Snijeg

For those who are looking for some fun, excitement, or action, there is nothing to see here. However for those who want to see one tradition, country, state, lifestyle, culture, facts there is something to see. Reminds me of real life problems like finances, health, work... But even then, this is still poor movie. Too boring, passive, and too much talk. I expected more action and reaction (e.g. To snow), and more depth like stepping on a landmine or at least seeing situation during and after sale, during and after winter... Instead it has no end. It is unusual to see Emira Hadzihafizbegovic in such poor movie, where even he can't show his acting skills, charisma... Worse than Quo Vadis, Aida? (2020), Sabina K. (2015)... Poor, empty, unfinished.

Debutante Aida Begic opens a tale about Eastern Bosnia in 1997. A sparsely, seemingly deserted village in the aftermaths of the Balkan war. But wait, there are six women, a grandfather (acting imam), a few girls and one boy left alive. Oblivious of the fates of beloved ones, life in the small village continues as usual. At least until one day the two sharp-minded businessmen arrives on a quest to buy land in the war-torn Bosnia, naturally also in the village of pic's assembly. Moral dilemmas including family values and definition of true freedom comes to surface and force the group of women to form divided camps.

Snijeg interposes – by all means – an uncomfortable feeling and pathos for the causalities of war, but also the ones outliving it. Underlying aspects of pic are not beautiful, but it manages to radiate a poetic feeling of how life can go on when it has to. The women of the film are confronted with change, for better or worse. They have lost a lot of things, but what they do have left is their freedom and despite their despair what they need to realize is what they want is all they've got.

All my regards to Aida Begic for portraying this tender subject with such care and modesty, yet managing to include some enigmatic and symbolic scenes which begs for discussion. It's a most successful debut feature that has already earned great reception worldwide – not to say the least by scooping the Critics Week Grand Prize in Cannes.

There is a tendency among film critics today to praise the intentions of directors, especially when the director is from a part of the world that has seen much bloodshed and cruelty. And more so when the causes are recent and the director is young and is brimming with humanity. But the quality of film making does not rest on these things. The result of such a tendency here is to react to the intention and not the result. The story is simple. A group of Bosnian woman are forced to live alone and do their best to survive as their men folk have all gone off to fight and not returned. They make plum jam. A lot of it. And hard work of it. In an early scene, one woman is seen struggling to pull a great big plastic box full of plums up a hill. It showed how tough these girls are. Audiences will ask 'where's the wheel barrow?' This would have proved how bright they are. But no. Relentlessly the 32 year old director pours his heart out over the struggle Bosnian widow women go through. Busy cutting and no real focus on any one woman leads to a collective protagonist that never ever works. Then a couple of Serbs (the bad guys) turn up and for reasons I can not imagine, want to buy the village. But it is going to snow soon. And… well. Plum loco.

I have seen many wars dealing with Bosnian war subject. This one deals with post traumatic syndrome which some Bosnian Muslim women go trough after their husbands and fathers were killed by Bosnian Serb Army during the war of Bosnian independence 1992-1995. If you are interested on the subject this is a film for you, otherwise you might just watch it to learn how Bosnian society looks like.

Plot is interestingly imagined, but it is not really life realistic. Since I know Bosnian society well, I am not sure that somebody would come and offer money for the land. But I am not that sure.

What I am sure is that this film excellently portrays society in eastern Bosnia.

It shows what Bosnian women endured after serbs genocide in Bosna