The Last Manhunt

I loved this movie! It delves more into the native American's backstory and customs than the Robert Redford version did. It is a beautifully shot movie, showing big expansive desert views, with an excellent soundtrack keeping the mood set throughout the movie. To me, the musical accompaniment is as important to this movie as any character. Everyone does an excellent acting job, and it really makes the unfolding story believable the whole way through.

There are some bad reviews that complain about the lack of action, but this being a more faithful telling of a true story, there were no big, high body-count, gun fights to throw in. It's a simple, true story of two lovers on the run, being pursued by a group of different men who are there for different reasons. I thoroughly enjoyed it!

IN A NUTSHELL: This dramatic movie is based on true events from the oral history of the Chemehuevi Indian tribe of California. It was written by Thomas Pa'a Sibbett, and directed by Christan Camargo.

The story takes place in the early 1900s Wild West. Willie Boy falls in love with Carlota from the Chemehuevi tribe despite being forbidden to be together. A fatal incident forces the young couple to flee the only place they know as home.

This is a remake of the 1969 movie Tell Them Willie Boy Was Here based on the novel by Harry Lawton. The story was first filmed in 1911 as a short called The Curse of the Redman.

THINGS I LIKED: The cast does a great job and includes Martin Sensmeier, Mainei Kinimaka, Zahn McClarnon, Tantoo Cardinal, and Jason Momoa.

Beautiful musical score.

We get to visit Joshua Tree in California.

It's cool to see various desert survival skills that the Indians use.

Lovely cinematography.

In the end, we get to see photos of the real people involved in the events.

We see the consequences of revenge played out in various ways.

THINGS I DIDN'T LIKE: Fans of Jason Momoa have to wait 30 minutes before he appears in the movie. After that, we rarely see him in the movie. Using his name and image to advertise the movie is a bit deceiving and will frustrate Aquaman fans.

The movie is very slow-moving.

We don't get to know many of the characters involved. Some of them seem easily interchangeable.

Some of the crew were illegally fired twice during the filming of the movie. Rumor has it that the working conditions were terrible and even dangerous.

TIPS FOR PARENTS: Some profanity Lots of gun violence Hand-to-hand combat Various weapons We see some dead and bloodied bodies.

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Whoever marketed this film needs to be reprimanded. This film has all the hallmarks of old classic storytelling. Slow paced retelling of historical dramas. With Arthouse direction and raw cinematography. It wasn't a masterpiece. But it wasn't supposed to be either. It was a gritty Period Drama.

This films posters have Momoa front and centre and I think that did it a disservice, he cameo'd in a film he co-wrote and that's about all. And the story was served by that decision. It was supposed to be about the story and not a Hollywood lead.

Go into this film expecting a Romeo and Juliet type tragedy and you'll be set. This is not about action, it's about contemplation. In many ways it serves as a neat last rites to the dying Wild West.

The whole treatment of this re-telling of the fact-based Willie Boy story is too minimalist to fully engage the viewer. If I had not had prior knowledge of the story it was trying to tell I'd have given up a short time in (in fact my audience did). The style is impressive with fine visuals and settings, but the screenplay just seems to get lost in itself and leaves the viewer struggling to remain involved.

While the earlier late sixties version (Tell Them Willie Boy is Here) is not that much better it at least does a better job of keeping the story elements on track. Maybe there was not that much of a story here to cover a feature movie - a documentary could have been better.

Original, low-budget Native American true-tale period-drama "The Last Manhunt" features some stunning Christian Camargo direction, yet is hamstrung by Thomas Pa'a Sibbett's sluggish & oft confused screenplay. In 1909 when Chemehuevi tribe teen Martin Sensmeier accidentally shoots dead Zahn McClarnon (disapproving dad of his gf Mainei Kinimaka) he & she hide out in the Joshua Tree desert as a bickering posse of regular & Native American po-po (inc Carmago, Raoul Max Trujillo, Brandon Oakes & Jason Momoa (in minor support)) hunts them. More sedate & less tense than it coulda / shoulda been it is interesting, but it's ultimately also disappointing.