Heartbreak Hotel

I'm a 29 years male but still found this movie one of the better ones I've seen lately. I must say I'm really surprised. It touches your heart and u really feel joy and pain with these two people like I very rarely feel watching movies. Seldom have I laughed so much in a movie without jokes. U can tell its a director that knows what hes doing. So even though older women will get the most out of this movie, don't think for a moment the rest of us cant enjoy it.

So don't be afraid to say, hey guys, lets go and watch Heartbreak Hotel! And any1 with a mother, buy a ticket as a present and get her to the movies right this moment!

I enjoyed this movie a lot. Very good acting in general, very lovable characters, and lots of fun and heart-warming scenes. There was also a good deal of great (dance) music, and not just the kind you would think to hear in a place like the movie's "Heartbreak Hotel", but also some Balkan brass rhythms and very catchy Indian singing. I really appreciated that.

My main complaint is the ending. The ending (last 10-15 minutes) felt like it had been just "pasted" on, with little connection to the rest of the movie. IMHO, the movie would have been better if it had ended earlier. It felt like there was no good idea of how to tie the story together.

In Stockholm, the gynecologist Elisabeth "Lisa" Staf (Helena Bergström) receives a ticket from the car-park attendant Gudrun Nyman (Maria Lundqvist) when she parks her car in a forbidden place. Lisa justifies telling that she is going to the wedding of her son and she is late; however Gudrun does not accept the excuse and they offend each other. In the dinner party, Elisabeth's husband tells to the guests that they are divorcing.

Gudrun is a shy widow that stays at home, and her daughter Liselotte (Erica Braun) convinces her to go to her gynecologist; surprisingly she is Lisa and they become friends. Lisa is independent and likes to dance and the nightlife, and she convinces Gudrun to go out with her to the Heartbreak Hotel to drink and dance. When Gudrun meets her former husband Åke Nyman (Claes Månsson), the relationship between the two women is affected.

"Heartbreak Hotel" is a silly but entertaining Swedish comedy about the friendship of two forty and something year-old women with different temperaments. The plot is a kind of combination between "Sex and the City" with "Thelma & Louise" and the result is a pleasant comedy. My vote is six.

Title (Brazil): "A Vida Começa aos 40" ("The Life Begins at 40")

I have to say I was pleasantly surprised by this film. Great acting and writing and directing!

All of the characters were well fleshed out, and fun to 'live' with on screen. Moving and touching at times, and funny and good witted at others..

It's such a treat to see what's happening in other countries film wise! I tend to think Hollywood no longer has the last word on film anymore! Many other writers/directors/actors in many other countries are constantly coming out with engaging and fun movies! I so enjoy to see other parts of the world and their homes and culture...

Great film making!

Colin Nutley is back with a film that finds a big audience. I think maybe it's his best film since his big success Änglagård. Many (divorced) middle-age women will surely love the film. Anyway they did in the audience I watched the film in.

Marie Lundqvist is as usual a magnificent actor. She can act any feeling in a very convincing way and her appearance makes you somewhat forget the obvious weaknesses in the script. On the whole the acting is god and the scenes seems to be improvised in usual Colin Nutley - manner. This makes most scenes very authentic if often surrealistic.

The film makes you laugh at a lot of funny and embarrassing situations, but offers little but confusion about how to handle your life likewise with the people in the film. It's just quite good entertainment for the moment. Women and sisterhood is at the center of the film. Men don't get much credit and Nutley also takes the opportunity to make a friendly? attack on the film icon Ingmar Bergman.