Life in Flight

It was great seeing the locations around NYC, but it was a seriously boring, going nowhere, total disaster of a movie.

How the talented cast said the words, deserves some appreciation, but the film said nothing, and never had an iota of cleverness, or humor.

It seemed more like a film school project, then an actual film.

How Patrick Wilson and Amy Smart got to star in this, is a bigger mystery and more thought-provoking then the actual movie.

Anyone who grew up in NYC, and has been away for a while, might be able to enjoy the various places the film was shot, but, there's many better films to watch.

Life is good, if it's really is. Being successful can be a plus or a minus. Here you got a designer who is married, successful, yet something was missing in his life: Happiness. This man has a wife who takes care of their son happens to be a follower rather than a supporter. At his job site he meets a beautiful woman who not only helps him out with his business, she helps him out on life. He takes heed of her words, especially about the birds flying in a certain direction. It turns out that his life isn't all he wanted to be. His wife was more of a go-getter and crowd pleaser, satisfying her needs instead of asking her husband how he feels about it. It was not a good marriage from the get-go, being materialistic and non-communicative, that can destroy a marriage. But the more understanding woman who took a job in the West Coast, automatically got homesick already. Both of those people have suffered similar consequences. Successfullness can be a plus or a minus in you life. Being steadfast is necessary to be living well. The fast-life will send you crashing fast, and being slow can get you fired. This movie teaches a lesson about being happy. Those two were a perfect match. It help me be happy, it'll do the same for you, too. 5 stars!

A truly terrible script that can't be saved by even a very good actor such as Patrick Wilson. All the other acting is pretty mediocre.

Seriously one of the worst, most clichéd, extremely boring and annoying movies I've seen in a long long time. The movie ran only 78 minutes and felt like five hours. The script was just awful. The acting not much better. Who let this vanity project get out to the public? All involved should be ashamed and the screening committee at Tribeca should hang their heads low for letting this into the festival. It really tarnishes Tribeca's reputation. You would not want to know or associate with any of the characters in this movie, if they came anywhere near, you would run really fast the other way. They are stupid, vapid and walking clichés, with not an interesting thought or aspect to their beings. The ones that are supposed to be better are even stupider and more empty. While watching the film one can perfectly understand and sympathize with whomever came up withe the slogan "die yuppie scum" . The movie takes place in New York City and uses many familiar locations, the only entertainment value I found as a New Yorker was trying to identify where each shot was filmed . But let me tell you that lasted split seconds so don't even think of going for that reason. It is an insult to New York, New Yorkers and the Tribeca Festival. I really don't like being this harsh on a film because I know no one sets out to make a bad film and everyone works extremely hard to make it all happen. But I felt really ripped off of $15 x3. Why, after seeing the final product would anyone so carelessly and arrogantly consider unveiling it to the public and having them pay for it to boot, while so many good Independent films never get this kind of exposure or even get made.

Saw this at Tribeca Film Festival and was surprised by the wretched writing. The cast is professional, and the photography, set and production design are all first class. The problem is a script that presents a somewhat dopey male lead, an unredeemable monster (b*tch) of a wife, and a seven-year-itch scenario.

The result is good actors reciting bad lines in overwrought scenes. We bought these tickets expecting that a cast including Patrick Wilson, Amy Smart and several other fine actors would deliver a good result. Tied to that script, they couldn't stay afloat.

The movie inspires me to create a new rule for young filmmakers: don't write a script with an architect as your main character, unless you are remaking "The Fountainhead." And don't remake "The Fountainhead."