अपनी भाषा में प्लॉट जोड़ेंA dramatized documentary investigating accusations that "Forbidden Love" author Norma Khouri made up her biographical tale of a Muslim friend who was killed for dating a Christian.A dramatized documentary investigating accusations that "Forbidden Love" author Norma Khouri made up her biographical tale of a Muslim friend who was killed for dating a Christian.A dramatized documentary investigating accusations that "Forbidden Love" author Norma Khouri made up her biographical tale of a Muslim friend who was killed for dating a Christian.
- पुरस्कार
- 4 जीत और कुल 2 नामांकन
Amal A. Sabbagh
- Self - The Critic
- (as Dr. Amal A. Sabbagh)
फ़ीचर्ड समीक्षाएं
In the early to mid 1970's, Clifford Irving proposed to write the ultimate biography of Howard Hughes,claiming to have spent months preparing for the book,engaged in interviews with the reclusive millionaire. When all of this turned out to be false,Irving was accused of perjury & spent several years behind bars (although always admitting his findings were accurate). Flash forward to 20001,several months prior to September 11th, a book,entitled 'Forbidden Love' (published in the U.S. as 'Honor Lost:Love And Death In Modern Day Jordan') by a previously unknown author by the name of Norma Khouri,a woman from Jordan,who reported on the death by mercy killing of her best friend Dalia,due to the fact that Dalia,being from a devout Muslim background,was dating a Christian man. It,like Irving's biography on Hughes was revealed as a potential hoax. Australian film maker,Anna Broinowski attempts to delve into the quagmire that was Khouri's attempts to clear herself of the lie(s). Over the time frame of 104 minutes,the film attempts to reveal is Norma Khouri telling the truth,or is she just a compulsive liar,with an agenda/vendetta of her own?. Interview footage with those who know/knew her (including an ex husband,her publisher,and others) tell their side of the story. This is a toothsome,well produced documentary that manages to point many fingers at just as many potential guilty parties. Not rated,but contains pervasive bad language & a re-enactment of the grisly murder scene,played over a few times (but nothing nearly as graphic & disturbing as what one would see in the latest torture porn epic,such as Saw:Part 84). Not a good choice for the little ones.
What a fascinating film. Even if it wasn't based on real life, Forbidden Lies was a fascinating portrait of a con artist in her element. And it is the kind of film psychology students could study to learn about compulsive liars.
The author of Forbidden Love, Norma, was revealed as a fraud in the media but this move really does give her ample opportunity to clear her name.
But the twists and turns she takes the documentary maker through are amazing. What a patient woman! I loved this movie. I have not read the book but simply heard good reviews and went to see it on boring rainy afternoon. The journey this film takes you on is clever, interesting and totally engrossing.
The author of Forbidden Love, Norma, was revealed as a fraud in the media but this move really does give her ample opportunity to clear her name.
But the twists and turns she takes the documentary maker through are amazing. What a patient woman! I loved this movie. I have not read the book but simply heard good reviews and went to see it on boring rainy afternoon. The journey this film takes you on is clever, interesting and totally engrossing.
You sit there for a half an hour and watch a story, believing it all, then watch another half an hour of the same story utterly unraveling... and then put back together again. Brilliant.
One of the most exciting feature films at the San Francisco International Film Festival is a documentary. I don't know if - other than Andrew Jarecki's "Capturing the Friedmans" - there has ever been anything like Anna Broinowski's "Forbidden Lie$." It features, exposes, defends, reveals, and questions everything about Norma Khouri, author of "Honor Lost," the acclaimed and lambasted 2001 bestseller about honor killings in Jordan.
What is quite incredible and what makes the film so exceptional is that this "exposure" of Khouri is made with Khouri's full participation.
For the initial portion of the film, Khouri presents her story about the supposed honor killing of a friend of hers in Amman, the story of the book. She sounds completely believable, convincing.
Then her story is taken apart, exposed, by eminently believable and convincing people, such as women's rights activists in Jordan, investigative reporters there and in Australia, where Khouri lived for a while.
Khouri comes back and denies the accusations, taking a successful lie-detector test in the process. There comes another segment of devastating exposures - not to be specified here because that would lessen the shock value... and then Khouri comes back and faces the accusations (not all, but the essential ones in the matter of the book).
And the Houdini act continues, with round after round in this heavy-weight, seesaw prize fight, surprise after surprise - and there is no "happy ending" in the sense of resolution. Brilliant.
One of the most exciting feature films at the San Francisco International Film Festival is a documentary. I don't know if - other than Andrew Jarecki's "Capturing the Friedmans" - there has ever been anything like Anna Broinowski's "Forbidden Lie$." It features, exposes, defends, reveals, and questions everything about Norma Khouri, author of "Honor Lost," the acclaimed and lambasted 2001 bestseller about honor killings in Jordan.
What is quite incredible and what makes the film so exceptional is that this "exposure" of Khouri is made with Khouri's full participation.
For the initial portion of the film, Khouri presents her story about the supposed honor killing of a friend of hers in Amman, the story of the book. She sounds completely believable, convincing.
Then her story is taken apart, exposed, by eminently believable and convincing people, such as women's rights activists in Jordan, investigative reporters there and in Australia, where Khouri lived for a while.
Khouri comes back and denies the accusations, taking a successful lie-detector test in the process. There comes another segment of devastating exposures - not to be specified here because that would lessen the shock value... and then Khouri comes back and faces the accusations (not all, but the essential ones in the matter of the book).
And the Houdini act continues, with round after round in this heavy-weight, seesaw prize fight, surprise after surprise - and there is no "happy ending" in the sense of resolution. Brilliant.
I saw this film at the Adelaide Film Festival '07 and was thoroughly intrigued for all 106 minutes. I like documentaries, but often find them dragging with about 25 minutes to go. Forbidden Lie$ powered on though, never losing my interest.
The film's subject is Norma Khoury, a Jordanian woman who found fame and fortune in 2001 with the publication of her book Forbidden Love, a biographical story of sorts concerning a Muslim friend of hers who was murdered by her family for having a relationship with a Christian man. A few years later though, a few journalists started poking holes in the story, leading the public to believe it was fraud. The film covers this quickly but thoroughly in the beginning, and from there we spend most of our time in the company of Norma as she tries to convince us that her novel is more than fiction.
Director Anna Broinowski has found a truly fascinating woman to study, and she conducts endless interviews with Khoury as she seeks the truth. As always in life, the truth is not so easy to find. Norma fears for her life, worried about violent backlash over the unsavoury portrait her novel paints of Jordanian Muslims. She refuses to return to Jordan and show us the facts. Broinowski is not deterred however, and slowly puts the pieces together in front of us.
The result is an incredible look inside the mind of a con artist. Naturally, what we find there makes little sense and is extremely difficult to follow, and ultimately we don't know whether to believe Norma or not. She's either a rather unfairly put-upon woman trying to survive, or a fantastic spinster. The web of lies, truths and half-truths she turns through the film is brilliant.
The film uses much interview footage, as well as dramatisations to tell it's story, and Broinowski uses these dramatisations to show us why people like Norma are able to exist: we want to be conned. We go to the cinema every day and allow ourselves to believe what's happening on the screen is real. That might just be me reading into things a bit too much, it didn't come up in the Q&A with Brionowski after the film, but that's what I took away from it.
This is a great Australian film, and must receive an international release, and a swag of awards if you ask me. Certainly the best film I saw at AFF07.
Go see it, if you get the chance.
The film's subject is Norma Khoury, a Jordanian woman who found fame and fortune in 2001 with the publication of her book Forbidden Love, a biographical story of sorts concerning a Muslim friend of hers who was murdered by her family for having a relationship with a Christian man. A few years later though, a few journalists started poking holes in the story, leading the public to believe it was fraud. The film covers this quickly but thoroughly in the beginning, and from there we spend most of our time in the company of Norma as she tries to convince us that her novel is more than fiction.
Director Anna Broinowski has found a truly fascinating woman to study, and she conducts endless interviews with Khoury as she seeks the truth. As always in life, the truth is not so easy to find. Norma fears for her life, worried about violent backlash over the unsavoury portrait her novel paints of Jordanian Muslims. She refuses to return to Jordan and show us the facts. Broinowski is not deterred however, and slowly puts the pieces together in front of us.
The result is an incredible look inside the mind of a con artist. Naturally, what we find there makes little sense and is extremely difficult to follow, and ultimately we don't know whether to believe Norma or not. She's either a rather unfairly put-upon woman trying to survive, or a fantastic spinster. The web of lies, truths and half-truths she turns through the film is brilliant.
The film uses much interview footage, as well as dramatisations to tell it's story, and Broinowski uses these dramatisations to show us why people like Norma are able to exist: we want to be conned. We go to the cinema every day and allow ourselves to believe what's happening on the screen is real. That might just be me reading into things a bit too much, it didn't come up in the Q&A with Brionowski after the film, but that's what I took away from it.
This is a great Australian film, and must receive an international release, and a swag of awards if you ask me. Certainly the best film I saw at AFF07.
Go see it, if you get the chance.
This film is a great fun. I recommend you watch it yourself and then watch it again with your friends. I did last night and it was fascinating how well Norma Khouri could pull everybody into her world! I did feel a little bit strange watching my friends go through the same roller coaster as I did the first time. But they all thanked me and loved the movie. You know it is a great film if you spend 2 hours after the film talking about the movie!
I once saw a con man almost up toNorma Khouri's level, but no where near the same size ring. He fooledtons of very gullible and rich folks at my old Berkeley CA A.A. group where everyone trusts everyone else. He would "sponsor" only people who seemed very well to do. Who knew he would have stolen in excess of 100k(in 1987 when that was real money) after being in town for only 1 month. His victims were very fragile as they were in their first month or week of being sober. He was evil with a great laugh and a great smile on his face.
The above crime is nothing compared to what Norma Khouri did to her old neighbor. But I don't want to give anything away.
I just found this one night on a late night movie channel,"Showtim" I think. This is always a movie fans greatest experience to be totally tricked into seeing something and having your mind blown. Just drag your friends over to see this and don't tell them a thing. It is a very entertaining film, it moves quickly and never bores you.
This should be a international classic for all time. I believe all great movies eventually rise to the top. Time will be very good to this film. I am just sorry no one has heard of it yet,in some ways that makes the surprises even better.
The director and editor were fantastic. They deserved winning the best documentary.
JUST WATCH THIS FILM!
I once saw a con man almost up toNorma Khouri's level, but no where near the same size ring. He fooledtons of very gullible and rich folks at my old Berkeley CA A.A. group where everyone trusts everyone else. He would "sponsor" only people who seemed very well to do. Who knew he would have stolen in excess of 100k(in 1987 when that was real money) after being in town for only 1 month. His victims were very fragile as they were in their first month or week of being sober. He was evil with a great laugh and a great smile on his face.
The above crime is nothing compared to what Norma Khouri did to her old neighbor. But I don't want to give anything away.
I just found this one night on a late night movie channel,"Showtim" I think. This is always a movie fans greatest experience to be totally tricked into seeing something and having your mind blown. Just drag your friends over to see this and don't tell them a thing. It is a very entertaining film, it moves quickly and never bores you.
This should be a international classic for all time. I believe all great movies eventually rise to the top. Time will be very good to this film. I am just sorry no one has heard of it yet,in some ways that makes the surprises even better.
The director and editor were fantastic. They deserved winning the best documentary.
JUST WATCH THIS FILM!
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Forbidden Lies
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $3,44,594
- चलने की अवधि
- 1 घं 44 मि(104 min)
- रंग
- ध्वनि मिश्रण
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