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I'm Through with White Girls

  • 2007
  • R
  • 1 घं 33 मि
IMDb रेटिंग
5.7/10
889
आपकी रेटिंग
I'm Through with White Girls (2007)
Trailer for I'm Through With White Girls
trailer प्ले करें2:18
1 वीडियो
4 फ़ोटो
कॉमेडीरोमांस

अपनी भाषा में प्लॉट जोड़ेंJay Brooks is that black guy who digs indie rock, graphic novels, and dates white chicks. After a slew of bad break-ups, Jay gives up white women, "cold turkey," and he goes on a mission: "O... सभी पढ़ेंJay Brooks is that black guy who digs indie rock, graphic novels, and dates white chicks. After a slew of bad break-ups, Jay gives up white women, "cold turkey," and he goes on a mission: "Operation Brown Sugar." But because Jay doesn't fit the "brotha" stereotype, he fails miser... सभी पढ़ेंJay Brooks is that black guy who digs indie rock, graphic novels, and dates white chicks. After a slew of bad break-ups, Jay gives up white women, "cold turkey," and he goes on a mission: "Operation Brown Sugar." But because Jay doesn't fit the "brotha" stereotype, he fails miserably with the "sistahs." Then he meets the dynamic Catherine, a misunderstood "Half-rican ... सभी पढ़ें

  • निर्देशक
    • Jennifer Sharp
  • लेखक
    • Courtney Lilly
  • स्टार
    • Anthony Montgomery
    • Ryan Alosio
    • Lia Johnson
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.7/10
    889
    आपकी रेटिंग
    • निर्देशक
      • Jennifer Sharp
    • लेखक
      • Courtney Lilly
    • स्टार
      • Anthony Montgomery
      • Ryan Alosio
      • Lia Johnson
    • 30यूज़र समीक्षाएं
    • 6आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 3 जीत

    वीडियो1

    I'm Through With White Girls (The Inevitable Undoing of Jay Brooks)
    Trailer 2:18
    I'm Through With White Girls (The Inevitable Undoing of Jay Brooks)

    फ़ोटो3

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार48

    बदलाव करें
    Anthony Montgomery
    Anthony Montgomery
    • Jay Brooks
    Ryan Alosio
    Ryan Alosio
    • Matt McKenzie
    Lia Johnson
    Lia Johnson
    • Catherine Williamson
    Lamman Rucker
    Lamman Rucker
    • Drake Moore
    Kellee Stewart
    Kellee Stewart
    • J.C. Evans
    Lisa Brenner
    Lisa Brenner
    • Molly
    Johnny Brown
    Johnny Brown
    • Sam Moore
    Esther Scott
    Esther Scott
    • Hester
    Richard Lawson
    Richard Lawson
    • James Evans
    Ann Weldon
    • Julie Evans
    Alaina Reed-Hall
    Alaina Reed-Hall
    • Jerri Moore
    Lynn Chen
    Lynn Chen
    • Candace
    Sekou Andrews
    Sekou Andrews
    • Cousin #2
    Gabrielle Castellini
    • Cindy
    Cassandra Creech
    Cassandra Creech
    • Tamiko
    Susan Dalian
    Susan Dalian
    • Jada
    Sarah Livingston Evans
    • White girl on bus
    Lindsay Frame
    Lindsay Frame
    • Woman In Bar
    • निर्देशक
      • Jennifer Sharp
    • लेखक
      • Courtney Lilly
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं30

    5.7889
    1
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    10

    फ़ीचर्ड समीक्षाएं

    9RobK-2

    Spike Lee Light?

    I saw this film at the 'Africa in the picture-festival' at the Filmhuis The Hague. I had not heard or read any review about this movie, but based on the plot synopsis I expected a politically correct flick. First of all, this is a very clever and funny movie, with likable characters. Actually it's one of the best comedies I've seen in years. Its fresh originality reminded me of earlier Spike Lee movies like 'She's Gotta Have It'. Unlike Spike Lee, Director Jennifer Sharp keeps the tone light all the time. This is no a criticism, she obviously intended the movie not to be too dogmatic. Probably the most rebellious thing about the movie is the excessive smoking of the main characters; I'm sure this is intended as a sneer to all that non-smoking Hollywood movies you see nowadays. The movie deals with stereotypes of all sorts, but in essence this movie is more about fear of commitment than about race. I've seen many new faces in this movie and all the actors perform very natural. Anthony Montgomery is brilliant, but Ryan Alosio steals the show as his best friend who is bluffing his way into rap in order to get a job at a record store to get close to a girl he fancies.
    8RandomGuy-2

    Underrated gem

    I really don't understand why so many people voted only one star for this movie, although I imagine that it has to do with preconceptions on their part.

    Also, I have to say that when I saw the DVD cover at the video store, I thought that there was a decent chance that the movie would suck, but I gave it a chance anyway. Poor marketing there, as the movie might get more rentals in the video stores if the DVD cover were better at portraying the tone of the film.

    And I guess that's my main issue, because this really is a quite good film, and deserves to be seen by far more people than will actually see it. I'll tell my friends, and word of mouth will get a few more views for the film, but it's not enough. This film deserves to be mainstream. The script is strong, and the characters are human and three dimensional, and the side plot with the two extended families from different classes was hilarious.

    Please tell your friends about this movie.
    9TarynReneau

    Don't miss this movie!

    I had the privilege of catching one of the first screenings of this HI-larious film at this year's WorldFest Houston Film Festival. It is laugh-out-loud funny throughout, which is all the more remarkable because, though produced independently, the movie has all the comic appeal of a fresh studio film. The cast is fantastic, and one wonders why each actor (though they work often) is not more well-known already -- perhaps they will be after this takes off. I particularly liked the GARDEN STATE-esquire time lapse sequences (smartly & beautifully done), Mr. Lamman Rucker (mm-mm-goodlooking, ladies) and the Kellee Stewart scene right before the wedding. :) If you have the opportunity to see this movie, don't miss it.
    9bashe

    Met Absurdly High Expectations

    I saw I'm Through With White Girls last night, and liked it a whole lot. And I had absurdly high expectations, too; so for me to say that means something, since whenever I head into an encounter with art possessing absurdly high expectations, I usually come away disappointed. Not this time.

    I'd say this is easily the purest, most self-consciously post-soul film I've ever seen (I would say "ever made" instead of "ever seen," but obviously there could be another one out there). Actually, I'd have to put Afro-Punk right up there with it, except that the latter is a documentary, and this is an absolutely delightful romantic comedy.

    It's got all the PSA aspects one could want: non-traditional representations of blackness in conflict with---and in connection with---traditional representations of blackness; social class issues; the way cultural blackness plays out among white characters, particularly white men (and the great thing about it is that these black-culture-influenced white characters never descend into caricature, as do, sadly, the working class black characters); the tension between stereotypical black behaviors and individuality (and that tension plays out on both white and black cultural planes, of course); bi-raciality and the question of blackness (not only is the female lead bi-racial, she's not even a native of the United States). Oh, there's all sorts of great, symbolic, contextual stuff in the mix.

    But the wonderful thing is that the film stands on its own as a plot-driven romantic comedy that skillfully moves along the boy-meets-girl, boy-loses-girl, boy-regains-girl, happy-ending format. (I get impatient, quite frankly, with people who get impatient with the romantic comedy format---to me, that just means [1] that person just doesn't like romantic comedies---because the format is what it is, or [2] that person doesn't realize that the romantic comedy form is just another form, and it's what you do with it, how funny it is, how the pacing works, what it tells you, culturally, about the world the characters inhabit, that informs how well or poorly one deals with that form.) In any case, I thought it was a successful film on the PSA level, for sure, but also on the pure filmic level, as well.

    I liked, as well, the persistent references to Paul Beatty's novel The White Boy Shuffle: [1] there is a moment in the film when the specific words "the white boy shuffle" come out of the male lead's mouth; [2] when the female lead is reading from her novel at a bookstore, you can jusssst barely hear her describe HER male lead as being named "Gunnar," echoing Beatty's hero's first name; and [3] one of the running gags throughout the film is that Jay Brooks can't dance!---yet another Gunnar-esquire gesture. In addition, there's an explicit reference to a memorable scene in Spike Lee's "She's Gotta Have It" that also becomes a running gag. Like I said, the film sure seemed, in more ways than one, a self-conscious post-soul aesthetic document, even if they don't use that term on their website.

    Very, very enjoyable film. The only shame is that it didn't get the theatrical release it deserved. I wish Will Smith had the courage to star in something like this. I thought Anthony Montgomery was great, but with Smith it would have had the eyeballs on it that the film deserved. Woulda had to change that unfortunate title, though, and that would have been all to the good; it's the only thing I didn't like about the movie.
    10ether6

    GREAT GREAT movie!!!!

    I don't usually write comments for movies, I usually just read them. But this one movie I had to put up something for. The best thing about it was that it was unpretentious, the characters were very real - for once we didn't have to put up with an unrealistically gorgeous female, or worse: an average looking guy with a gorgeous girl, as if to say guys can pass up being average looking, but girls can't when it comes to movies. There was not ONE dull moment in this film, it was fast paced and the humor was GREAT. Worked on ALL levels. I'm so proud of it. More people should see this.

    And yes - the title is very stupid, misleading almost. But it was the title that got me watching this.... :)

    इस तरह के और

    White Girls
    4.9
    White Girls
    The 7th Rule
    8.4
    The 7th Rule
    Alone Together: A DS9 Companion
    7.8
    Alone Together: A DS9 Companion
    Star Trek: Of Gods and Men
    6.1
    Star Trek: Of Gods and Men
    White Chicks
    5.9
    White Chicks
    Enterprise
    7.6
    Enterprise
    Star Trek: Deep Space Nine
    8.1
    Star Trek: Deep Space Nine

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The song; Bret Levick, Robert Anthony Navarro, Sven Hauke Spieker - Sun Licker was originally used for the first trailer. It later got removed without being credited or any reasons given as to why, online many people have looked for it without finding it - here is the credit for the track that starts 1:42 into the original trailer.
    • भाव

      Jay Brooks: [trying to get Catherine to go out with him] What you want me to beg?

      Catherine Williamson: Yea well ok. Let's hear some begging.

      Jay Brooks: Are you serious. I'll play along. What you want Mars Blackmon or James Brown?

      Catherine Williamson: Ah a man of genre. I don't know you well enough for James Brown so Mars Blackmon.

      Jay Brooks: Please baby baby please.

    • कनेक्शन
      Referenced in The Cinema Snob: Leprechaun in the Hood (2022)
    • साउंडट्रैक
      Downtown Love
      Written by Mike Castonguay and Michael Johnson

      Performed by Lukewarm Freeda

      Produced by Mike Castonguay

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • फ़रवरी 2007 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • I'm Through with White Girls: The Inevitable Undoing of Jay Brooks
    • फ़िल्माने की जगहें
      • लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Turn Soul Films
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 33 मि(93 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Stereo
    • पक्ष अनुपात
      • 1.85 : 1

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