Hak kuen
- 2006
- 1 घं 50 मि
IMDb रेटिंग
6.5/10
1.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA young man learns the fighting techniques of Sanda from a coach. The two become best friends as the young man prepares to enter an underground tournament, competing against some of the top ... सभी पढ़ेंA young man learns the fighting techniques of Sanda from a coach. The two become best friends as the young man prepares to enter an underground tournament, competing against some of the top fighters of the world.A young man learns the fighting techniques of Sanda from a coach. The two become best friends as the young man prepares to enter an underground tournament, competing against some of the top fighters of the world.
Eddie Cheung
- Ma Ho-Keung
- (as Cheung Siu Fai)
Wai-Kwong Lo
- Chan Sun
- (as Kenneth Low)
Johnny Chen
- Wai
- (as a different name)
Shiu-Hung Hui
- Worker Ming
- (as Hui Siu Hung)
Wong Chun
- Worker Chi
- (as Chun Wong)
Pounh Chong Soong
- Referee
- (as Soong Pounh Chong)
फ़ीचर्ड समीक्षाएं
Wu Jing is Kong Ko, a Chinese kung fu champion in Hong Kong briefly for a theatrical performance. He is approached by some influential figures in the underground fighting league who recognise his potential but turns them down as he has honourable intentions and wants to be "the next Jet Li" without resorting to illegal or underhand means. However, the intoxicating Siu Tin (Miki Yeung) convinces him to take part, and a delicately nuanced and tense action thriller/romance ensues. Kong is an honourable and respectful fighter, and is taught to be more brutal and ruthless by the brilliant and thrifty Captain (Ronald Cheng) as his tactics can only get him so far. To the end however he remains true to his principles, no matter how far he strays from his path. An action packed, moving and in places, beautiful and well characterised Hong Kong thriller. Definitely worth a watch.
After seeing Jacky Wu Jing in "Kill Zone", I was excited to see "Fatal Contact". That excitement died quickly when I realized it was a wire-fu movie. There's not one single fight scene that doesn't use wire work extensively. I'm not talking about a jump here or a kick there either, it's the whole fight scenes. Jacky is good. His fight with Donnie Yen in Kill Zone is classic. That's why I don't understand the overkill with wires here. Why not use the guy's real talent. I like realistic fight scenes and this doesn't have a single one. It's not impressive when a guy does a flip off of a stack of wooden pallets if he is using a wire. The same can be said for spin kicks. The rest of this movie is equally bad. Terrible dialogue, acting, story, and one of the worst endings in movie history.
I give it a 10.It's a movie full of soul.It starts pretty funny, gets into serious talking.But the ending and the characters make everything possible.It's about life, it's about priorities, it's about the human soul.If the soul is too damaged it will never survive happier times, it will crumble under it's own weight.Gives perspective on life....most people won't understand or appreciate it. The actors are playing a serious and simple act, they don't have fancy words or eccentric habits. The scenes are pretty simple and focus on the characters. I would not miss this movie if i like to see the unseen. The main characters are like children, they are in a pure form of existence, they are mortals, they are human.
The real reason anyone will see fatal contact is for the action. With that in mind, you may have to forgive a little bit of the jumpy and clichéd story telling.
The action sequences are frequent, and well choreographed. It's an interesting combination of brutal and flashy. Wu Jing will throw several jumping multi-kicks, but because the general rhythm of the fights are captured well, it doesn't look too far fetched. The choreographers throw in some pretty believable elements in the competition fights. You may see the fighters just hop around a it to psych each other out, and you'll notice, the more brutal the fights get, the less visible these sportsman like elements become. It's pretty interesting. There's no wirework and very little, if any, video speed up that is flamboyant in some HK movies.
Wu Jing really struts his stuff in this movie. I would say in general, he's very similar to jet li. He has this strange brutalness that jet li embodies in his roles with a modern setting. He looks wild, but clean at the same time. Wu Jing is younger, more vibrant, and he even has more flare than Jet Li. An actor like Donnie Yen has a different kind of appeal, but because Jet Li is getting old, and probably no longer doing action movies anymore, Wu Jing would make a superb replacement.
The story has almost no introduction, no time to familiarize a little with the characters, and the actual revelations about the characters are sporratic and placed in seemingly random places. It has a terrible and nonsensical love story, which luckily, isn't the focus. The whole setup is pretty nonsensical as well. Some guys walk into an opera performance, and somehow recognize skill in a performer. They ask him to fight underground for them, and they offer a lot of money. Of course, a lowly wushu performer is poor, and he eventually decides he neeeds the money. The setup is all a little fantastical to me, especially with the realistic setting. I feel it would be more at home in an aime than a live action movie with a modern day setting. It helped a lot to almost imagine Fatal Contact taking place in some alternate universe where the underground fighting scene is big money, and the scouters are like pimps. A world where performers are poor, but incredibly talented fighters. It's almost romantic if you think of it that way. So the setting is bearable and kinda interesting if you give it some of your imagination, but the story is still hampered by tons of cheesy dialogue and that oh so corny romance.
It's all about the action though, and that totally does not fail to disappoint. My favorite action movie in recent times is Sha Po Lang. The stories in both are at least a little cliché, but SPL had the cleaner, less sporratic story telling. It also had cinematography of a higher quality than Fatal Contact. Still though, Wu Jing and his action co-stars drive a really tough bargain. His moves are cleaner, flashier, and he's more vibrant than Donnie Yen. I almost can't decide of Fatal Contact trumps SPL or not.
The action sequences are frequent, and well choreographed. It's an interesting combination of brutal and flashy. Wu Jing will throw several jumping multi-kicks, but because the general rhythm of the fights are captured well, it doesn't look too far fetched. The choreographers throw in some pretty believable elements in the competition fights. You may see the fighters just hop around a it to psych each other out, and you'll notice, the more brutal the fights get, the less visible these sportsman like elements become. It's pretty interesting. There's no wirework and very little, if any, video speed up that is flamboyant in some HK movies.
Wu Jing really struts his stuff in this movie. I would say in general, he's very similar to jet li. He has this strange brutalness that jet li embodies in his roles with a modern setting. He looks wild, but clean at the same time. Wu Jing is younger, more vibrant, and he even has more flare than Jet Li. An actor like Donnie Yen has a different kind of appeal, but because Jet Li is getting old, and probably no longer doing action movies anymore, Wu Jing would make a superb replacement.
The story has almost no introduction, no time to familiarize a little with the characters, and the actual revelations about the characters are sporratic and placed in seemingly random places. It has a terrible and nonsensical love story, which luckily, isn't the focus. The whole setup is pretty nonsensical as well. Some guys walk into an opera performance, and somehow recognize skill in a performer. They ask him to fight underground for them, and they offer a lot of money. Of course, a lowly wushu performer is poor, and he eventually decides he neeeds the money. The setup is all a little fantastical to me, especially with the realistic setting. I feel it would be more at home in an aime than a live action movie with a modern day setting. It helped a lot to almost imagine Fatal Contact taking place in some alternate universe where the underground fighting scene is big money, and the scouters are like pimps. A world where performers are poor, but incredibly talented fighters. It's almost romantic if you think of it that way. So the setting is bearable and kinda interesting if you give it some of your imagination, but the story is still hampered by tons of cheesy dialogue and that oh so corny romance.
It's all about the action though, and that totally does not fail to disappoint. My favorite action movie in recent times is Sha Po Lang. The stories in both are at least a little cliché, but SPL had the cleaner, less sporratic story telling. It also had cinematography of a higher quality than Fatal Contact. Still though, Wu Jing and his action co-stars drive a really tough bargain. His moves are cleaner, flashier, and he's more vibrant than Donnie Yen. I almost can't decide of Fatal Contact trumps SPL or not.
Hmm, the synopsis listed on this page made me wonder if I'd seen a different film.
Jacky Wu plays a kung fu champion whose skills are apparently performance only (i.e. all technical with zero combat experience), yet when he feels pressured by the girl wooing him to provide, he goes against his moral code of using his skills for violence to compete in an illegal street fight. Naturally, one easy win tempts another fight, for more money, and so, things quickly descend...
On the surface this is an above-average film (thanks to Jacky Wu's typically excellent fight scenes), but by the time the final credits roll, the subtleties of the way the characters acted and said certain things becomes clear and it's this aspect which lifts the script from something very enjoyable to something brilliant. Others may (quite foolishly) refer to all this as superfluous, or insult the writer for adding unnecessary dramatic elements, but for me, this screenplay involved more psychology than 90% of drama... and they're as boring as hell too!
In terms of action or great fight sequences this may not be Jacky Wu's best film, however, in terms of depth and entertainment, it rates up there with the best flicks released in the same year, all genres, all nations. My only problem was that a K1 fighter would very doubtfully engage in such a showy form and would be hardly likely to use kung fu techniques at all (karate, kickboxing or muay Thai would have been expected).
A good film well worth watching with a lot more to it than I've bothered to brush upon here. I'm personally now looking out for more Ronald Cheng (Captain) flicks as his acting and martial arts skills were impressive.
Jacky Wu plays a kung fu champion whose skills are apparently performance only (i.e. all technical with zero combat experience), yet when he feels pressured by the girl wooing him to provide, he goes against his moral code of using his skills for violence to compete in an illegal street fight. Naturally, one easy win tempts another fight, for more money, and so, things quickly descend...
On the surface this is an above-average film (thanks to Jacky Wu's typically excellent fight scenes), but by the time the final credits roll, the subtleties of the way the characters acted and said certain things becomes clear and it's this aspect which lifts the script from something very enjoyable to something brilliant. Others may (quite foolishly) refer to all this as superfluous, or insult the writer for adding unnecessary dramatic elements, but for me, this screenplay involved more psychology than 90% of drama... and they're as boring as hell too!
In terms of action or great fight sequences this may not be Jacky Wu's best film, however, in terms of depth and entertainment, it rates up there with the best flicks released in the same year, all genres, all nations. My only problem was that a K1 fighter would very doubtfully engage in such a showy form and would be hardly likely to use kung fu techniques at all (karate, kickboxing or muay Thai would have been expected).
A good film well worth watching with a lot more to it than I've bothered to brush upon here. I'm personally now looking out for more Ronald Cheng (Captain) flicks as his acting and martial arts skills were impressive.
क्या आपको पता है
- ट्रिवियाJacky Wu trained in Sanda for the film in Beijing and was nearly knocked out by one of the Sanda team members.
- साउंडट्रैकTHEME SONG
Performed by Ronald Cheng
Composed by Ian Kasela
Lyrics by Xia Zhi
OP: PT EMI Publishing Indonesia
SP: Gold Label Music Ltd.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Fatal Contact?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $6,33,350
- चलने की अवधि
- 1 घं 50 मि(110 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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