Licorice Pizza

I had great expectations for this film and I have to say that I was disappointed. Although the 70s vibes helped me travel back in time and the direction and photography were great, the plot and the performances were weak. There was no evolution of the characters, their relationship was shallow without a sign of deeper connection. It was a movie that didn't touch me at all. I couldn't relate to any of the protagonists and I wasn't even inspired.

This film is a good exercise in placing a story in a past decade. The production design shines with a very successful setting of the 70's. Unfortunately this is almost all that shines.

The script is repetitive and many times it doesn't get anywhere. The grounded and common appearances wanting to stand out are appreciated, but they fail to completely captivate in a totally forgettable story. There are some passages in the story that are funny, but there are others that are flat and boring.

The performances of the protagonists are good and very well supported by the big names that glow by themselves in the brief scenes in which they appear. The technical aspects such as editing and sound meet the standards of the director.

It is a movie I would never see again.

What an experience watching "Licorice Pizza" was. In terms of aesthetic qualities like the ability to put the viewer in a setting (in this case 1970s Los Angeles), a wonderful soundtrack, some rollicking fun sequences, and phenomenal cinematography. Truly a technical masterpiece in nearly every sense.

Sadly, "Licorice Pizza" is also not all that great of a film for one very specific reason: it completely and utterly lacks a plot or overall meaning to all the technical expertise.

For a very basic overview, the movie tells the story of Gary (Cooper Hoffman), a high school student with a taste for showbiz, and Alana (Alana Haim), a 25-year-old Jewish "Valley Girl" stuck in neutral but always looking for the next adventure. As the two circle around each other trying to determine their romantic wants/needs, they stumble in and out of any number of period-specific historical events/schemes, such as a fuel shortage, waterbed craze, and pinball machine ban being lifted, to name a few.

Like I said, "Licorice Pizza" is truly remarkable at setting a scene. I felt like I was back in time and nothing ever broke that illusion. I was also extremely impressed by the acting performances from newcomers (at least to the big screen) Hoffman & Haim. They are more than capable of carrying the entire film, which is exactly what they are asked to do here.

But when the credits rolled--and even some time after--I'm struggling to figure out any discernible value or lasting concepts to take from the experience. In a certain sense, the viewing experience (plot-wise) felt like a cipher to which I wasn't given the key. A whole bunch of mini-escapades transpire--all at least somewhat entertaining--and the movie just ends. No more, no less.

I very much liken "Licorice Pizza" to 2019's "Once Upon A Time In Hollywood", though I have to say I liked that Tarentino film a bit more because even it hewed to the plot--not just the spirit--of the current events it was depicting. Here, director Paul Thomas Anderson creates a movie that is almost entirely aesthetic and eschews plot/meaning entirely. As such, it is difficult for me to grade it as "good" or "bad", hence the right-down-the-middle five stars.

I was really hoping to be a good movie considering the Oscar nominations, but it is a really boring movie. I couldn't resist 30 minutes into it. A big disappoinment for me. She is 25, he is 15 years old ..it doesn't make sense, although the acting is decent. It s been a while since I stopped a movie so quickly . I am not being hateful, but is my pure subjective opinion. If you like movies with a love story between a minor and young woman with not a good storyline... this your movie,then. It s extremely overrated and not captivating at all. I appreciate the details, the haircuts and the costume of the 70ties, but I still don't get how it was nominated by the Academy.

I have mixed feelings about this movie. The central relationship between Alana and Gary is great, and both actors are doing a great job. The scene where they're on the telephone and not saying anything is my favorite scene in the movie. Alana is an interesting character, seeing how impressionable she is, trying out different personas throughout the film. What I didn't like as much was the interludes with the celebrity cameos. I didn't like the part with Sean Penn and Tom Waits at all, and the Bradley Cooper part wasn't my favorite either. It does feel a little too long. Overall, I'd say it's worth seeing but not worth the Best Picture nominee-level acclaim.