Lesbian Vampire Killers

Okay, so, Lesbian Vampire Killers huh? Yes, I know, it sounds ludicrous, atrocious, gimmicky and gauche—but you know what? I enjoyed it. In fact, I really enjoyed it, and please bear in mind that a few readers would have you believe me to be a pompous twit. Nevermind however, because Lesbian Vampire Killers is a hoot if you're willing to simply sit back and be tickled in special areas for ninety minutes. Sure it's crude, utterly pointless and relies mostly on the humour of men drooling over breasts whilst decapitating lots of pretty strippers—but that's the point of the feature, and it's downright hilarious, fun and engaging if you're open to such stupidity. Of course, I often slam movies for being braindead and moronic, but that's only if they fail to make me giggle after the hundredth pitiful attempt at doing so. No, rather than come across as a lame Movie hybrid, Phil Claydon here manages to create a wonderfully dark comedy parody akin more to the classic Evil Dead movies spliced with a touch of Braindead and Shaun of the Dead. It's audacious, rude, blasphemous and somewhat morbidly erotic—and yet, I couldn't have been more pleased with such a piece of popcorn-trash-cinema.

The movie takes place largely within a small rural area of Norfolk which has a history involving an ancient curse that creates lesbian vampires out of all the town's females as soon as they turn eighteen. Off on an unsuspecting break from their dreary lives which are shamefully going nowhere, best friends Fletch (James Corden) and Jimmy (Mathew Horne) soon end up in the middle of a group of scantily clad, tantalising lesbians who take a special interest in Jimmy because of his supposed lineage dating back to their hybrid queen who wants to rule the world again. Sound hammy? Well, yes, it is. Yet, rather than simply avoid that fact, writers Paul Hupfield and Stewart Williams acknowledge the cliché, intangible nature of the plot consistently; toying and poking at its pretentiousness at every chance through either a quip from one of the characters, or many of the devices used to further it along (The Sword of Dialdo, for example). Not only does help to solidify the movie's satirical edge towards fooling no-one to take all this seriously, but it offers plenty of brilliant one-liners and character humour too, resulting in a light, almost care-free experience that entertains more than disgruntles.

With that being said however, it should also be noted that Lesbian Vampire Killers isn't all dumb and sophomoric; in fact, there's plenty of intelligence going on behind the scenes, and it isn't hard to see. The most potent example of this comes in the form of the characters themselves who, although never straying far from the horror movie clichés of unknowing and coy hero with his bumbling, comic relief buddy, nevertheless work very well on screen to counteract the movie's tendency to off on extremely surreal tangents. Working with fast-paced, edgy dialogue that always feels timely and natural, the actors come off as having a ton of fun here, and this playful nature complements the distinctly farcical side of the feature's story. Of course, a large majority of that very same dialogue gets most of its laughs from the odd curse here or there, but it's all so well timed and perfectly played out that you don't care if it's cheap and rudimentary—Lesbian Vampire Killers, isn't necessarily out to impress through any other means, and it's refreshing to be treated to such a movie that stays true to that ideal without succumbing to tired, derivative writing.

Furthermore, it has to be said that while the feature comes from an ensemble of largely unknowns within the business, you would never be able to tell. Everything from the set design and performances, to the fantastic score penned by Debbie Wiseman and the beautifully complementary photography of David Higgs accentuates the movie's greatest parts resulting in a coherent, engaging whole that echoes the script's exploitation-flick direction. So, much like those feisty lesbian vampires themselves, Lesbian Vampire Killers does well to keep things edgy, morbid, and bloody, but most of all—attractive, fun and alluring. Not everyone will appreciate what Claydon and company achieve here (in fact, most will be sure to brush it off as nothing but juvenile penis jokes), but those looking for downright hilarious horror done with passion and conviction need look no further than this which has everything from dildo-handled swords inflicting stylized gore with foul-mouthed priests (who just happen to destroy lesbianism, go figure) to, well; lesbian vampires. It's the perfect Friday night popcorn muncher, so sit back with some friends and enjoy it for the sharp-toothed, braindead fun that it is.

• A review by Jamie Robert Ward (http://www.invocus.net)

Centuries ago, Baron Wolfgang MacLaren vanquished the Vampire Queen Carmilla (Silvia Colloca) in the remote Cragwich; however, before decapitating the evil vampire, she curses the locals and descendants of the baron, swearing that every woman would turn into a lesbian vampire on the eighteenth birthday. On the present days, the clumsy and naive cuckold Jimmy (Mathew Horne) is dumped again by his girlfriend Judy (Lucy Gaskell) and misses her. His best friend Fletch (James Corden) is fired in his job of clown after hitting an annoying boy. The two friends are broken and decide to camp in the countryside to forget their problems, and Jimmy throws a dart in a map in a pub to decide where they should go. They head to Cragwich and when they arrive in the bar Baron's Rest, they see four hot girls leaving the place in a Kombi. The innkeeper offers the old Mircalla cottage in the woods for them, the same place the girls will lodge. Meanwhile, Lotte (MyAnna Buring), Heide (Tiffany Mulheron), Anke (Louise Dylan) and Trudi (Ashley Mulheron) have trouble with their van and Jimmy and Fletch reach them in the forest and they offer a ride to the guys to the cottage. They introduce themselves as students of folklore and they are researching the Vampire Queen Carmilla. When Fletch believes that he will have a night of beer and sex with three sexy girls and Jimmy and Lotte have a crush on each other, the cottage is surrounded by a group of lesbian vampires that vampires intend to use Jimmy and Lotte's blood to bring Carmilla back to life. They are abducted by the vampires, but Fletch escapes and meets Reverend Vicar (Paul McGann) that tells him that Jimmy is a descendant of the baron and only hope to stop the evil curse of Cragwich.

The B-movie "Lesbian Vampire Killers" is indeed an entertaining silliness with a funny story, supported by a stylish cinematography, very sexy women and two imbeciles in the lead roles. There are many good moments, and I particularly liked when Jimmy invites by chance the lesbian vampires to enter in the cottage; or the reference to a gay werewolf inclusive in the very last scene; or when Judy meets her lover at his home. This movie will certainly never be nominated to an Oscar and is not recommended to intellectuals or fans of art movie; however, for an average viewer like me that knows what might expect from a movie with the title "Lesbian Vampire Killers", he or she will not be disappointed and will certainly laugh a lot. The beautiful and sexy actresses have been very well cast by the producers. My vote is six.

Title (Brazil): Not Available (only on 30 October 2009)

Note: On 29 January 2021, I saw this film again on Blu-Ray. Title (Brazil): "Matadores de Vampiras Lésbicas" ("Lesbian Vampire Killers")

This is for everyone who didn't like this movie. What did you expect. Really, what did you expect? You went to see a movie called Lesbian Vampire Killers. It had the lesbians, it had the vampires and oh yes, there were killings. Okay, it wasn't the best movie ever. The style was kind of like heroes meets sean of the dead. But it was as funny as other good comedies, it kept me entertained from start to finish mostly because of the lesbians but that's neither here nor there and although the plot was simple it was a nice idea. Essentially unless you like lesbians vampires and killings, and unless you one of those people who sees Matthew Horne throwing a sword at the bad guy who is in the middle of his two friends and think 'that doesn't make any sense he could have missed and hit James Corden, why didn't he just stab the sword' instead of thinking 'wow that was kick ass' then don't go and see this movie because you won't enjoy it.

So I can't understand the poor rating for this film, except to think it was marketed to the wrong people (by accident).

What this film is not... 1) A horror film. There are no scares, it's not a fright fest. It's not even really what I would term "gory". 2) This is not Evil Dead, or Shawn or the Dead, but more like Army of Darkness. 3) This is not a porn film, there is little nudity, but if you like to see hot ladies, barely clothed, then...

What this film is... 1) Pure camp and all out laughs 2) lots of action and hilarious special effects. 3) An amazing soundtrack even for a high budget A movie. 4) Non stop memorable scenes and one liners. Based on a lot of reviews from IMDb, critics, and other sites, it seems many who watched this film expected something quite different. To me it's a modern day comic masterpiece Cordon as Fletch and McGann as the Vicar were my favorite characters. The beautiful lead vampires played by Silvia and Vera were amazing and right there as well. The rest of the cast (Mathew and Myanna especially) were also great and did just what they needed to do.

This movie is fun sober or wasted. Enjoy either way just take things a little less seriously...

When Jimmy is dumped by his girlfriend for the umpteenth time, he persuades his friend Fletch to join him on a hiking holiday. Arriving in a small town, they are sent to a cottage where there is free accommodation. It also happens to have a camper van full of girls staying there too! But they discover that there is an ancient curse on the girls in the village, where when a girl turns 18 they become a lesbian vampire.....

This movie is the latest to try and combine the horror and comedy genres. It certainly gets the humour content spot-on. Paul Hupfield and Stewart Williams have written a very funny script. A lot of the humour does rely on the chemistry of James Corden and Mathew Horne as Fletch and Jimmy, and they are both very good too. Paul McGann gives good support as a priest who helps fight the evil in the area. The girls in the movie are very attractive, if not the best actors.

Phil Claydon directs the movie quite well. The movie looks impressive, the sets a throwback to the Hammer horror movies of the sixties.

But where the movie fails is the horror element. There never any real scares that the best horror comedy movies have. It could be that this movie is aimed purely as a comedy, that happens to be horror set, but as it is billed as a horror-comedy it has to be judged on those terms.

The effects and make-up are pretty good, and because of a lack of blood (when the vampires die, a white substance erupts from them), it is only rated a 15 in the UK.

The movie is fast paced and never out-stays it welcome and for it's running time, will have you laughing a lot. Sadly though it lacks the horror element to put it up there with the better horror comedies.