Red Pill

I'm not a fan of horror films; there's enough horror in the world and this genre causes me so much anxiety. I watched Red Pill because I am such a Pinkins fan. It stunned me that this film was something of a cross between a great art house film and a scary but rivating commentary on the extremes of racism in America. What I found most interesting were the stretches of dialog that addressed so many realities of that racism. I have to applaud, as well, the reversal of roles, turning the white guy into the icky, misogynistic product of white supremacy. Nothing could be clearer on the whole history of this country than this film. And, yes, it was scary af! This is what a film by a Black writer/director can be when there are no whites to put their I-know-better-than-you-how-to-tell-your-story spin on it. Please, let us see more films by Black writers, directors, and producers.

There aren't dead spaces in this film. The viewer is either scared or anticipating feeling scared. The film begins with the illusion of comfort. We see aerial shots of a beautiful Virginia countryside in the fall season. The comfort turns to discomfort as we face death, desperation, and confusion with the characters. I don't want to tell you the story. I want to tell you the significance of this film. I understand that fans of Jordan Peele's "Get Out" will venture to see this film. But keep in mind that this is a flick for horror fans but much more. Red Pill brings in contemporary and historical themes including White women and Black women with issues of betrayal, Trumpism, and Black solidarity, while pushing in glimpses of enslavement of Africans. From 1619, there has been red blood in the Virginia soil from enslaved Africans. How fitting that the film connects horror with realistic fiction.

I'll start by saying I immediately wanted to watch this film again!

Loved the casting - I thought the actors were excellent and well matched. The antagonist didn't have to say anything at all and I still got the point! Maybe even loved the role a little more for the mystery...

The storyline is modern but the themes are old as time.

I would also say the first like 10 minutes of the film really set the stage so don't be late to your viewing!

Otherwise bring a full bowl of popcorn... and eat it fast so you don't throw it out of you lap at the first thrill!!!

...and that was just tonight's news!

Merging truth with fiction in art is a talent. In the case of Tonya Pinkins' Red Pill she is borderline seer.

Red Pill pulls no punches coaxing iconic imagery we see on a daily basis, and magnifying the true horrors behind the history.

Riveting. Cutting-edge. Must see over and over and over like the the endless realities of hate playing before us in our history books.

Powerful and provocative, Red Pill by Tony Award winner Tonya Pinkins, is a gripping sociopolitical horror flick that found me sitting at the edge of my seat, crying and laughing at the same time, and then watching it again, immediately after the credits rolled. Rich with metaphor, satire, and the merging of history with contemporary issues, Red Pill breaks the mold of horror filmmaking. The multicultural cast of award-winning actors delivers nuanced and scintillating performances. Codified with sociocultural and political references, and teeming with symbolic imagery, Red Pill is a poetic feast. A brilliant and iconic work of art, Red Pill evokes conversation on issues critical to American history. Cutting edge and courageous filmmaking. Fantastical. Intellectual. Sophisticated. Surreal and yet so real.