IMDb रेटिंग
5.5/10
1 लाख
आपकी रेटिंग
माइकल मायर्स और लॉरी स्ट्रोड हैलोवीन श्रृंखला के अगले रोमांचक अध्याय को जारी रखते हैं.माइकल मायर्स और लॉरी स्ट्रोड हैलोवीन श्रृंखला के अगले रोमांचक अध्याय को जारी रखते हैं.माइकल मायर्स और लॉरी स्ट्रोड हैलोवीन श्रृंखला के अगले रोमांचक अध्याय को जारी रखते हैं.
- पुरस्कार
- 3 जीत और कुल 10 नामांकन
फ़ीचर्ड समीक्षाएं
For Halloween yesterday I watched the new Candyman and Halloween Kills. Both movies have been done repeatedly and to be honest at one point enough should be enough. Candyman wasn't bad though but it's nothing like the first movie when it was all a surprise. Halloween Kills on the other hand is just another movie too much. Nothing new, Michael Myers can't be killed, it doesn't matter if you stab him, shoot him, set him on fire, he just can't be killed nor injured. It's getting lame to be honest. Jamie Lee Curtis hasn't a huge role and that was maybe best like that. I hope this one was finally the last one because there's no milk to be milked anymore here.
Completely clueless about what it wants to be or where its priorities lie, Halloween Kills is an absolute trainwreck of a sequel from start to finish. A dull, pointless & thoroughly frustrating entry that fails to capitalise on the blank canvas after the 2018 film wiped the slate clean by retconning the franchise, this latest instalment is an utter mess that's all over the place and unsure of its own identity.
Co-written & directed by David Gordon Green, the story shift the focus on other survivors of Michael Myers' 1978 killing spree by sidelining our protagonist yet does it so awfully that we are never for once invested in the new characters. Green does the bare minimum to improve the ride, has no idea what tone to settle with, and branches the story out in directions that's neither warranted nor called for.
It attempts to give us a peek of the trauma that Myers inflicted on not just Laurie Strode but the entire Haddonfield community and skims on mob mentality in dumb, facepalm-inducing ways. The film is devoid of tension, build-up & atmosphere, Myers' looming presence is also gone, and the narrative flow & editing is a nightmare. The only aspects working in its favour are the grisly kills & Carpenter's score.
Overall, Halloween Kills features a healthy dose of gnarly kills & slasher brutality but the rest is not only underwhelming, it's almost cringeworthy. The callbacks are mere distractions, the subplots lead nowhere, performances are forgettable, and it really made me root for Michael Myers as he creatively slaughters a lot of stupid, annoying folks in this. A wasted potential at best, this newest chapter adds nothing to the saga.
Co-written & directed by David Gordon Green, the story shift the focus on other survivors of Michael Myers' 1978 killing spree by sidelining our protagonist yet does it so awfully that we are never for once invested in the new characters. Green does the bare minimum to improve the ride, has no idea what tone to settle with, and branches the story out in directions that's neither warranted nor called for.
It attempts to give us a peek of the trauma that Myers inflicted on not just Laurie Strode but the entire Haddonfield community and skims on mob mentality in dumb, facepalm-inducing ways. The film is devoid of tension, build-up & atmosphere, Myers' looming presence is also gone, and the narrative flow & editing is a nightmare. The only aspects working in its favour are the grisly kills & Carpenter's score.
Overall, Halloween Kills features a healthy dose of gnarly kills & slasher brutality but the rest is not only underwhelming, it's almost cringeworthy. The callbacks are mere distractions, the subplots lead nowhere, performances are forgettable, and it really made me root for Michael Myers as he creatively slaughters a lot of stupid, annoying folks in this. A wasted potential at best, this newest chapter adds nothing to the saga.
A worthy effort, if nothing all that memorable.
I found 'Halloween Kills' to be a touch below 2018's 'Halloween' in terms of entertainment and general interest, but like that one it does what it needs to do and produces something that is (narrowly, in this case) worth watching. I would've liked a bit more progression in the story, as this very much feels like the middle entry in a three-parter.
This flick gives more screen time to those around Jamie Lee Curtis, which isn't necessarily a positive (given Curtis is as good as she is) but the actors all do find jobs - even if no-one particularly stands out, at least to me. Away from the cast, the deaths are solid and the use of the iconic theme is spot on.
I didn't love this, almost nonplussed by it in truth but overall I think it just does enough to merit being filed under 'good'.
I found 'Halloween Kills' to be a touch below 2018's 'Halloween' in terms of entertainment and general interest, but like that one it does what it needs to do and produces something that is (narrowly, in this case) worth watching. I would've liked a bit more progression in the story, as this very much feels like the middle entry in a three-parter.
This flick gives more screen time to those around Jamie Lee Curtis, which isn't necessarily a positive (given Curtis is as good as she is) but the actors all do find jobs - even if no-one particularly stands out, at least to me. Away from the cast, the deaths are solid and the use of the iconic theme is spot on.
I didn't love this, almost nonplussed by it in truth but overall I think it just does enough to merit being filed under 'good'.
'Halloween Kills' is the definition of a sequel for the sake of making a sequel (or more accurately the sake of making money). It not only adds nothing to the story, it destroys some of the good things from the 2018 version. I've been looking forward to this movie for a long time with the COVID delays, and I sadly have to say it was not worth the wait at all.
The characters in this movie were atrocious. Firstly, they destroyed 'Laurie Strode'. Not only does she do absolutely nothing in this movie, she is rude to kind nurses and assaults a doctor. Yup, that'll get us on her side. But that wasn't even the worst of it. The side characters they created for this film were embarrassing. There is a scene where a character just stares at 'Michael Myers', says something to the effect of, "Michael, you've come home", and then just stands there and waits to be killed. That's the worst example of it, but this is very much a rinse and repeat thing throughout the film.
The pacing of the film is all over the place too. There's a very strange and uninteresting opening scene. Then we get a couple of admittedly great scenes with the firefighters and in a house with a couple. At this point I was having a good time. 'Michael' was ferocious and in no mood to mess around. Then we hit a wall and frankly never recovered. Even at the end when the film should be building up to the big conclusion, it feels like it's stuck in first gear.
Also there's a subplot involving a mental patient that is just unpleasant. It's not scary, it's not clever, it's just depressing and unnecessary (and quite insulting to the audience that we are expected to buy it). I didn't find much to enjoy about this film sadly. It looks great and the start was decent. Otherwise though it's not one I can recommend. 4/10.
The characters in this movie were atrocious. Firstly, they destroyed 'Laurie Strode'. Not only does she do absolutely nothing in this movie, she is rude to kind nurses and assaults a doctor. Yup, that'll get us on her side. But that wasn't even the worst of it. The side characters they created for this film were embarrassing. There is a scene where a character just stares at 'Michael Myers', says something to the effect of, "Michael, you've come home", and then just stands there and waits to be killed. That's the worst example of it, but this is very much a rinse and repeat thing throughout the film.
The pacing of the film is all over the place too. There's a very strange and uninteresting opening scene. Then we get a couple of admittedly great scenes with the firefighters and in a house with a couple. At this point I was having a good time. 'Michael' was ferocious and in no mood to mess around. Then we hit a wall and frankly never recovered. Even at the end when the film should be building up to the big conclusion, it feels like it's stuck in first gear.
Also there's a subplot involving a mental patient that is just unpleasant. It's not scary, it's not clever, it's just depressing and unnecessary (and quite insulting to the audience that we are expected to buy it). I didn't find much to enjoy about this film sadly. It looks great and the start was decent. Otherwise though it's not one I can recommend. 4/10.
Never been so frustrated watching a movie. Every last character just made stupid decision after stupid decision right the way throughout. They all deserve to die. #TeamMyers.
क्या आपको पता है
- ट्रिवियाJamie Lee Curtis, Charles Cyphers, Kyle Richards, Nancy Stephens, and Nick Castle were in the original हैलोवीन (1978) and they all returned for this sequel. The characters of Tommy Doyle and Lonnie Elam from the original also returned, but were recast with Anthony Michael Hall and Robert Longstreet. Brian Andrews retired from acting in 2015 and Brent Le Page never acted again after the original Halloween.
- गूफ़The firefighters perform a full smoke dive to the burning building at the start of the film, in spite of it already being up in flames and without knowledge of any survivors trapped inside. Normally, fire brigades don't endanger their people needlessly in such situations and focus only on preventing the fire from spreading to the surrounding area.
- भाव
[the trio are horrified when emergency vehicles head toward the burning house that Michael is trapped in]
Allyson: [panicking] No, no, no, no, no, no!
Laurie Strode: Let him burn! Let him burn!
- इसके अलावा अन्य वर्जनAfter the release of the film, director David Gordon Green announced an extended cut which would feature additional scenes and an alternate ending. In that cut (simply titled Extended Cut), Laurie would call Karen's phone near the end of the film. She is instead replied with Michael's heavy breathing, indicating Karen is dead. Laurie then leaves the hospital with a knife, determined to find him. This indicates the sequel Halloween Ends (2022) would take place immediately after Kills in 2018, instead of four years later in 2022 which would later be confirmed. The Extended Cut runs for 109 minutes.
- साउंडट्रैकShe Doesn't Want You Anymore
Written by John Carpenter
Courtesy of Daniel A. Davies(as Daniel Davies) & Cody Carpenter
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Halloween Kills?Alexa द्वारा संचालित
- Will there ever be a Halloween crossover film?
- Based on the Silver Shamrock mask appearing in this film, will Tom Atkins make an appearance as well?
- What year does this Halloween movie take place in?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Halloween Kills: La noche aún no termina
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $9,20,02,155
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,94,04,980
- 17 अक्टू॰ 2021
- दुनिया भर में सकल
- $13,34,23,964
- चलने की अवधि1 घंटा 45 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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