जोकर: फोली अ दु

It was a complete waste of time. As a massive fan of Joker, I expected a strong comeback five years later. The movie was a complete drag. Whenever I thought the movie was taking a turn for the better, it got worse. Save yourself the time and money. Joaquin Phoenix's performance was excellent, but the script was terrible. Through no fault of his own, Joker Folie A Deux is in line as one of the worst sequels ever. The movie seemed more like a display of Lady Gaga's singing and acting ability, which isn't great. I believe this may be the biggest box office flop of 2024. This movie should have been released on Tubi for free.

Joker 2 attempts to once again dive into the mind of Arthur Fleck, but unfortunately, it treads too much of the same ground as the first film. The original Joker was such a meticulous and thorough character study that by the end, it felt like there was little left to uncover. That exact feeling haunts this sequel, as it struggles to find new dimensions to Arthur's complex psyche, leaving the film feeling more like an epilogue rather than a fresh narrative.

Joaquin Phoenix, as expected, delivers an excellent performance as Arthur Fleck, further cementing his unsettling portrayal of the Joker. Lady Gaga also brings depth to her role as Harley Quinn, adding a new dynamic to Arthur's story. However, the movie continuously pulls away from their strong performances with unnecessary musical numbers and courtroom drama that feel out of place.

Ironically, the movie feels its best when it alludes to the iconic scenes and atmosphere of the first film, rather than when it tries to experiment with new elements. The callbacks to Arthur's lonely and disturbed journey in the original film evoke the same eerie tension and emotional weight that made Joker so powerful. However, the attempts to add new layers with the courtroom drama and out-of-nowhere musical sequences ultimately detract from the story's flow, feeling more like distractions than meaningful additions.

The film shines brightest when it focuses on the twisted and toxic relationship between Joker and Harley. The chemistry between Phoenix and Gaga adds a fascinating layer to the film, but unfortunately, these moments are too few and far between.

Ultimately, Joker 2 feels more like a continuation that didn't have much more to say. While it has its highlights, particularly in its performances, the film feels like an unnecessary add-on to the first rather than a compelling new chapter. For fans of the original, it might feel redundant, offering little new exploration of Arthur's character or the world he inhabits.

If Joker 2 was meant to expand on the tortured psyche of Arthur Fleck, it succeeded only in expanding my boredom. What made the first film so intriguing-the slow descent into madness-was replaced with a frantic, disjointed attempt to outdo its predecessor without any real sense of direction. Fleck's evolution (or lack thereof) feels more like a series of erratic, isolated scenes than a cohesive narrative.

The film struggles to find its tone, oscillating between forced social commentary and a carnival of absurdity, leaving neither thought-provoking nor entertaining moments to cling to. It's as if the filmmakers believed that more chaos automatically equals more depth, but instead, it comes off as empty spectacle with none of the philosophical grit that made the original resonate. The character development was shallow, almost as if they hoped we wouldn't notice the lack of story under the avalanche of neon-lit chaos and ominous laughs.

Joaquin Phoenix, ever the committed actor, did his best, but even his performance couldn't save a script that feels more like a checklist of provocations than an actual journey. Joker 2 is a poor imitation of its own predecessor, like trying to laugh at the same joke twice-only this time, it falls flat, and you're left wondering why you ever found it funny in the first place.

Verdict? Skip this punchline.

Joker: Folie à Deux, a sequel that disappoints, Joaquin Phoenix and Lady Gaga offer a good performance giving life to two tormented and complex characters. However, it is the story that is full of holes.

While the first film had won us over with its psychological depth and its powerful social criticism, this second chapter seems to struggle to find its own identity. The plot, at times fragmented and predictable, cannot hold its own against its predecessor. The characters, although interesting, remain in the background compared to an action that gets lost in useless digressions.

In conclusion, Joker: Folie à Deux is a film that leaves a bitter taste in the mouth, it is often even boring. Despite the technical merits and the excellent performances, the story is weak.

A sequel that disappoints expectations, with a poor plot and a much lower emotional impact than the first film.

This feels more like a spin-off than a true sequel, spending most of its runtime rehashing the original through court scenes and interviews, rather than pushing the story forward. The writing is serviceable at best, often relying on thin threads to loosely tie one musical dream sequence to the next. Joaquin Phoenix's performance is fine, but it lacks the raw intensity that defined his portrayal in the original. Lady Gaga, on the other hand, seemed to intentionally tone down her usual flamboyance, likely to avoid overshadowing him, which, while understandable, feels like a missed opportunity for a more dynamic performance.

The musical numbers, full of energy and spectacle, are easily the highlight of the film, with the singing and dancing offering moments of reprieve from the otherwise sluggish narrative. Unfortunately, these sequences can't sustain the film's momentum. The lack of a substantial plot causes the movie to feel overlong, dragging on for more than two hours, making it feel unnecessarily stretched. Without the gripping psychological tension of its predecessor, the film struggles to find its footing, leaving it more of an indulgent showcase for musical theatrics than a coherent, engaging continuation of the story.