John and the Hole

This film is a disappointing example of an intriguing premise, good acting, good cinematography, and strong sound design and score not adding up to anything worthwhile. The sum is much lesser than its parts.

I am also disappointed in the writing, as Giacabone penned both Birdman and Biutiful, two astoundingly original film concepts. I suppose the difference here is that, instead of a master like Innaritu at the helm, we have first-timer Pascual Sisto who is more interested in mood and pastiche than creating a cohesive experience. Haneke or Lanthimos this ain't, and it's heavy borrowing from each winds up getting in the way of what could have been a more interesting film.

I am sure that on second viewing, one might peel back another layer or two, but I don't feel the desire. I may check out Sisto's next project, but this one was kind of a bust for all of its technical achievement.

I have said this review doesn't contain spoilers but I guess by me saying it's absolute tripe I may have lied.

Utter garbage and totally pointless.

He seemed to me to be missing a few screws, he had a nice family and house, no abuse from anyone, but decided he wanted to be alone and be grown. But how he did this was way over the top with his family and when it was over, everyone acted as if nothing happened. Police and crazy house for him. After I jacked him up.

I wish I could have given this a higher score. It was well acted, interesting, great cinematography, interesting story idea and crap ending as far as I'm concerned. Sadly, society is breeding more and more of these soul less VOIDs that look like children, but there must be a POD in the back yard where something alien made this Creepy, empty, inhuman copy left with this family. And in this case, I totally do not get what was supposed to be his end game. His family are nice, educated and caring people, he wants for nothing and if some answers had come I could have rated this higher. I can't say more without spoilers, but I'm Pissed off. I've met kids like this and see more and more of them with each passing year and it frightens me. But that ending??? Seriously, Come on.. just Ridiculous and Senseless. Worth a one time watch if you don't mind being disappointed at the end and left with 1,000 questions and feeling Pissed off. Or if your a soul less human Void too, then you may enjoy this. But if your a caring person with a heart, this movie will leave you feeling angry and dumbfounded.

Oak Cliff Film Festival 2021 Greetings again from the darkness. Why would anyone be surprised that the actions of a teenager make no logical sense? Thirteen year old John (an excellent Charlie Shotwell, CAPTAIN FANTASTIC, 2014) comes across as a shy kid, and a curious one as well. He's a talented tennis player, enjoys going head-to-head in video games with his online friend, and even plays piano. Despite his upper class family life, we sense there is something a bit off about John - although his busy parents are supportive and his banter with his older sister is pretty normal. But his emotionless demeanor sends our mind to dark, uncertain places ... places we hope John doesn't go, although we kind of expect him to.

This is the first feature film directed by Pascual Sisto, and the script comes from Oscar winner Nicolas Giacobone (BIRDMAN, 2014). You should know it's not the typical narrative arc. One day John, with the help of his shiny new drone, locates a long-forgotten unfinished bunker in the nearby woods. The next thing we know, John has drugged his family and dumped them in that hole. That's not a spoiler, as it's shown in the trailer. When Mom (Jennifer Ehle, SAINT MAUD, 2020), Dad (Michael C Hall, "Dexter"), and sis (Taissa Farmiga, "American Horror Story") awaken in the mucky pit, they are frightened and confused. When John appears to deliver food and blankets, he offers nothing in the way of an explanation.

As movie watchers, we have been conditioned to expect this type of situation will lead to significant violence. Instead, we watch as John steps into his newfound freedom. His image of adulting is what he's observed from his parents: classical music, wine, cooking, milking the ATM, and driving the car. He has bypassed the coming-of-age stage, passed "go", and moved directly into his version of adulthood. We know this can't end well, but John is thirteen and isn't mature enough, regardless of this manufactured freedom, to plan ahead.

This is a wealthy family living in a glass house ... an unmistakable metaphor. A sense of entitlement and pursuit of money has distracted the parents from focusing on the importance of teenage years. Whether they realize this looking up at him from the bunker is debatable. John's story is told by a mother to her daughter, an unusual sequence that acts as an awkward framing device. Cinematographer Paul Ozgur delivers terrific camera work with the house, the bunker in the woods, and John's odd demeanor. This is an unsettling film that is more psychological drama than thriller or character study. It clearly borrows from two masters, Michael Haneke and Yorgos Lanthimos, but falls short of their best work (as you'd expect). Still, the film has a certain style, and reminds us that the moral to the story of a teenager's actions often boils down to "don't do that".

Opens in select theaters and On Demand August 6, 2021.