The Pale Horse

This Sarah Phelps (am not British and know nothing of her work) seems to have aroused passionate criticism for her seemingly wholesale changes to the revered Agatha Christie's work. If the accusations are correct and further reading seems to make that a fact then it seems rather pointless in even describing The Pale Horse (the TV serialisation) as based on Christie's novel. At no stage did this production feel like a Christie who-dunnit. The so-called three witches felt completely contrived from start to finish. And the ending? Well, there will be no use of spoilers here because this Phelps' yarn has none. Take your pick from a few guesses! I fully agree with one review here which suggested the Christie estate should take legal proceedings against Sarah Phelps whose butchering of plot and character make this the worst Christie adaptation ever produced. So disgusting that a rating is inappropriate.

Butcher job on Agatha Christie story and a lackluster cast make this nearly unwatchable. The period detail also seems wrong with all that late 1960s clothes and hair.

Rufus Sewell and Rita Tushingham are the only recognizable stars in this mess. Most of the others should have stayed in acting classes a little longer. Especially awful is the woman paying Hermia.

Casting is suspect also in having Sewell married to a Black woman in 1960 London, let along a Black witch living with two white women in Much Deeping.

The whole witchy woman thing vs the usual Christie poisoning plot turns into a total muddle and makes the un-Christie ending really stupid. Oh yes, and cut the F bombs. They added absolutely nothing to the proceedings.

I did, however, like the car Sewell drives.

An unpleasant man does unpleasant things to his unpleasant friends and unpleasant acquaintances, who do unpleasant things back to him, possibly for all eternity.

There is no doubt an audience for this very classy, well-made and well-acted soap opera, consisting of people who think the world unpleasant and like to have their noses rubbed in it. There are such people, and they deserve to be entertained as much as the rest of us do.

However, viewers should be aware that, though it borrows Agatha Christie's title, her characters, and several plot elements, this bears no more than a superficial resemblance to Christie's novel, but free-rides on Christie's reputation, presumably in order to boost its viewing figures. I can think of no other reason for it to pose as a Christie adaptation.

The ending killed it. It was a good and enjoyable plot until it stoped making sense towards the end.

First part was promising something very good but then part two.. I am quite unsatisfied by the ending.