Agatha and the Curse of Ishtar

... can't cover the tackiness and silliness swirling in by the minute.

Another contrived and pretentious mess.

Penned by the same writer who wrote last year's surprise package Agatha and The Truth of Murders, but a different actress in the lead role. Lynsey Marshall steps in to replace Ruth Bradley, and does a fine job.

It's a very slick production, it looks great, it's well filmed, and very well written. It was a good old fashioned mystery. I love the way they penned a situation for Christie. Stunning location work.

It more then made up for the lack of Agatha Christie drama on the BBC this Christmas. If only this had been transmitted on Christmas Eve or Boxing Day.

Is this a trend? Will there be another one next year? On this evidence I hope so.

I couldn't help but think of the many Poirot movies set in the middle east. Those were imbued with sound, heat, mystery, etc. Of these exotic locations. Poirot always insistent on pursuing his british/belgium idiosyncrasies while trying to enjoy his "vacations " which was always interrupted by a wonderful murder. (See Death on the Nile).

This is the complete opposite. The first part of the movie focuses on christie trying to imbue her novels with "romance." She is encouraged by new friends to go to Iraq, and it is downhill from there. The Christie actress is bland, the murder of someone is not clear...apparently the monkey imbibed the poison.. The rest of the ensemble (except for young Max) is boring and unforgettable. Even the scenery is dusty and boring. There didn't seem to be any music or sound effects to heighten our attention to murders or significant scenes.

Watch the first of these Christie driven movies. The one that depicts Christie when she disappeared for a few weeks, made a couple of years back. That actress successfully depicted Agatha as a serious author, but with a lovely sparkle underneath. There is no sparkle here.

It has all the trappings of a pretty period drama, and it probably wasn't cheap to make, but the plot and the dialogue are absolute drivel. Jonah Hauer-King is a tasty piece of eye-candy but ogling him is the only pleasure to be had from wasting your time with this.

I had some expectations for this, largely due to Ms Marshal's presence, and it does indeed have several high values.

But it has three features which spoiled it for me: the weirdly soporific sound quality; the dismal pacing; the, let's face it, dreadful script; the cringe-inducing stabs at romance for the lead character; these four chief weapons; -- yes, after watching it, one feels one has been entertained by the Spanish Inquisition.