Eastern Promises

"Violence does, in truth, recoil upon the violent, and the schemer falls into the pit which he digs for another." Sir Arthur Conan Doyle

If Viggo Mortensen fighting naked in a London steam bath with some bad Chechens doesn't interest you, then perhaps I can offer you a second-tier Godfather with strong family "values" and exceptional acting. Director David Cronenberg in Eastern Promises comes through again with realistic violence and depressing ambiance, cast over by a humanity that even the Godfather has trouble matching.

Mid-wife Anna (Naomi Watts) happens on a prostitute's volatile diary in the emergency room. The London Russian mob, vory v zachone, wants it back because it implicates the son of kingpin Semyon (Armin Mueller-Stahl, Shine) in crimes. Driver to the mob, but good guy deep down, Nikolai (Mortensen), serves as the agent collecting the diary and carrying out the fate of those who have read it. As in most mob stories, loyalty is coin of the realm, so much so that even children of a don are not exempt from the rigid code. As in Dirty Pretty Things, young girls like body parts are bought and sold like slaves in a careless market.

Cronenberg's worlds are usually violent, topsy-turvy, and peopled by bipolar miscreants who have accepted the dangers in hope of riches or power but at the same time fight with themselves over the moral implications. So too in Eastern Promises where a helpless newborn topples a kingmaker and makes virtuous royalty of others. Getting the throne or that royalty is tough for Nikolai, whose naked fight to the death in the bath is a tour de force of violent ballet, even discounting Mortensen's other-worldly physique. Cronenberg's fascination with the body's vulnerability is memorable here, stripped down and utterly alone, like birth and death.

The majesty of Coppola's Godfather is partly here but more diluted; the array of complex characters in the Corleone family just is not duplicated. Yet Mueller-Stahl has Brando's quiet authority and Mortensen Pacino's quietly dangerous charm (when he says, "I live in the zone all the time," you can't help but wonder what secret turmoil lives in his heart). Neither Eastern Promises actor can possibly surpass those Godfather icons, but they and the film are promising affiliates of the royal gangland canon.

It is not often that audiences today are treated to a film that has as many things going for it as Eastern Promises does. Whether it's because of interference from studios determined to make their products as marketable as possible, filmmakers who favor style over substance, or just a plain old shortage of originality, nowadays it is a treat when a film fan can leave the theater and feel affected by the artistry that he/she has just experienced.

On the surface, Eastern Promises is a straightforward crime story about people who don't appear to be terribly complex. But somehow, the combination of the narrative, the mood, and the humanness of the characters create an alchemy that transcends this film from something that could have been common into something quite unique and memorable. Noirish settings, dedicated medical professionals, and mobsters and their loyal henchmen are all commonplace enough in movies as to risk being clichés. Yet everything in this film about a London midwife who stumbles into contact with the Russian mob as she seeks clues to the identity of a teen who died in childbirth mesh together wonderfully and fully engage the viewer.

While it all starts with the script, credit must be given to the director, David Cronenberg for bringing it to life, and for the cast, who created living, breathing characters who the viewer cares about- whether they are likable or not, good or evil, or not quite so easy to read. They seem real.

At the core of the film is "Nikolai," the loyal chauffeur to the kingpin's volatile son. "Nikolai" is both enigmatic and mesmerizing. We know he is a man with a past and with secrets, but we really don't know what his goals and motives are. We don't know who he is, yet somehow, just as the half-Russian midwife, "Anna", we are drawn to him and trust that there is goodness in him, even as were are not quite sure we should. It is a skillful, yet understated performance that quietly blows you away.

Although Eastern Promises has some of the director's signature moments of eye-popping violence, they do not dominate this film and it is the quiet moments- where the characters are silently contemplating aspects of their own existence that give the film its power. We can see the introspection and pain on their faces, but the script leaves so much unsaid, and so much about the two main characters (played by Viggo Mortensen and Naomi Watts) we come to care about so much remain a beautiful, haunting mystery.

I know a gent that did police detective work in St Petersburg, Russia for a couple of years, mostly blackmarket stuff. One night over dinner he told me, "In St Petersburg everything is available. And you don't want to know what everything is". Eastern Promises has more than a little bit of 'everything'.

Some real edge of your seat moments in this instant classic. Set in dark wet, and noir London, Eastern Promises takes a look into a Russian Gangster mentality and culture with some scenes that will make both your skin crawl and your heart ache. This is one tough and nasty thriller. Not for the squeamish.

A twisted morality tale of family dynamics, gang loyalty and one possible way the Good Guys just might usurp the Bad. Every principal character etches a note that resonates true to the scale of the story. And its an excellent dark dark black hearted story full of places and people that you just hope this movie is as close as you ever get to them. Genuinely bad characters with such exquisite details that it doesn't feel like fiction.

Go see it. Pleasant nightmares!

Russian mobsters, a rainy, murky London, a midwife and Viggo Mortensen makes this David Cronemberg film a perfect companion piece to his "A History Of Violence". My two favourite films of this idiosyncratic and fascinating director. Naomi Watts and motherhood go beautifully together and it's her gutsy maternal instinct that throws her in a world populated by truly horrible people. The trick is, we go with her and within that brutal world we meet some memorable characters. Viggo Mortensen, what an actor! His fearlessness is riveting, he's also beautiful beyond words. We think we can read him but we doubt our own thoughts, he's in total control of his character and of his audience. He has the face of an icon and he underplays it, over playing it. If you see History Of Violence and Eastern Promises you'll understand what I mean. This is not a film to like but to love and I loved it.

First of all it is amazing the amount of research that went into this movie. When Mortissen's characters says that his father worked for the government, in Russian he actually says: "Hunched his back for the uncle"! Even the poster with little and index finger straighter then the rest, it all breathers authenticity.

I didn't go in expecting non-Russian actors to suddenly have no accent, but I did have hesitations about the pronunciation, that usually tends to be horrible. Not so here, despite the accent (that was slight), the intonation, the way the characters cary themselves especially Mortinssen's are very Russian. (Even his less then perfect English sounds Russia when he misses articles: "Not good place for girl to grow up.") Overall the director shows a bit of what a real SinCity looks like. Violence is like a snap of a whip, sudden and loud. The movie is very stylish, but without trying to be so. It's just how these people like to live their lifes. A lot has been said about acting and it is true Mortinssen really delivers. All the auther actors are great too though, there is no weak link in this movie.

Anyway the bottom line: The most authentic movie about Russian mobsters that the west has produced so far. Furthermore I find the only aspect in which it looses to the Godfather is scope. Although the movie is complete I can not help, but to want for more. The best film I've seen this year.