing the film, consider your self blessed. For those who have not yet had the pleasure, I can only hope that Robert will release this film to DVD or make it available for download on iTunes because in my opinion, it truly is a MUST SEE work of art.

I'm pretty sure that that says it all. Shaky camera angles as well as poor acting have caused me to come here and make my 1st review. I've seen better cinematography from 16 year olds.

Forget whatever it is you know about Peter Facinelli from "Can't Hardly Wait" or the canceled series "Fastlane" -- neither of those projects even hinted at the depth he taps into here. Under the direction of Robert Ethan Gunnerson (this is one of the strongest debuts in recent memory), Facinelli is born again as an actor. Equally impressive is the debut of Raina-Simone Moore, who brings refreshing earthiness and wit to what could have been a stock character.

There are a lot of preconceived notions about "drug dramas," but this film should be seen first and foremost as a human drama. Instead of going for the trippy style of "Requiem for a Dream" or the barebones realism of "Drugstore Cowboy" -- Gunnerson wisely doesn't aim for one extreme. He also makes striking use of selective coloring, with colored objects popping out of black-and-white frames. In the hands of a lesser director, this could be a distracting gimmick, but here it works beautifully, speaking volumes about each character.

Funny how the film's budget was well under a million dollars, and yet it is has so much more heart and soul than the $150 million "Miami Vice." Seek it out, and you'll feel like you've made a great discovery. Days after seeing it, I can't shake it -- and I don't want to.