Phineas and Ferb

When I first heard about this series, I thought that it was going to be pretty bad. However, it ended being very good! I liked it a lot, it is possible the best animated series made by Disney since "Gargoyles". Created by Dan Povermire and Jeffrey Marsh (Who also give their voices to some of the characters) this show is funny, clever and original. At first, it seems very predictable (Almost all the episodes follow a very similar structure) However, the writers manage to keep this show fresh with a witty dialogue and a very interesting character development, not to mention the catchy songs, one of the best parts of it.

My favorite episode is "Dude, We're getting the Band Back Together" with Steve Zahn and Carlos Alazraqui as special guest stars. And my favorite character is Perry the Platypus.

If you could distill out the clever irreverent wit and the "something for all ages" mix of gags and references from "Family Guy", "The Simpsons", "SpongeBob", and South Park"; and then jettison all the off-color, negative, and crude low-hanging fruit elements of those cartoons you would get something like The Disney Channel's "Phineas and Ferb" which premiered in August 2007.

The title characters, non-stop talker Phineas (Vincent Martella) and his usually silent brother Ferb (Thomas Sangster) are suburban stepbrothers trying to make the most of their summer vacation. This means constructing elaborate gadgets like a time machine and a roller- coaster, or making a feature film. They are usually assisted by an industrious troop of Camp Fire Girls (Fireside Girls) led by their neighbor Isabella (Alyson Stoner) who has a major crush on Phineas. The brothers are just trying to have a fun summer, they aren't trying to cause trouble or be cool, and they are at that age where boys are not even conscious of girls or of who is popular.

Typically their teenage sister Candace (Ashley Tisdale) gets reluctantly drawn into their projects as she strives to keep them from embarrassing her in front of her crush Jeremy (Mitchell Musso). Each storyline has her trying to "bust them" by phoning their mother about the latest home project, but by the time Mom gets home all evidence has conveniently vanished. Although there is a sibling rivalry the three obviously care about each other. Candace is the best part of the series and Tisdale does unexpectedly well supplying her voice; the part is very challenging, as the mercurial Candace requires a wide range of intonations and energy levels in her voice.

Although the series could get by just cutting between Candace and her brothers, it ups the energy level each episode with a "Kim Possible" type parallel story involving the family's pet platypus Perry (he's a semi-aquatic, egg-laying, mammal of action). Perry is a secret agent assigned to foil the plots of evil (but hopelessly inept) scientist Dr. Heinz Doofenshmirtz (co- creator Dan Povenmire).

The animation style is the same simplistic stuff (Phineas' head is a triangle) found in the other four cartoon series although like "SpongeBob" the occasional "real-life" photo is thrown into the mix.

For the benefit of boy viewers, a more serious drawing style is devoted to one of the minor characters, Dr. Doofenshmirtz's beautiful daughter Veronica (Olivia Olson). She is a goth version of Dr. Dome's daughter Lynx from DC's 1960's "Plastic Man" comics.

"Phineas and Ferb" might be the all-time best "compromise" cartoon; incorporating many subtle elements for adult viewers while relying on its absurdist humor and identification elements to hook both pre-teens and teens.

Then again, what do I know? I'm only a child.

Hands-down this is the best TV show ever, There is fun for the whole family and after watching for some time the characters will feel like a part of your own family. Highly recommended show, don't miss it!!!!!!!!

Phineas and Ferb has to be the smartest and most adult show ever created for an under-12 audience. Seriously, what other show features songs that rhyme 'didactic' with 'anti-climactic', uses the Freudian model for the human mind as a key story device, tosses in movie references, artistic motifs and literary allusions obscure enough to challenge a film scholar, sneaks in a psychedelic drug trip or two thanks to some toxic moss, and then cuts away to its secondary plot arc in a secret world where everybody's pet is a government crime fighter? Did I mention that every song cleverly parodies a different genre, style, period or artist, or that each secondary crime fighting plot intrudes momentarily on the main story line at just the right spot in each episode to wreak the most havoc? Though the show's target audience likely catches little of this, they no doubt appreciate the creative richness that informs it all. And most importantly, the show's popularity proves that they find it all FUN.

Instead of dumbing down recycled versions of older entertainment forms, such as the sitcom, to make it 'age-appropriate' for pre-teens, the creative team behind P&F have created a true original, loaded with enough wit and charm to satisfy Noel Coward, and enough science fiction outrageousness to satisfy a Doctor Who fan. Every show carries the same upbeat message to seize every opportunity for adventure, because it might not come again, while never condescending to its viewers or getting preachy.

There is a lot of truly awful kids' programming out there. It's great to see something which genuinely transcends the perceived boundaries of what a kids' show should be and goes out and demonstrates what it CAN be.

I started watching this recently with the kids, and I think I get more out of it than they do. The visual ref to North by Northwest in "Bigfoot", Doofenschmirtz' awkward introduction of his new nemesis to Perry the Platipus, all the musical numbers (watchable on You Tube)...I no longer try to explain to my kids why it's funnier to me than it is to them. That said, they do enjoy it. Although I think they are humoring me.

Not to mention the vocal casting. Yes, it's THAT Richard O'Brien as Dad, with guest shots by Barry "Brad" Bostwick.

Tisdale who?