A Living Dog

Slow but a great post apocalyptic film to watch if you're deaf or hearing impaired as there's no vocal script. Just imagine tense music and sound effects throughout.

I appreciate and support newb filmmakers (of which they aren't entirely new), even more when their film is independently funded, but there's no excuse for such long dragged out nonsense in the lazy writing.

It was just once scene after the other of the exact same nonsense - running, hiding, laser rays, repeat. The normally just-right 94 min runtime felt like almost 3 hours with the long dragged out and mostly unnecessary scenes, and the slow pacing. Aside from this story being told so many times before - all much better, there was just way too much filler and very little substance. Had this been chopped down to a 15 min or so short film, it would've shined, and made the dialogue-less 94 min runtime more bearable. I get that the machines have great hearing, but I doubt it was better than the aliens in "A Quiet Place", so being in a basement with nothing in sight for miles and zero dialogue, is lazy writing imo. Giving the viewer all this filler and expecting them to do all your work to figure out what's going on, in place of dialogue, is writing I'd expect from a 5th grade drama class. Never mind the cringeworthy plot and technical issues. Again, lack of funding is no excuse for lazy and sloppy writing.

What this film did have going for it, was an great score and excellent cinematography. The aerial views were all on point, but the irrelevant sudden shots of flower, bugs on the ground, etc, was just amateur directing and the cherry on top for the wasted whipped cream filler. The "machines" looked decent on the screen for the most part, but those CGI explosions and laser beams were a laughable 1970's quality. Even the editing (was there any?) was horrible. So never mind the current four reviews of 7, 8, 9 and 10/10 (hmm, I see a pattern), this is a very generous 5/10 from me.

A shaky, earthy, rough and true piece of Indie-cinema - with one condition: You have to like giant killer robots! ;)

It is close to perfect score for an independent film made without pay by cast members and crowd funding.

Rating Breakdown: Story - 0.75 :: Direction - 1.50 :: Pace - 1.25 :: Performances - 1.50 :: Entertainment - 1.25 :::: TOTAL - 6.25/10.

Silence has rarely been this terrifying. A New World Order takes the dystopian sci-fi thriller formula and strips it down to something raw, intense, and almost entirely wordless. It's A Quiet Place meets The Terminator, but on an indie budget-and yet, miraculously, it works.

The premise is simple: humanity has fallen. Robots rule. The last survivors must stay silent, because the machines hunt by sound, and speech equals death. This concept is executed brilliantly by writer-director Daniel Raboldt and co-writer Thorsten Franzen, who craft a film where silence isn't just a stylistic choice-it's the entire foundation of survival.

With almost no dialogue, everything rests on the performances of Stefan Ebel (Tomasz) and Siri Nase (Lilja), who must convey emotion, trust, and tension without words. And they deliver. The film's pacing is slow, methodical, but effective-though modern audiences accustomed to action-packed storytelling might find it a little too patient for their liking.

Raboldt's direction is masterful, using framing and visual storytelling to build tension. The world feels empty yet dangerous, and despite the low budget, the film looks fantastic. The special effects are subtle but effective, and the looming presence of the unseen machines keeps the stakes high.

This won't be for everyone. It's quiet. It's slow. But for those who love atmospheric, intelligent sci-fi-films like Moon or Children of Men-this is an absolute must-watch. And the ending? It's the kind that lingers, making the whole experience feel worthwhile.

A bold, brilliant slice of dystopian cinema. Just don't expect any pep talks.