अपनी भाषा में प्लॉट जोड़ेंA confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.
- पुरस्कार
- 4 जीत और कुल 8 नामांकन
- Themselves
- (आर्काइव फ़ूटेज)
- Self - Bass and Vocals, The Band
- (आर्काइव फ़ूटेज)
- Self - Vocals and Drums, The Band
- (आर्काइव फ़ूटेज)
- Self - Piano and Vocals, The Band
- (आर्काइव फ़ूटेज)
- Self
- (आर्काइव फ़ूटेज)
- Self - Robbie's Mother
- (आर्काइव फ़ूटेज)
- Self
- (आर्काइव फ़ूटेज)
- Self - Robbie's Father
- (आर्काइव फ़ूटेज)
- Self - Robbie's Biological Father
- (आर्काइव फ़ूटेज)
- Self - Robbie's Uncle
- (आर्काइव फ़ूटेज)
- Self - Robbie's Uncle
- (आर्काइव फ़ूटेज)
फ़ीचर्ड समीक्षाएं
One of the truly great music films
Wonderful, but horribly biased
Does a love letter provide closure?
I shall be released
Mr. Robertson is now 76 years old, and in addition to his guitar skills, he has always been an articulate speaker, and one who comes across as prideful and mostly sincere. These days he is one of only 2 band member still living, and the other (Garth Hudson) has nothing to say publicly about The Band or its members. This is one man's version of reality, and from a perspective of music history, it's quite interesting and entertaining.
"The Band was greater than the sum of their parts", says Bruce Springsteen, in one of many interviews used for the film - including Eric Clapton, Taj Mahal, George Harrison, Peter Gabriel, David Geffen, Martin Scorsese, and "Rolling Stone" magazine founder Jann Wenner. Some of the initial interview clips play over an opening live performance of "Up on Cripple Creek", including Clapton stating he was "in awe of their brotherhood." The film then traces the timeline and early years as the pieces of the band came together ... much of it centered around Ronnie Hawkins, who is not only the most insightful of those interviewed, but also the most colorful. We learn that Robertson was writing songs at age 15, and that it was meeting Bob Dylan that changed everything.
A substantial portion of the film deals with those early years, and the tales of being booed by audiences as they backed the newly "electric" Dylan are especially fascinating. In 1967 when The Band moved to the pink house in Woodstock, communal living led to artistic and creative productivity, including The Band's masterpiece album, "Music from Big Pink" (1968). There are some terrific old photos included here which give us a feel for the times, and the aforementioned 'brotherhood' of this band that seemed more tightly connected than most.
Of course, it was the late 1960's and heavy drinking and drug usage took its toll, and The Band began to unravel. In 1976, 34 year old Martin Scorsese was brought on to direct a documentary of The Band's final performance. THE LAST WALTZ was released in 1978 and included electrifying live performances from some of the all-time greats: Van Morrison, Eric Clapton, Neil Diamond, Joni Mitchell, and Bob Dylan, to name a few. The concert was held at Winterland Ballroom in San Francisco, which would later close after a 1979 New Year's Day marathon concert by The Grateful Dead. Scorsese's film included interviews with the band members, but it was his unique and varied camera placements that brought the stage show to life.
Director Roher's producers on this film include Scorsese, Ron Howard, and Brian Glazer. While it is often the story of Robbie Robertson's personal journey, it also serves as his perspective on The Band - a group of musicians who were right in the middle of things as popular music evolved. Levon Helm, Richard Manuel, and Rick Danko have passed away, and reclusive Garth Hudson refuses to re-live the past, so it's Robertson who tells their story, and his. We do get to see The Band perform "The Weight", "The Night They Drove Old Dixie Down", and most fittingly, "I Shall Be Released", but if it's the music that most interests you, track down and experience THE LAST WALTZ. It was the final time THE BAND performed all together on stage, and as Robertson says, "everybody just forgot to come back."
In-depth look at the Band's history
Couple of comments: this movie is directed by documentarian Daniel Roher, but more importantly executive-produced by Martin Scorsese (who of course directed "The Last Waltz") and Ron Howard. In the end credits, we learn that the documentary is "inspired by" Robbie Robertson's 2017 memoir "Testimony", and indeed this is very much Robertson's perspective on how things unfolded. The documentary is absolutely tops in its first half, where we revisit how Robertson, at age 15, wrote a couple of songs for Ronny Hawkins & the Hawks (where the drummer was a certain Levon Helms), and a year later he was invited to join the Hawks. Plenty of archive footage along the way livens up the big screen, and it's like sitting at the feet of a music history teacher. Indeed, Robertson proves to be quite the master story teller ("joining Bob Dylan was a detour but we decided it was a worthwhile detour"). The movie's second half is not quite as formidable, as we follow the Band's demise (leading to the brilliant 1976 farewell concert "The Last Waltz"), and the subsequent bitter falling-out between Helms and Robertson. But in the end, the proof is in the pudding: I couldn't believe how quickly the theater's house lights came back on, as the movie had simply flown by in no time. When in the last scene of the movie we watch them play "The Night They Drove Old Dixie Down" in "The Last Waltz" and we are reminded that it was the very last time these 5 guys ever played on stage together, I readily admit that I choked up. What a loss for rock music that was!
"Once Were Brothers: Robbie Robertson and the Band" premiered last Fall at the Toronto International Film Festival to great acclaim. It opened last weekend at my local art-house theater here in Cincinnati and I finally got a chance to see it this weekend. The Friday early evening screening where I saw this at was not attended well (3 people, to be exact), and I can't see this playing much longer in theaters. But it you are a fan of rock music history or simply a fan of the Band, I'd readily suggest you check this out, be in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
क्या आपको पता है
- ट्रिवियाThe distinct signature sound Garth Hudson has on the organ is from a Lowrey organ.
- भाव
Ronnie Hawkins: They paid 35000 cash right in front of me for a little ole bit of cocaine. I snorted a couple lines, and I said, "Boys, there's enough flour and sugar in this shit, you'll sneeze biscuits for three fuckin' months after you snort this..."
Ronnie Hawkins: [chuckles]
Ronnie Hawkins: ...and they ended up buying another one.
- कनेक्शनEdited from The Last Waltz (1978)
टॉप पसंद
- How long is Once Were Brothers?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Once Were Brothers: Robbie Robertson and the Band
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $4,49,561
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $37,828
- 23 फ़र॰ 2020
- दुनिया भर में सकल
- $5,36,534
- चलने की अवधि
- 1 घं 40 मि(100 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1






