The Oak Room

Phenomenal cinematography, acting, dialogue and plot. It does fall off at points which is why I can't give it a higher rate, however it still delivers. Very original and unique. This isn't action packed or fast paced AT ALL, so if you're easily bored you'll have a hard time getting through this one.

The ending makes sense, won't going to spoil it for anyone, but if you were paying attention you know what happened. A solid 7/10 from me.

This film is all about tension, story telling and the intrigue of what stars as very innocent normal seeming situations. It doesn't at all go in the direction you might think.

I didn't really like the slow pace and the very little plot as well as not actually having any real answers at the end but not only can I see that it is well done and is an interesting concept, I would recommend it. I do see why some people loved it. Some people will absolutely hate it and probably not stand more than 15 mins of it but you might surprise yourself.

This was a great story idea. It was somewhat original, the actors were pretty good. I think if they had a better writer and director, this could have been a worthy 9 or 10 for sure. I think it is worth the watch, but ONLY if you find yourself home on a Friday night, nothing going on and you are just sitting at home on the couch wondering what you could watch. Then give it a try. This movie could have been great, instead it kind of falls to being fair. Now if I would have spent good money to see this at the movie theater, I would have been a little upset, but still would have given the same review.

The Oak Room is a good movie with a creepy feel. It's all about the mystery and the mood - and he dialog. It all starts with a man entering a remote bar in a snow storm as it's closing for the evening. The man is known to the bartender, and the meeting is the start of an eerie evening, with a story told the very same way this movie starts. Who are these men, how are they interconnected?

Well played, and with good tension, this movie unfolds like a theatrical chamber play where it lies in the dialog.

A disloyal son returns to the bar his late father used to frequent, but who will face the music?

A web of haunting menace, woven through stories within stories, down to the fourth level where we find a piglet. The point here is to catch the drift, rather than wonder about the destination, because there's only one place all these characters are headed.

This is framed and paced with expertise, using visual and musical motifs to layer the experience; with stories split apart or laid out on divergent tracks, both fabricated and sworn to be true. It even includes a goose-the-truth scene to show how exactly to tell a story - and, yes, the barman made that story up, but his next one reveals all you need to take to heart and, in combination with the piglet story, provides a disturbing foundation.

The two lead performances are excellent, and the production is to a high standard, varying the emphasis in what is basically a two-hander. And I loved the music from Torero and Steph Copeland.

Overall: Not really a horror, but a weird tale done to perfection.