Tanner Hall

As a young lad, I often fantasized about attending an all-girl boarding school in New England, or maybe someplace in Europe. However, there was always one obvious obstacle to my dream. One minor character in this movie has overcome this obstacle--he gets to attend the titular all-female institution because he is the head-mistress' son. The MAIN characters in the film though are four girls--three long-time school chums and a childhood friend of one of them, who transfers to the school and serves as kind of a catalyst for all the melodrama that follows.

There IS a goodly amount of melodrama--two of the girls get involved with older men. One (Brie Larson) flirts with her English teacher (Chris Kattan) mostly just for her own amusement, but ends up inadvertently causing great problems between him and his sexually frustrated fellow teacher/wife (Amy Sidaris). The other girl, the main protagonist (Rooney Mara) embarks on a much more serious affair with an expectant father (Tom Everett Scott), who happens to be married to her mother's best friend. A third girl has questions about her sexual identity. But perhaps the most troubled girl is the newcomer (Georgia King) whose obsession with cutting herself and history of suicide attempts are the result of childhood trauma that is alluded to early on, but not revealed until the end.

Let me say first off that if the very many high-school age girls looked like Rooney Mara and Brie Larson, pretty much all adult heterosexual men would be in jail right now. But this movie was directed by two women, so it never really veers too much into exploitation territory. This would not necessarily be a liability if it worked better as a straight drama, but all the characters remain undeveloped as individuals and never really gel as a group. The movie also really tries to cover too much in 90 minutes, going into the lives of all four girls AND several of the adults (particularly the two teachers played Kattan and Sedaris). It's hard to fault any of the actors here though. Rooney Mara, for instance, would go on to play another sexy schoolgirl in "Youth in Revolt" before hitting the big-time with the US version of "Girl with a Dragon Tattoo". She's achingly lovely in this movie, but--like everyone else--not a fully developed character you can care much about. Her character is kind of indicative of the whole movie--very pretty, but somehow not very substantial.

We, the 99.9 percent of the world that wasn't in attendance at the 2009 Toronto International Film Festival, have to consider the recent DVD release of Franny Gregorini and Tatiana von Furstenberg's gal drama, Tanner Hall, the film's public debut. So, despite being a movie filmed in late 2008 and not going public until late 2011, this super stylized drama is a 2011 film, and one of the most surprisingly fulfilling watches we sat for all year.

Staffed with a cast of A-level young talent (led by Rooney Mara, Georgia King and the sizzling Brie Larson), this New England boarding school ensemble flick rolls through scenes with no clear cut story arc, instead playing through as a glimpse into the lives of a group of A-level teen girls going through the way crazy stage of puberty, full blast. Pure fire.

We see details of relationships morphing when the new girl, Victoria (King), arrives and fearlessly stomps her way into the pack or sisters. The crew's soul captain, Fernanda (Mara), is the most powerful and interesting character, and she's brought to life with grace by the Girl With the Dragon Tats herself. It's a performance that could've maybe even been considered legendary, had only Tanner Hall been treated as a major release. Mara's moves are so good that we have to assume this was the film that helped David Fincher find his new discovery.

Imagine if Sophia Coppola rewrote the Little Women script for John Hughes in the late 80s and you'll have a good idea of the haunting appeal that is Tanner Hall. As far as film art and storytelling goes, this is one of the great surprises of 2011. An incredible mix of design, writing and performance. Better late than never.

Rooney Mara was about 23, Brie Larson was just 18, here they play high school girls, "coming of age", as they attend a New England boarding school. The movie contains the usual friction among students, friction between students and parents, students and school administrators, and even a student romance with an adult.

Overall I found it to be moderately interesting but quickly forgettable. Nothing really novel here but interesting to see several actresses early in their careers.

I found it on Amazon streaming movies.

The draw card to Tanner Hall for me was Rooney Mara and Brie Larson, I really like Rooney in everything she has done and Brie is a scream in U.S.O.T, so I wasn't disappointed when I watched Tanner Hall. Yes it's kind of a story we have seen before, four young girls are facing the challenges of adult hood in different ways, they realize some things in life have consequences and sometimes those consequence aren't worth it. They are students at a country side boarding school that is very strict and only seems to inhabit star pupils.

To me this movie has a very Sofia Copploa vibe to it, it seemed to me like a cross between The Virgin Suicides and the Eva Green film Cracks, the music, the colors, the actors, the setting, they all have a very Sofia Copploa tone to them, it's very atmospheric in that aspect. Georgia King is really the only character I didn't enjoy, she's so selfish and unhappy in her own life that she decides to bring everyone else down with her, but I suppose she's not a character that you're meant to like, King should tread very carefully as she is in danger if being typecast ad the bitchy English girl at a boarding school as she played a similar role in Wild Child. If there was one story I would have liked to see more it would have been Lucasta's sexual acceptance, it's a story that is I'm sure very common in all girl schools.

Rooney Mara is so impressive, she is perfectly understated in her role, not too much, not enough, just right, and Brie Larson does her sassy attitude thing splendidly. I also loved Chris Kattan and Amy Sedaris, they brought so much humor to a serious film, and the director knew just when to have them in a scene, they were used to perfection.

I'm not a girl and I enjoyed this film, but I have to say this is really only one for the gals, but it's great no matter what, highly recommended.

Tanner Hall is one of those all-girl boarding schools set in the old, countryside serenity of New England. It's probably prestigious (since rich girls go there too), and literally gated. Locked on the inside and out – which seems not only inappropriate but not feasible either since somehow pizza delivery boys can get in. "Tanner Hall" is a teenage girl movie, and of course, our four main girls find no end of trouble in their small school.

A main indicator for how good (or how poor) a movie is, is how well they can reach their target audience. Despite competent casting directors, set directors, and cinematographers, "Tanner Hall" is just way too slow to really engage their youthful audience. We are slowly introduced to Fernanda (Rooney Mara), Victoria (Georgia King), Kate (Brie Larson) and Lucasta (Amy Ferguson). And then with poorly thought out drama (and no comedy) we venture forth as they struggle with coming of age.

Victoria is a trouble-maker, but one misplaced early scene ruined any chance for a strong moment of empathy for her character. Kate is a sexually adventurous trouble-maker and the one with the best chance for intrigue and suspense but she was only the third main character. Fernanda is supposed to be a good girl but then she falls into temptation with an older man. Lucasta, the fourth-billed, was struggling to figure out what kind of girl she was, wanting to understand what she was attracted to and what was attractive about her. Clearly, this is the most sympathetic character and the one that every girl could relate to in one way or another. But instead, the writers and directors made us spend most of our time with Fernanda whose extracurricular activities were not only immoral but illegal too and completely unrelatable to the normal school-age girl.

The grown-up, slowly maturing, adult version of me couldn't connect with any of the girls and found it awfully hard to sit through. The teenage girl version of me would have been able to connect to one of the girls, but it wouldn't really be worth my time.

Don't bother seeking out "Tanner Hall". Just because Rooney Mara is now famous, and an Oscar nominee, doesn't mean we need to start releasing her earlier, forgettable work.