The Last Stop in Yuma County

...I was really surprised the movie was this good. Its premise is simple. Small diner in middle of nowhere. Where nothing really happens. Life is a cup of coffee and you live on.

The assemblance of character cast was interesting. No big names, just simple people that made it work. They are good at what they do. They entertain us, that made the difference. It gave the moments grit from all sides of life. Crooks, geeks, elderly, blue collars..etc.

Directer did great job, keeping us idling along just right. It never got boring. Kept us waiting for what could or would happen next.

Ambiance worked great. Dry, hot, desolate weather. How can anyone live here? But they do.

Very enjoyable, flick.

While stranded at a rural Arizona rest stop, a traveling salesman is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.

It reminded me a little of Natural Born Killers, and From Dusk til Dawn. In that it's slightly offbeat, filmed in a very stylised manner, and every single person in the film carries out their role with skill and panache.

It's one of those crazy films where you simply don't know what's going to happen next, and when it does, you think nothing more crazy can happen, then it does!

It's never slow or dull, it's never silly, it's just excellent bloody adventure with tons of twist. I loved it and gave it a 7.

Nice interesting take on the heist take genre. Lots of inspiration from obviously Quintin, spaghetti westerns especially The Good the Bad and the Ugly. The story unfolds in this wild paranoid situation that can blow up at any moment. You will sit on the edge of the seat during this one.

This film is also set in what looked to me the 60s, so you get a great bit of Americana here and who doesn't love that? The small town in the middle of know where where the gas truck is late an the gas station is out of gas sets up the plot for the entire movie, which is great story telling device. Very possible scenario out west especially in the 60s. I also, love that everyone has a gun on them, which isn't that out of the ordinary in a small American town...though I am only speaking from a current modern perspective of living is small town USA.

Some of the negatives, is sort of basic Hollywood trope on how guns work, which is rather silly, but at least in this movie the unrealistic gun battle, is very important to set up the morality of the characters.

We all believe we are good people, but when the opportunity is there to get away with a crime, this is what really sets apart from the good the bad and the ugly.

At an isolated rest stop in Yuma County, Arizona in the 1970s, several characters are forced to wait at the nearby diner after the resupply truck for the gas station is running late including two bank robbers who stole $700,000.

The Last Stop in Yuma County is the feature debut of writer director Francis Galluppi who began his career in music before transitioning to film with short films High Desert Hell and The Gemini Project. A passion project for Galluppi, he spent years trying to get the film made with a larger studio only for disagreements between the financiers and Galluppi over the direction of the material to stonewall progress. After that point Galluppi accepted the offer of his executive producer, James Claeys, who sold his home in order to acquire the film's estimated $1 million budget. Using a roster of smaller names and character actors to fill out the cast, the film was a true independent project with the cast mainly coming together through goodwill and shared passion. The film has received a lot of considerable acclaim with director Sam Raimi so impressed with the film he personally hired Galluppi to direct a film in the Evil Dead series. The Last Stop in Yuma County is a solid showcase of Galluppi's strengths as a writer director who creates an engaging thriller with a limited location, talented cast, and guerilla ingenuity.

The Last Stop in Yuma County's premise is simple in that it takes a bunch of different characters with big personalities and builds tension in a small location using the old standard of the "money in a bag". Galluppi does a nice job of establishing his characters who range from overworked waitresses and hard luck traveling salesman to bank robbers on a hair trigger or youthful crooks who fancy themselves as romanticized versions of Charles Starkweather and Caril Ann Fugate while ignoring what happened to them. The cast made up mostly of smaller character actors do well with the mateiral including Jim Cummings' unnamed knife salesman who's very much a wrong man at the wrong place at the wrong time or Richard Brake and Nicholas Logan as the bank robbing duo who start on simmer until building to an explosive release. The film stays great for 70 minutes but once it reaches its conclusion it does kind of feel like Galluppi struggled to wrap the film up in a way that was up to the level of its first two thirds. There's nothing really wrong with the film's ending as it's more or less the old ironic standard that's been the basis for this kind of story seen as far back as The Treasure of Sierra Madre, but it does feel like a case where it's kind of stretching itself in order to get to that point.

The Last Stop in Yuma County is an effective small scale thriller that uses its limited resources and location to strong effect using characters with strong personalities to create a tense thriller that works its way up from simmer to a boil. I personally wasn't a fan of the third act as I felt it paled in comparison to the first two thirds, but it's a strong and effective showcase of Galluppi's abilities as a writer and director.

... and i mean this in a far more positive way than it sounds!

A slow-burning B-movie with a single-setting scenario and American Rust atmosphere, Yuma County introduces lovably one-dimensional characters (again I mean well, they are so by design) - right until the plot decides to have a lil bit of macabre fun and put them in the most complex, unresolvable, dilemmatic (most often life or death) situations. The second half of the movie recompenses for the viewer's patience with the first: it is dark and hilarious and sad and unnerving, and more; there's twists and turns worthy of a James Patterson novel, and soon enough it all escalates faster than you can say -escalation-...

In short: One can see where the good ratings throughout come from. This is an enjoyable little gem of a movie that also doesn't overstay its welcome. Technically and acting-wise it does a fine enough job as well.