Das perfekte Geheimnis

German comedies are rare in Germany. Or rather, good German comedies are rare. What the author Bora Dagtekin shows us here is a wonderfully thought-out film that takes place almost exclusively in one room. Seven friends meet for dinner and put their cell phones on the table. No more secrets. The film is meticulously thought out and exciting until the end. The actors carry the story excellently and are wonderfully cast. Anyone who wants to see a good German film again, this is the right one.

To be honest I mostly don't like the movies of my country. I'm always thinking why they don't make movies on a quality like the french. So I was a little bit upset as my girlfriend wanted to see this one. But this movie is really good. The story and acting is in a really good balance. It goes deep but not too deep. It is dramatic but with the right amount of releasing laughter. And without an to dramatic end. Although we had a fun time after the movie talking about real intimate stories with our friends. I really enjoyed it and I really hope other german movie maker watched and learned about what is possible even in germany.

Perfekte Geheimnis" ist eine oft komische Komödie. Der Film basiert auf der zuerst in einem italienischen Kinodrama aus dem Jahr 2016 ausprobierten Idee, dass eine Abendessengesellschaft aus dreieinhalb befreundeten Pärchen sämtliche Handys auf den Tisch legt und jeden Anruf, jede Text- oder Bild-Nachricht im Kollektiv entgegennimmt.

Die Smartphones seien die "Flugschreiber unseres Lebens", behauptet die von Jessica Schwarz gespielte Psychotherapeutin Eva zu Beginn des Films. Offenbar unterstellt sie nicht nur ihrem Mann Rocco, den sie neuerdings "penetrant gutgelaunt" findet, dass sich auf seinem Mobilgerät Belege für peinliche Unternehmungen finden könnten. Alle Schauspieler sind wirklich gut und Ihre Leistingen fast perfekt.

Kinda stupid, SUPER constructed and an underwhelming. But nevertheless, really entertaining.

Lau, Schwarz and Möhring are great, Herfurth is excellent. Haase is solid. M'Barek lacks and Fitz comes short. Not a surprise though.

There's really not much sense in talking about the story. It's adapted, it's constructed all the way through.

The first hour is great, honestly.

But where most movies do wrong, aka drag on for too long in the middle, "Das perfekte Geheimnis" does the opposite. The pace picks up IMMENSELY during the end of the second act, unfortunately. Leading to a very rushed ending and therefore, an unsatisfying conclusion.

Leaves a bad taste in the mouth and would otherwise have definitely earned an 8/10.

The lighting is so very artificial, but a casual viewer won't notice. Some minor technical issues.

Overall, refreshing and quite entertaining.

But having 80% of Germany's A-Class in a single movie will do the trick. Seems like a big friendship project and less like Constantin Film's usual lazy cash grab.

The prejudice, the lobbyism and privilege still shines through underneath all the pseudo-awareness of social issues.

7 rich people doing superficial stuff. Am I talking about the characters or the actual actors? Who knows.

Enough of the critique.

Finally a funny German comedy.

7/10.

I am not a fan of German comedies at all, having suffered through numerous Til Schweiger movies amongst others. That's why I was totally surprised by "Das perfekte Geheimnis". It is a very dense movie experience, similar to theater. If you have seen "Carnage" you know what I mean. Almost all of the plot takes place in the living room of one couple. The actors are brilliant, the plot is very clever (although taken from the French/Italian origignal title). And the movie has an air of quality that almost all other German comedies so hurtingly lack. As for the criticism of homophoby and misogyny, I was surprised when reading about it. Yes, there are characters using careless language about their gay friend. But those are immediately corrected by other, more sensitive friends. Also, the topic of child care by either men or women is discussed. But I couldn't see any specific trend towards misogyny. The spite is distributed evenly between men and women, and quite funniliy I might add. Overall, I find it hard, if not impossible to burden a comedy with the duty to carry a perfect picture of a perfect society. Go see it!