अपनी भाषा में प्लॉट जोड़ेंLove and hate can sometimes be looked at in the same light since both can make you do unreasonable things. Such is the case for Kristine Watts who longs for something from her past which is ... सभी पढ़ेंLove and hate can sometimes be looked at in the same light since both can make you do unreasonable things. Such is the case for Kristine Watts who longs for something from her past which is unattainable. Now left with only memories of what once was, this shell of a young woman ha... सभी पढ़ेंLove and hate can sometimes be looked at in the same light since both can make you do unreasonable things. Such is the case for Kristine Watts who longs for something from her past which is unattainable. Now left with only memories of what once was, this shell of a young woman has only one thing left on her mind...
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फ़ीचर्ड समीक्षाएं
Interestingly, while it turned out I did like THE CURE, I was not thrilled by it and let Jafri know. To his credit, he encouraged me to review it anyway--giving it my honest appraisal.
The film has tremendous style and as far as Jafri's direction goes, it's exceptional--especially for such an inexperienced film maker (it's his first film). The combination of exceptional choices of color, pacing and music that well-suited the film created a great sense of atmosphere. You really are pulled into the film and that is a credit to the film making. However, the thing I didn't love was some of the writing. While the basic idea was great, the ending was just too easy to foresee. I really would have loved the ending had it come as more of a surprise or there to have been an unexpected twist. However, considering that this film is from someone who shouldn't be able to make such a professional film given his experience, it bodes well for his future. Good job.
I think many young filmmakers (as I myself am one of them) would experience hard time with cinematography when just start making of an indie. We see the output are not exactly what we imaged or below our ambitions. But this film, directorial debut from a young director, handled very well on screen. The camera motion, color, lighting, compositing all contribute to the story and emotion of the film.
And music, as a key element of film language, helps a great deal too.
It's hard to portray a woman's heart, her desire, her fear, especially in a short. But still, I have to admit I am not a fan of v/o (narration), especially when the film is advanced by narration, instead of shots and cuts. My personal feeling to some of the narrative part is, my guess was the narrator tried a bit too hard. So the energy pushes audience back from the emotion of the film.
Overall, it's a short film nicely done, I could see the input from a director. Way to go, Ryan! Greeting from China, looking forward to your next.
tim
Right away, you can tell that the film is going for an avant-garde film approach which is telegraphed in its use of extreme close ups, scopophilia and fast editing. It is proud of the way it looks - and it has a right to be. For the most part it is a very nicely composed little piece, save for one inexcusable disregard for the 180 degree rule and a comically bad gunshot effect which is a phenomenon that seems to be THE calling card for self funded projects.
Still, despite these amateurish mistakes the majority of the shots are actually a pleasure to look at. We're presented with a good use of props and locations, good visual acting and some very atmospheric, fluid editing, which is made more commendable as this is definitely something you won't see very often at all from a Youtube submission. The plot is fragmented and although the basic premise is fairly simple some may find it hard to follow exactly what is happening, but what we are seeing here is avant-garde storytelling at work; you can't really expect a straightforward three act structure and if you do you might not be ready for this kind of movie.
Where the film is unfortunately let down however is the sound. What you're going to hear throughout is a distorted voice-over which often sounds insincere and worse still is the continuous background music, which goes through minimal change and doesn't add much to anything. So much attention is paid to the visuals that the audio frankly sounds neglected, and this becomes really apparent when you realize you've just missed about four sentences of the narration and have to backtrack to pick up what slipped past your attention.
So, give it a watch, but do it with the sound turned off.
Last thought; was anyone else reminded of the cover for Doug Naylor's Red Dwarf novel "Last Human" early in the film? If you have the book you know what I mean.
क्या आपको पता है
- ट्रिवियाThis film opened for the release of the "writer's cut" of Grace Quigley (1984) starring Katharine Hepburn in May 2006 at the New York International Independent Film & Video Festival.
टॉप पसंद
विवरण
- रंग
- पक्ष अनुपात
- 1.66 : 1