Pigen med nålen

I didn't know what the story was about, so everything was a surprise to me. There are some shocking scenes that at first that made me dislike this movie a lot. But at the end, and when I realized it was based on a true story, it made me reflect on human nature, who the real monsters are, how our lives are impacted depending on our social economical situation and how there are good people even when we judge them at first by their appearance or their small bad behaviors. It is a movie that makes you reflect, and it will stick to your mind for some time, I believe. It is worth a try, I would not indicate it to everyone, some people will think it is unbearable to watch.

Yes, it is a little slow in its pace and one needs to get used to the rhythm of the film. That said, it is probably watched without any distractions in the cinema, not at home with a smartphone nearby.

The movie itself is a strong remnider of how rigid and cruel social norms and legislation can be. What I really liked was the ambivalence of the characters portrayed. The evil in the world didn't stem from some fetishised indidivual background, but from the power of capital - after all, it is the material inequality, displayed by the true villain of this movie, the mother of the rich fabric owner, which lays the ground for individuial cruel action. A more equal society would have not give birth to needs such as killing the offsprings of the poor and forgotten.

Nominated for Best International Feature Film at the upcoming Academy Awards, The Girl with the Needle is a silently unnerving & deeply unsettling psychological horror that takes elements from real-life events for its fictional narrative and expertly utilises its grim setting, bleak tone & harrowing revelations to deliver a shockingly brutal chiller that packs a powerful punch.

Co-written & directed by Magnus von Horn, the film exhibits a cold, dark & uninviting look from its opening scene and takes its time to set things up. The period details are aptly taken care of and it does well to capture the post-war atmosphere too. The black n white cinematography is sharp, crisp & sumptuous, Editing steadily paces the plot, and the disturbing bits leave a mark.

However, it's the performances that anchor this narrative and the actors responsibly play their roles. Vic Carmen Sonne leads with a gripping showcase in the eponymous role that keeps the viewers invested in the proceedings while Trine Dyrholm's character is effortlessly charming at first until the sinister truth about her is unveiled. The rest provide solid support but these ladies are the standouts.

Overall, The Girl with the Needle is skilfully directed, exquisitely photographed & strongly acted from start to finish but the quiet pace at which it all unfolds can be bothersome for a select few. While there are sequences that don't add much to the central plot, they still portray the horrors left by war in its wake. Definitely amongst the better films of 2024, this Danish production is not for the easily distressed.

Swedish director Magnus von Horn demonstrates his mastery when it comes to creating a disturbing and controversial film that is even more impactful because it is based on real events.

It's engaging, but it will also turn off quite a few.

With its more than deserved nomination for best international film, this Danish film that takes us to post-war Denmark hides a disturbing story accompanied by a direction without caution by Magnus von Horn , who in each shot, in each frame and in each decision takes us towards a sinister door from which it is difficult to recover once we understand the whole path hidden in this wonderful script. With a black and white staging that accentuates much more the dark side of a humanity that does not know of time, but of evil, which is magnified by some secondary characters that surround our protagonist in the most bizarre and distressing that one can appreciate.

It's a movie that, if you accept the challenge, will grab you and make you live a corrupted experience with a brutal story that leaves nothing to be desired but to question how timeless a story like this can be, but if you're not willing to take on that challenge, it's a movie that will make you have a bad time every time.

A protagonist who provides a light.

Victoria Carmen Sonne's performance is the key to keeping us determined to follow this story. The actress takes all the recognition in her interpretation of a character who has suffered, beaten down and forgotten in every sense. A character that captivates you and despite all the evil that surrounds her, it is a sigh of light that the Danish actress delivers on screen. We can also add a supporting character like Trine Dyrholm who also steals all her moments with a sinister character who really manages to cause fear between the bizarreness of her behavior and her madness.

Mature cinema.

A mature film that is not afraid to be controversial in form and content and that, with a direction that follows the same path, leaves the feeling that it is a film that has a lot to tell and a lot to exploit in terms of its reception by the viewer. Its director consolidates himself as a director of weight and daring, which makes it more interesting than it already was.

Conclusion.

One of the best international films of the year, without a doubt, Danish cinema once again demonstrates the narrative strength it has and a director who once again positions his name as one to always follow. A sinister proposal that leaves you disturbed when you discover its twists and its real intentions, a film for the brave.

When rating watched movies, i always feel like there's something could be done differently or better, so even for "very good" movies i give 9 star.

This is my first 10 star rating. It's a perfect movie.

It's quite difficult to describe it as the whole movie has so many layers. It was emotionally on the edge and nervewrecking, very painful to watch. Even when you start to see the faint ray of hope, it soon vanishes brutally. But that's how the life was after the WW1. Povetry and broken people.

It was also visually gorgeous, eventhough there's nothing gorgeous in that movie.

Highly recommended, but not for snowflakes.