Licorice Pizza

I had great expectations for this film and I have to say that I was disappointed. Although the 70s vibes helped me travel back in time and the direction and photography were great, the plot and the performances were weak. There was no evolution of the characters, their relationship was shallow without a sign of deeper connection. It was a movie that didn't touch me at all. I couldn't relate to any of the protagonists and I wasn't even inspired.

This film is a good exercise in placing a story in a past decade. The production design shines with a very successful setting of the 70's. Unfortunately this is almost all that shines.

The script is repetitive and many times it doesn't get anywhere. The grounded and common appearances wanting to stand out are appreciated, but they fail to completely captivate in a totally forgettable story. There are some passages in the story that are funny, but there are others that are flat and boring.

The performances of the protagonists are good and very well supported by the big names that glow by themselves in the brief scenes in which they appear. The technical aspects such as editing and sound meet the standards of the director.

It is a movie I would never see again.

The films of Director Paul Thomas Anderson is a bit of an "acquired taste", moviegoers generally fall into one of 2 camps. (1) those that LOVE what he does (and thinks he is one of the greatest Directors of All Time) and (2) those that don't.

I thought I fell into the 2nd camp, but upon reviewing his portfolio of work for this review (HARD EIGHT, BOOGIE NIGHTS, PUNCH-DRUNK LOVE and THERE WILL BE BLOOD), I realized that I pretty much liked whatever he had done, but with his last few films (THE MASTER, INHERENT VICE, THE PHANTOM THREAD) I am finding that "PTA" (as his fans call him) is becoming just a little too "artsy" and pretentious for my tastes. He has fallen too in love with his material - and artistic style - to objectively look at a film and realize that it needs to move along at a brisker pace.

Such is the case with his latest film, LICORICE PIZZA.

A memory of his youth, LICORICE PIZZA follows the relationship of a pair of mismatched young adults as they work their way through the early 1970's in search of themselves and love.

This film is a series of scenes stitched together to tell a story and the problem with it is that it made this film seem disjointed. The central "get together already" love story of the main 2 characters is supposed to be the through-line of the film, but when this through-line breaks (as it often does here) it is detrimental to the flow of the story.

Based, loosely, on the real-life exploits of PTA's friend, Producer Gary Goetzman, LICORICE PIZZA stars Cooper Hoffman (son of Phillip Seymour Hoffman) as Gary Valentine and Alana Haim (of the Sister Act Musical Group HAIM) as Alana as they have an on-again/off-again friendship that SHOULD BE a romance, but isn't (kind of like WHEN HARRY MET SALLY). They circumnavigate circa 1973 Los Angeles running into fictionalized portrayals of famous people like Producer Jon Peters (Bradley Cooper) and Film Actor Jack Holden (Sean Penn) an amalgamation of William Holden and Steve McQueen.

The central performances of Hoffman and Haim are competent enough, but never rises to anything more than that, which pulls this film down for one or the other of them is in every scene . The various actors doing extended cameos (like Cooper and Penn) seem to be having fun chewing up the scenery, but they are acting in a completely different style of film than Hoffman and Haim are and our 2 leads don't stand a chance of standing out compared to these over-the-top performances.

Blame for all of this needs to be laid on Anderson (Oscar Nominated for his Direction in this film). He tried to give us a "slice of life" nostalgia piece like AMERICAN GRAFFITI or ONCE UPON A TIME IN HOLLYWOOD, but he just doesn't pull it off.

An Oscar Nominee for Best Picture, LICORICE PIZZA seems to be riding the wave of nostalgia both for the times depicted - and the artist who put this film on the screen - but it just isn't that good of a film.

Letter Grade B- (for Cooper's and Penn's scenes in this)

6 stars (out of 10) and you can take this to the Bank(ofMarquis)

I love this movie but can't explain why, left the cinema same way I felt after watching "Once Upon A Time In Hollywood". Don't really know what to say apart from I enjoyed it. Was it the era it's based in, was it the chemistry the characters shared, was it the way it was filmed, the dialogues, or was it the idyll charm Alana and Gary created? I don't know. It felt like the writers just started writing with no actual plot line, let the story flow and develop on it's own, because I can tell you what happened in the movie but don't really know what the movie's about yet it was still perfect the way it was. Felt like just watching life unfold for the characters. It wasn't complicated, at no point do you feel the script was altered to make it more witty, funny or dramatic, everything was just natural. I think more movies like this should be made. I wasn't around in the 70's, but movies like this make it feel like I'm right there with them; nostalgia to a time I never knew. Come to think of it, maybe that's why I do love it.

I have mixed feelings about this movie. The central relationship between Alana and Gary is great, and both actors are doing a great job. The scene where they're on the telephone and not saying anything is my favorite scene in the movie. Alana is an interesting character, seeing how impressionable she is, trying out different personas throughout the film. What I didn't like as much was the interludes with the celebrity cameos. I didn't like the part with Sean Penn and Tom Waits at all, and the Bradley Cooper part wasn't my favorite either. It does feel a little too long. Overall, I'd say it's worth seeing but not worth the Best Picture nominee-level acclaim.