A fost sau n-a fost?

12:08 EAST OF BUCHAREST deserves all the accolades awarded it at Cannes, and Corneliu Porumboiu's amusing, entertaining and important film is a great window into the questions of the "Romanian Revolution". The opening shots of a Romanian city with its lights blinking off and the photography of the concrete buildings that house Romanian families created a perfect background to launch the film and story and the question of "whether there was, or was not a Romanian Revolution".

The characters in the film were both colorful and rich, and the humor displayed was tremendous. When I look at the lives of Romanians in contrast to the vast riches of America, and I see men and women going about their lives in Bucharest and other Romanian towns, the question of the revolution almost takes a back seat to the citizens attempting to scratch out a living and survive. What Mr. Porumboiu gave to the world was a rich story, interesting characters and presenting the question of a revolution. That answer, must be seen in this wonderful film. I look forward to more Romanian films and other works from the very talented Corneliu Porumboiu.

There is really a lot to this movie. Even thought there is almost no evident action, except for the long television broadcast of an obnoxious talk show - even some apparently loose ends or inconclusive stories - the fact is you can ponder on days on this beautiful work of art. Acting is superb in most cases, and images of dusk and dawn in the freezing Romanian winter - so gray, so hard - are pure poetry.

The reference to dogma, among other keen jokes, talks about a clever story writer, and a cultured film maker.

I'm really glad I got to see this movie as a part of the "Eurocine" European movie showcase that visits us these days (april 08) in Bogota and the rest of Colombia. We get a chance to see the best of Romania, a country apparently so far away, yet so close to our hearts.

A very good piece of work that seems slow when you watch it and is very effective in the end. It makes you sad and hopeful at the same time. After having gone through revolution the actors are sucked up by their daily struggles about money, love and dignity. The pictures are dark and don't make you want to go to Romania in December. Nevertheless it is a must for everybody who is interested in understanding Romanian culture. But first of all it is a contribution to the national discourse in Romania itself. I would like to see more of the process of Romanian self-reflection. Unfortunately Romanian films are hardly available on DVD outside of the country.

The film premiered today 2-6-06 at Cluj 5th International Film Festival. I were there… It is not I'm a cine-freak, but I love cinema. After the triumph (Camera d'Or prize) in Cannes of a practically inexistent Romanian filmography, we all were curious about Mr. Corneliu Porumboiu. Well-done Mr. Porumboiu… I should give you a ten, for proving to our fellow -constantly complaining- European fellows that one can make a good film with just a good scenario and without billions of Euros… I have to take away one point because only Almodovar, out of the leaving ones deserves 10, and a second point because,unfortunately your beautiful scenario would not easily strike audiences unfamiliar with the average Romanian. Yet, I did enjoy it and I want to thank you. Please continue your good work

The viewer needs to understand that this is a Romanian film for Romanians. You'll catch all the inside jokes of the film if you've been there. The point of the film is that indeed the revolution was different for everyone . Even in late 1990 when I was there, the people were still scared of the Securitate, or secret police. Even during the one year anniversary of the revolution, it took courage to go and march, much less right after Ceausescu fled. The emphasis on 12;08, the reaction of the students when the teacher asked why they were so interested in the French Revolution, the interviewers emphasis on the time of the protests, and the accusatory views of the callers on the TV program, let alone the long shots of the bare dilapidated concrete buildings, all lend to the whole idea of the plot. Not only does one ask did the revolution occur in this one town, but did it occur at all? After all, Ceausescu's right hand people took over after he was gone. The people themselves ask if anything has changed.

The film can seem long and tedious to some viewers, but if you've lived in Romania, you get it.