End Game
- एपिसोड aired 17 फ़र॰ 1995
- TV-14
- 45 मि
IMDb रेटिंग
8.7/10
5.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंMulder is forced to make an impossible choice, when the alien bounty hunter gives him an ultimatum - Scully's life for Samantha's.Mulder is forced to make an impossible choice, when the alien bounty hunter gives him an ultimatum - Scully's life for Samantha's.Mulder is forced to make an impossible choice, when the alien bounty hunter gives him an ultimatum - Scully's life for Samantha's.
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फ़ीचर्ड समीक्षाएं
Endgame indeed.
End Game indeed, you always wonder if a two part story that begins to incredibly well, will end on a flat tone, Colony was wonderful, this is equally as good.
This was an exhilarating episode, pulse racing from start to finish. The story was so good, so well written and complex. The alien bounty hunter was a terrific character, very chilling.
Some very nice special effects, the scenes of the corpse falling apart looked great.
Great to see Skinner thrown into the action, it's made that mystery man even more interesting.
I found myself in the previous episode having to check back to see if I'd missed an episode, Mulder's predicament seemed so odd, this episode surely does explain that dramatic opening.
Superb, 9/10.
This was an exhilarating episode, pulse racing from start to finish. The story was so good, so well written and complex. The alien bounty hunter was a terrific character, very chilling.
Some very nice special effects, the scenes of the corpse falling apart looked great.
Great to see Skinner thrown into the action, it's made that mystery man even more interesting.
I found myself in the previous episode having to check back to see if I'd missed an episode, Mulder's predicament seemed so odd, this episode surely does explain that dramatic opening.
Superb, 9/10.
Pulsating and spectacular follow-up
End Game is a classic X-Files episode with an engrossing plot that follows Mulder and Scully from the previous cliffhanger ending. Further reveals are made about characters introduced in Colony that make you want to find out more.
Gillian Anderson and David Duchovny are great as always, supported well by Mitch Pileggi. This is the most interesting use of the character Skinner so far.
It is visually an excellent episode, making great use of some brilliant set design (by the standards of a television show of its era). I also love the use of the HMCS Mackenzie for internal footage of a submarine.
Gillian Anderson and David Duchovny are great as always, supported well by Mitch Pileggi. This is the most interesting use of the character Skinner so far.
It is visually an excellent episode, making great use of some brilliant set design (by the standards of a television show of its era). I also love the use of the HMCS Mackenzie for internal footage of a submarine.
A great episode in this 2 part-er
There's a lot of questions this episode both answers and raises, it's tense and builds to a good climatic ending. Both this and the 1st part are equally great.
Checkmate!
End Game is a chess term used to describe the later stages of a chess game when there are few pieces left on the board. The pawns become more important in the game. In reference to the x-files episode of the same name, who are the pawns? Are they the clones of Samantha who sacrifice themselves so that the original can survive? Or is it Mulder being used as a pawn by the alien bounty hunter (ABH) to expose the clones so that he can kill them? These are thought-provoking questions that can enhance your enjoyment of this episode. What I like about the ABH is that no only can he morph into whomever he wants, but he can also don the personality of the person whom he is impersonating. That makes him especially dangerous. This episode is just as exciting as Colony. It doesn't skip a beat. The elevator fight scene between X and Skinner is classic. It's great to see Skinner sticking up for Mulder and Scully. And, in the grand tradition of the x-files, it leaves lots of questions unanswered, making us ask for more.
"End Game" successfully blending elements of science fiction with psychological drama while advancing key plotlines that resonate throughout future seasons
"End Game," directed by Rob Bowman, is a pivotal installment that deepens the series' overarching mythology while exploring themes of identity, sacrifice, and the relentless pursuit of truth. The episode begins with Scully (Gillian Anderson) being kidnapped by an alien bounty hunter, who seeks to trade her for Mulder's sister, Samantha (played by Melinda Culea). This high-stakes scenario sets the stage for a tense narrative filled with emotional turmoil and moral dilemmas.
As Mulder learns of Scully's abduction, he is thrust into a desperate race against time. The pacing throughout "End Game" is expertly crafted, maintaining a sense of urgency as Mulder navigates through layers of deception and danger. The narrative unfolds with Mulder making a harrowing decision to offer Samantha as a bargaining chip to secure Scully's release. This choice highlights the complexity of Mulder's character; his deep-seated desire to find his sister clashes with his commitment to protect Scully, showcasing the emotional stakes involved in their partnership.
Visually, "End Game" employs a dark aesthetic that enhances its themes of fear and desperation. Bowman's direction effectively builds suspense; scenes where Mulder confronts the bounty hunter or navigates treacherous situations are particularly gripping. The cinematography captures both the stark beauty of the Alaskan landscape and the claustrophobic interiors of government facilities, creating a palpable sense of dread. Critics have praised the episode for its strong visual storytelling, which heightens the overall impact.
The performances in this episode are outstanding, particularly from Duchovny and Anderson. Duchovny's portrayal of Mulder showcases his characteristic determination and vulnerability; he embodies the emotional weight of his choices as he grapples with the consequences of his actions. Anderson delivers a powerful performance as Scully, whose unwavering strength and commitment to justice shine through even in dire circumstances. The supporting cast also delivers strong performances, particularly John Finn as Ambrose Chapel, who adds layers of intrigue to the narrative.
"End Game" delves into profound questions about identity and sacrifice within the context of alien conspiracy. The episode raises important questions about what it means to protect those we care about; Mulder's decision to trade Samantha emphasizes the complexities of familial bonds and moral choices in extreme situations. Additionally, it explores how trauma can shape one's identity and motivations; Mulder's quest for truth is deeply intertwined with his unresolved feelings regarding his sister's abduction. This exploration invites viewers to reflect on their own beliefs regarding loyalty, sacrifice, and the impact of hidden truths on personal identity. "End Game" stands out as a compelling entry in "The X-Files," successfully blending elements of science fiction with psychological drama while advancing key plotlines that resonate throughout future seasons.
As Mulder learns of Scully's abduction, he is thrust into a desperate race against time. The pacing throughout "End Game" is expertly crafted, maintaining a sense of urgency as Mulder navigates through layers of deception and danger. The narrative unfolds with Mulder making a harrowing decision to offer Samantha as a bargaining chip to secure Scully's release. This choice highlights the complexity of Mulder's character; his deep-seated desire to find his sister clashes with his commitment to protect Scully, showcasing the emotional stakes involved in their partnership.
Visually, "End Game" employs a dark aesthetic that enhances its themes of fear and desperation. Bowman's direction effectively builds suspense; scenes where Mulder confronts the bounty hunter or navigates treacherous situations are particularly gripping. The cinematography captures both the stark beauty of the Alaskan landscape and the claustrophobic interiors of government facilities, creating a palpable sense of dread. Critics have praised the episode for its strong visual storytelling, which heightens the overall impact.
The performances in this episode are outstanding, particularly from Duchovny and Anderson. Duchovny's portrayal of Mulder showcases his characteristic determination and vulnerability; he embodies the emotional weight of his choices as he grapples with the consequences of his actions. Anderson delivers a powerful performance as Scully, whose unwavering strength and commitment to justice shine through even in dire circumstances. The supporting cast also delivers strong performances, particularly John Finn as Ambrose Chapel, who adds layers of intrigue to the narrative.
"End Game" delves into profound questions about identity and sacrifice within the context of alien conspiracy. The episode raises important questions about what it means to protect those we care about; Mulder's decision to trade Samantha emphasizes the complexities of familial bonds and moral choices in extreme situations. Additionally, it explores how trauma can shape one's identity and motivations; Mulder's quest for truth is deeply intertwined with his unresolved feelings regarding his sister's abduction. This exploration invites viewers to reflect on their own beliefs regarding loyalty, sacrifice, and the impact of hidden truths on personal identity. "End Game" stands out as a compelling entry in "The X-Files," successfully blending elements of science fiction with psychological drama while advancing key plotlines that resonate throughout future seasons.
क्या आपको पता है
- ट्रिवियाOne hundred and forty tons of snow and ice were trucked into a soundstage to create the scene with the submarine toward the end, and the stage had to be refrigerated for five days.
- गूफ़(at around 28 mins) When Scully enters the Assistant Director's office, the US flag behind his desk is hung upside down.
- कनेक्शनFeatured in The X Files: The Truth (2002)
- साउंडट्रैकThe X-Files
(uncredited)
Written by Mark Snow
Performed by John Beal
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