The Stylist

Generic lead psycho without rhyme or reason murders pretty much anybody she meets. No motive, no specific reason for selection, just random unexplained psychotic breakdowns. Could've been a winner but the writing is terrible and it's jam packed of long repetitive scenes that do nothing to move the story or reveal anything deeper about the main character. Maniac, Sweeney Todd and even Lucky McKee's May do everything done here way better. Ultimately a unoriginal, paint by numbers story with a excruciatingly long and predictable finish. More like a photo shoot for bloody bride monthly than a worthwhile narrative.

A decent enough film, with solid acting and great cinematography.

It just lacked oomph!

Left me feeling somewhat unsatisfied.

Several reviewers already pointed out the connection and similarities between this film and one of the most infamous and controversial horror films of the late 70s/early 80s exploitation era. And I wholeheartedly agree! "The Stylist" is a modern reworking of William Lustig's class-sick "Maniac", as well as of the 2012-remake starring Elijah Wood. Of course, this film looks entirely different. The titular psychopath is a woman with a blossoming professional career, a fancy social status, and an elegant physical appearance. Najarra Townsend's character Claire is the complete opposite of the uncanny and trashy killer that Joe Spinell depicted in "Maniac". The film itself also looks a lot more polished. But, in essence, the stories are the same. Both Claire in "The Stylist" and Frank Zito in "Maniac" are lonely, socially incompetent, and clumsy outcasts looking for friendship and acceptance.

"The Stylist" is a really good and compelling thriller, beneficing maximally from its extremely powerful (and spine-chilling) opening sequence. The rest of the film thrives on the great intro, but also has an efficient and slow-brooding atmosphere that gradually unfolds. The opening made it quite clear that the seemingly sweet and caring hairdresser Claire is, in fact, a dangerously disturbed murderess, so when she's becoming close friends with soon-to-be-married Olivia, you are nervously waiting for her to go totally bonkers again. There isn't a lot of action, but the horror-moments are shockingly effective. The scalping moments are uncomfortable to look at, also thanks to the eerily realistic sound effects, and the footage of Claire inconspicuously stalking her unwary targets are genuinely suspenseful. Many people referred to the climax as being a bit of a letdown, and claimed they were hoping for a more spectacular ending, but I - for one - think it's a 100% appropriate conclusion. Recommended!

The end really save it from a negative score, but can't be positive either.

Interesting concept, a couple of good scenes, but most of the film is really predictable and boring. Some editing, less slow-mos, and there is no reason for this one to be over 80 minutes.

It takes a deft hand to turn a story of violent obsession into something equally disturbing, beautiful, and truly heartbreaking. Jill Gevargizian is a writer/director to keep an eye on and Najarra Townsend gives a performance that is chilling and brave, yet absolutely tragic and darkly touching. Also, as a proud Kansas Citian, it was awesome to see my city lovingly featured!!