आलोचक समीक्षाएं

After Love is a technically proficient, sincere exploration of its thorny, complicated themes and gripping realist drama of the highest order.

The mystery of other people’s lives, the unbridgeable gulf between us all – even, or especially, between married couples – is the subject of this outstanding drama from first-time film-maker Aleem Khan.

The film’s structure may be conventional, and yet its story is unusually rich, and uninterested in easy answers as to why people hurt the ones they love.

Anchored by a nuanced turn from Scanlan that can hang with some of the best Italian Neorealist performances, the film ends up a beautiful, jagged exploration of the messy nature of being human.

None of this would work if the lead actors were not so firmly connected to their complex roles.

After Love constantly foregrounds duality, narratively and stylistically.

Spare and pared-back in all respects ranging from performance to its clean, airily-lensed aesthetic, After Love carries bulky baggage with an elegant lightness, leaving its audience with further unpacking to do.

After Love may be a bit thin on story, but it nevertheless shines with feeling.

After Love, the feature-length debut from British writer-director Aleem Khan, is a quietly compelling exploration of identity, grief and the secrets loved ones take to the grave.

Even while making a heartfelt statement that will put Khan deservedly on the map, the film cries out for a different shape, so that these three could grieve, bond and come to an understanding without the plot’s cloak-and-dagger machinations.