बचपन में एक कार दुर्घटना में घायल होने के बाद, एक महिला अपने सिर में टाइटेनियम की प्लेट लगी हुई पाती है.बचपन में एक कार दुर्घटना में घायल होने के बाद, एक महिला अपने सिर में टाइटेनियम की प्लेट लगी हुई पाती है.बचपन में एक कार दुर्घटना में घायल होने के बाद, एक महिला अपने सिर में टाइटेनियम की प्लेट लगी हुई पाती है.
- 1 BAFTA अवार्ड के लिए नामांकित
- 29 जीत और कुल 131 नामांकन
Mara Cisse
- Jeantet
- (as Mara Cissé)
फ़ीचर्ड समीक्षाएं
Original. Daring. But doesn't quite gel.
I am writing a review after ages. Perhaps it's a sign of a good movie that provoked this response. Or perhaps it's just appreciation for a director who really did go for it. Ducarnau demonstrated the Cronenbergesque body horror and satire in her first feature film. Titane has confirmed that she is definitely could be the next champion of extremely physical movies. Film reminds of themes of Crash ( 1996 ) and to some extent Videodrome ( 1983 ) .
Keeping the cryptic and puzzling aspects aside, it's a basic story of finding closure and a place in this world, when you have ambiguous intimacy / sexuality, distorted physicality, suppressed emotions and childhood trauma.
Ducarnau is however not quiet able to meet the ambition of ideas she is putting down on canvas. There is rather drastic shifts in tone of movie, which can be confusing. There is no harm in mixing genres but I felt a bit lost in parts of second half.
The shock values of the scenes ( and they are shocking ) wears off once you are no longer sure of motives of players especially when you are not totally buying into it. In first 15 min, the film hits such high note that the twists and turns that follow almost negate the impact.
I would say if you are looking for a provocative film, this is the one. However, keep an open mind. Titane is ambitious but it's not able to live up to its potential.
I am writing a review after ages. Perhaps it's a sign of a good movie that provoked this response. Or perhaps it's just appreciation for a director who really did go for it. Ducarnau demonstrated the Cronenbergesque body horror and satire in her first feature film. Titane has confirmed that she is definitely could be the next champion of extremely physical movies. Film reminds of themes of Crash ( 1996 ) and to some extent Videodrome ( 1983 ) .
Keeping the cryptic and puzzling aspects aside, it's a basic story of finding closure and a place in this world, when you have ambiguous intimacy / sexuality, distorted physicality, suppressed emotions and childhood trauma.
Ducarnau is however not quiet able to meet the ambition of ideas she is putting down on canvas. There is rather drastic shifts in tone of movie, which can be confusing. There is no harm in mixing genres but I felt a bit lost in parts of second half.
The shock values of the scenes ( and they are shocking ) wears off once you are no longer sure of motives of players especially when you are not totally buying into it. In first 15 min, the film hits such high note that the twists and turns that follow almost negate the impact.
I would say if you are looking for a provocative film, this is the one. However, keep an open mind. Titane is ambitious but it's not able to live up to its potential.
I am speechless!
Erm......seriously I have no idea what i just watched?
This has got to be one of the most unusual, disturbing, weird and completely bonkers film that I've seen in a while. The first 30 minutes of the film are the best for me, felt more a "standard" horror/thriller setup. However this film takes so many bizarre twists and turns which I'm not sure all worked. Trust me you have a lot of questions after seeing this film.
Visually stunning I must say though and I love the fact that this is a really ballsy film, 100% original for that matter!! However I think it might have helped if now and then it was just a little boring or normal hahaha!
I mean its an experience I wont forget but then again I wont rush to see this film again any time soon, I think I need to let my brain process this all. I completely understand why a lot of people would hate this film, it really is not for everyone!!
70% out of 100, I'm stunned and shocked how this turned out and the fact that someone thought of this idea for a film.........are they ok? Hahahah!!
Erm......seriously I have no idea what i just watched?
This has got to be one of the most unusual, disturbing, weird and completely bonkers film that I've seen in a while. The first 30 minutes of the film are the best for me, felt more a "standard" horror/thriller setup. However this film takes so many bizarre twists and turns which I'm not sure all worked. Trust me you have a lot of questions after seeing this film.
Visually stunning I must say though and I love the fact that this is a really ballsy film, 100% original for that matter!! However I think it might have helped if now and then it was just a little boring or normal hahaha!
I mean its an experience I wont forget but then again I wont rush to see this film again any time soon, I think I need to let my brain process this all. I completely understand why a lot of people would hate this film, it really is not for everyone!!
70% out of 100, I'm stunned and shocked how this turned out and the fact that someone thought of this idea for a film.........are they ok? Hahahah!!
Not since David Cronenberg's CRASH has Cannes seen as 'auto'-erotic a film as Julie Doucurnau's TITANE. And, despite some controversy with each, both movies got Jury Awards (TITANE the Palme D'or).
After a childhood flashback leaves Alexia (played as an adult by Agathe Rousselle) with a metal plate in her head. The 30ish woman is now a dancer at a strip club where the ladies gyrate with automobiles (and, if there's something that eclipses a man's fancy more than girls and cars - it's girls AND cars). A bizarre late night S&M encounter leaves Alexia pregnant -- and with an increasing penchant for violence and aggression. Doucurnau (RAW) doesn't flinch from showing the sex and brutality in all it's grindhouse glory. The movie provocatively begs the question of whether it's any less exploitative if it's directed by a woman.
After this savage (overly so) opening*, Doucurnau's script (with "consultants") abruptly changes gear when Alexia comes into contact with Vincent (Vincent Lindon), a fire chief of a special fire fighting unit. He takes Alexia under his protection and becomes a father figure to her. Vincent has severe issues of his own, and their relationship becomes a symbiotic one, however peculiar it may be. Rousselle and Lindon play off each other well here and their bond becomes as believable as this strange tale can become. More to the point, it becomes quite moving in its own perverse manner.
Doucurnau's movie isn't just interested in the standard horror tropes, as it confronts head on gender identity, sadomasochistic relationships and the fetishizing of women's bodies. Genre fans will see parallels to such earlier films such as Cronenberg's THE BROOD, DEAD RINGERS and RABID (along with the aforementioned CRASH). BLADE RUNNER 2049, UNDER THE SKIN, THE DEMON SEED and last year's PROMISING YOUNG WOMAN are also evoked (the latter, of course, a coincidence of timing). The story-telling isn't always cleanly nor coherently told, but, it accumulates a certain power.
TITANE is certainly not your typical Cannes Awards winner, nor your standard horror film, but Doucurnau has created her own disturbing vision of the intersection of sexual politics and what it means to be human in this age of rapidly accelerting advances in bio-medical technology.
*there were walkouts in the theater.
After a childhood flashback leaves Alexia (played as an adult by Agathe Rousselle) with a metal plate in her head. The 30ish woman is now a dancer at a strip club where the ladies gyrate with automobiles (and, if there's something that eclipses a man's fancy more than girls and cars - it's girls AND cars). A bizarre late night S&M encounter leaves Alexia pregnant -- and with an increasing penchant for violence and aggression. Doucurnau (RAW) doesn't flinch from showing the sex and brutality in all it's grindhouse glory. The movie provocatively begs the question of whether it's any less exploitative if it's directed by a woman.
After this savage (overly so) opening*, Doucurnau's script (with "consultants") abruptly changes gear when Alexia comes into contact with Vincent (Vincent Lindon), a fire chief of a special fire fighting unit. He takes Alexia under his protection and becomes a father figure to her. Vincent has severe issues of his own, and their relationship becomes a symbiotic one, however peculiar it may be. Rousselle and Lindon play off each other well here and their bond becomes as believable as this strange tale can become. More to the point, it becomes quite moving in its own perverse manner.
Doucurnau's movie isn't just interested in the standard horror tropes, as it confronts head on gender identity, sadomasochistic relationships and the fetishizing of women's bodies. Genre fans will see parallels to such earlier films such as Cronenberg's THE BROOD, DEAD RINGERS and RABID (along with the aforementioned CRASH). BLADE RUNNER 2049, UNDER THE SKIN, THE DEMON SEED and last year's PROMISING YOUNG WOMAN are also evoked (the latter, of course, a coincidence of timing). The story-telling isn't always cleanly nor coherently told, but, it accumulates a certain power.
TITANE is certainly not your typical Cannes Awards winner, nor your standard horror film, but Doucurnau has created her own disturbing vision of the intersection of sexual politics and what it means to be human in this age of rapidly accelerting advances in bio-medical technology.
*there were walkouts in the theater.
I don't really know what I just watched. It was incredibly weird, but nevertheless watchable. In fact, I might even go as far as to say it was mesmerizing.
I'm sure there were some really deep themes, of which I could glean only a handful. But maybe that's a lacking in myself. These themes - as far as I could make out - include love and loss, rage, psychosis, and identity. Even a slight hint of incest.
But there are still a couple of pretty pertinent things that remain a mystery. Big mysteries!
I would recommend this film to those who want to lose themselves in one woman's psychedelic / psychotic journey, or for those who enjoy analyzing and could possibly apply meaning to scenes and images that I don't think were included for fun, but which I can't work out.
Nevertheless, I would recommend people check it out - if only for the originality and creativity. It won't be for everyone. It starts off rather sedately and then gets deeper and deeper into the bizarre. Personally, I love cinema that pushes boundaries and dares to be different - even if it fails, which this one definitely doesn't.
So be brave. Try something new. Expect to be challenged, and perhaps even a little offended, and definitely expect to see something different.
And I can't sign off without congratulating the performance of the two leads - Agathe Rousselle and Vincent Lindon. Both did brilliant jobs, especially Agathe since this was her feature film debut.
I'm sure there were some really deep themes, of which I could glean only a handful. But maybe that's a lacking in myself. These themes - as far as I could make out - include love and loss, rage, psychosis, and identity. Even a slight hint of incest.
But there are still a couple of pretty pertinent things that remain a mystery. Big mysteries!
I would recommend this film to those who want to lose themselves in one woman's psychedelic / psychotic journey, or for those who enjoy analyzing and could possibly apply meaning to scenes and images that I don't think were included for fun, but which I can't work out.
Nevertheless, I would recommend people check it out - if only for the originality and creativity. It won't be for everyone. It starts off rather sedately and then gets deeper and deeper into the bizarre. Personally, I love cinema that pushes boundaries and dares to be different - even if it fails, which this one definitely doesn't.
So be brave. Try something new. Expect to be challenged, and perhaps even a little offended, and definitely expect to see something different.
And I can't sign off without congratulating the performance of the two leads - Agathe Rousselle and Vincent Lindon. Both did brilliant jobs, especially Agathe since this was her feature film debut.
Well, lots of female nudity.
Unlike Grave, a movie i like a lot with it story that make sense in it own logic, this one didnt connect wt me.
I am surprise at the high score on imdb for this one.
Again, i would recommend you watch Grave first. Maybe Titane will be appreciate better by female audience as the director/writer also is.
Like a revewer said, the ridiculous dancing scene without the belly prostetic is done without care.
I have see many movies in horror genre, some done much better story and execution wise. This is should not be a Palm D'or level winner as a product, maybe as a booster for it director and recognition to Vincent Lindon .
Unlike Grave, a movie i like a lot with it story that make sense in it own logic, this one didnt connect wt me.
I am surprise at the high score on imdb for this one.
Again, i would recommend you watch Grave first. Maybe Titane will be appreciate better by female audience as the director/writer also is.
Like a revewer said, the ridiculous dancing scene without the belly prostetic is done without care.
I have see many movies in horror genre, some done much better story and execution wise. This is should not be a Palm D'or level winner as a product, maybe as a booster for it director and recognition to Vincent Lindon .
क्या आपको पता है
- गूफ़At 1:20'50: the dad pushes Adrien's hand which sends the syringe to the side; there is no needle attached to it.
- साउंडट्रैकWayfaring Stranger
Arranged by David Eugene Edwards, Jean Yves Tola
Performed by Sixteen Horsepower (as 16 Horsepower)
With kind permission from Glitterhouse Records
Editions BMG Rights Management (UK) Limited
Avec L'Autorisation de BMG Rights Management [France]
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Titane?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- €57,00,000(अनुमानित)
- US और कनाडा में सकल
- $14,42,988
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,33,397
- 3 अक्टू॰ 2021
- दुनिया भर में सकल
- $49,82,335
- चलने की अवधि1 घंटा 48 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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